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A soaringly joyous album from British trumpeter Kenny Wheeler – one that has him leading a larger group in a style that resonates with similar projects of the time from artists like Mike Westbrook or Michael Gibbs! Wheeler delivers some magnificent trumpet and flugelhorn solos – very much at the more straightforward, soulful side of his range – and the ensemble is overflowing with work from top-shelf contemporaries – including Mike Taylor on some key electric piano lines, next to Mike Osborne on…
'As a musician, I've been curious for many years of how collective musical practices can provide a sense of weightlessness, as well as how a focused interplay can blur the lines between musicians and sound sources and create reconfigurations of the relations between the two. I have also tried to explore these observations in depth in some of my composed music: during 2015-2017 I experimented with ways to surprise and destabilise myself in the solo format within the compositional framework of pol…
A sensational, previously unheard session by legendary British free jazz saxophonist Mike Osborne, recorded in December 1970 at London's famous 100 Club. From Osborne's personal tape collection. Feautures two compositions currently thought to be unrecorded in any other setting. Lineup: Mike Osborne - alto saxm Alan Skidmore - tenor sax, Harry Miller - double bass, Louis Moholo - drums. Original mastering by Mike King. Additional mastering by Matt Parker for British Progressive Jazz in associati…
Super Tip! 200 copies, coloured vinyl. 1968 was a crucial year for Volker Kriegel's career, as he released "With A Little Help From My Friends," his first solo album, and signed with American vibraphonist Dave Pike, joining what would quickly emerge as one of the most popular and influential jazz fusion combos. This precious document reissued for the first time by Cinedelic Jazz with bonus tracks highlights all his qualities that enabled him to become one of the most acclaimed and innovative gui…
Tip! *2023 repress* 'A Jackson in Your House' is the first of the Art Ensemble of Chicago’s renowned trio of albums for BYG's Actuel series. This album is The Art Ensemble’s most celebrated release and finds the American avant-garde jazz collective at their most sensational, mocking and startling original best in a session from June 1969, at Studio Saravah. Recorded in Paris during the aftermath of widespread anti-government protests and student riots, it demonstrates what can happen when four h…
"It's a great honor to work with this incredible orchestra and in support of Lelio's legacy. Over the years I had the pleasure to work with Lelio within his community of Palermo and greater Sicilia. The last time was a little over a year before his passing when we toured Sicily together for a week culminating in a recording session with Eva Geraci and Alessandro Librio. This album was published on Astral Spirits as part of my Astral Traveling Series a month before Lelio died. In December, 2021, …
Recorded in one mystical night during Ramadan in 1982, The Night of Power (Laylatu'l Qadri) is a prophetic tapestry of politically and spiritually conscious poetry and revelatory home-studio electronic jazz.
Newly remastered from the original vinyl at Gearbox Studio with extended liner notes and new information. The Joe Harriott Quintet Swings High, recorded in 1967 & released in 1970, saw Joe returning to his hard bop roots on a set that burns with a rare light. A top band of British jazz players, including the UK's greatest drummer, Phil Seamen, and the sensitive and less-known-than-it-should-be trumpet playing of Stu Hamer, create a session that transcends the difficulties of its recording to cre…
Besides being a leading session musician in Milan's jazz scene between the 60s and 90s, Italian pianist Oscar Rocchi created a number of exquisite library albums in the pop-jazz genre. These include among others "Erbe Selvatiche", "Pop-Paraphrenia" and "Woman's Colours" (the latter co-written with his friend Giancarlo Barigozzi) as well as "Alchemy in Jazz", which is now available in digital format for the first time ever. Originally released on Ring, an imprint of Edizioni Minstrel, the album w…
