Jazz /
Après la Marée Noire
If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself…
In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a…
Our Thing To In ’N Out
Joe Henderson Our Thing To In ’N Out Revisited notes: The Blue Note label in the early and mid 1960s was a haven for musicians engaged in the process of expanding the jazz vocabulary with unconventional harmonic strategies and new compositional infrastructures that elicited equally exploratory improvisational responses. And it was an ongoing process, benefiting from the sporadic, albeit calculated, interaction of different perspectives and methods of creative inspiration. Established or working g…
Die Unwucht
Big Tip! As