Wewantsounds is delighted to reissue for the first time Harold Land's classic LP 'Damisi,' recorded in Los Angeles for Bob Shad's Mainstream Records and released in 1972. Featuring Buster Williams (b), Ndugu (ds), Bill Henderson (keys) and Oscar Breashear (tp) the album was recorded at a crucial time when Land was shifting to a more spiritual sound. The session is a superb mix of Funk and modal Jazz and feature the monster groove "In The Back, In The Corner, In The Dark" as well as the deep, med…
The prodigious trumpeter Freddie Hubbard debuted on Blue Note in 1960 and produced an astounding run of recordings over the first half of the decade that culminated with Blue Spirits, which was the last of his 1960s studio albums for the label. This bluesy and spirited album presented five evocative Hubbard originals, each of which was given a richly textured arrangement for an ensemble that included a dynamic four-horn lineup. Drawn from two different sessions, the first date produced the grati…
Essential Dorothy Ashby! This high quality Verve By Request edition is cut on 180 gram vinyl at Third Man Pressing in Detroit from a newly remastered transfer. Original Lab review: Released in 1969, Rubaiyat was the follow-up to the cult-favorite Afro Harping. Lesser known, perhaps due to its rarity, Rubaiyat follows in line with more of the funky awkwardness established by its predecessor. The monster track here is "The Moving Finger," with a chanting intro setting off a nice break followed by …
**Back in stock, very last copies** Edition of 250 copies, remastered from the original master tapes.** Issued in limited editions of 250 copies, they stand among the most important and sinfully overlooked documents of the movement of global improvisation that unfurled during the 1970s, and can’t be missed.This bundle (with additional and exclusive dedicated tote bag) includes the following four LPs:- Andrea Centazzo "U.S.A. Concerts" (1978)- Andrea Centazzo, Rova Saxophone Quartet "The Bay" (19…
Tip! The final two LPs in the latest Ictus batch, “The Ictus Archives Vol. 1” and “The Ictus Archives Vol. 2”, both draw on the same period that the veteran saxophonist produced “Clangs” and “Trio Live”, both recorded in 1976 during of two weeks that he was touring Italy with Andrea Centazzo, released in 1976 and 77 respectively, and reissued in 2021’s batch. Gathering four sides of material, issued as two individual LPs, we are offered an incredible insight into that moment’s striking collabo…
Tip! The final two LPs in the latest Ictus batch, “The Ictus Archives Vol. 1” and “The Ictus Archives Vol. 2”, both draw on the same period that the veteran saxophonist produced “Clangs” and “Trio Live”, both recorded in 1976 during of two weeks that he was touring Italy with Andrea Centazzo, released in 1976 and 77 respectively, and reissued in 2021’s batch. Gathering four sides of material, issued as two individual LPs, we are offered an incredible insight into that moment’s striking collabo…
Tip! *250 copies limited edition* On the same trip to the United States that produced “U.S.A. Concerts” and “Environment for Sextet”, Andrea Centazzo also connected with the San Francisco-based Rova Saxophone Quartet, formed the previous year by Jon Raskin, Larry Ochs, Andrew Voigt and Bruce Ackley (all playing various saxophones). While not as well-known now as they once were, over the last 40+ years the ensemble has produced dozens of albums and collaborated with diverse figures like Anthony …
Super Tip! *250 copies limited edition* The Italian imprint, Ictus, was founded in 1976 by percussionist and composer, Andrea Centazzo, and his wife Carla Lugli. Running for just under a decade, until relaunching during the mid-2000s, the label produced a couple of dozen highly highly celebrated releases, the majority of which loosely fall under the banner of free jazz. Ictus’ second batch of releases from the label’s historic archives logically begins with Andrea Centazzo’s “U.S.A. Concerts”, …
*2023 repress* Out of print and hotly pursued on the secondary market, we’re thrilled to announce a much needed reissue initiative, dedicated to Ictus’ back catalog, beginning with four LPs, Steve Lacy and Andrea Centazzo’s Clangs, originally issued in 1976, Derek Bailey and Andrea Centazzo’s Drops, originally issued in 1977, Steve Lacy, Andrea Centazzo, and Kent Carter’s Trio Live, also from 1977, and John Zorn, Andrea Centazzo, Eugene Chadbourne, Tom Cora, Toshinori Kondo, and Polly Bradfield’…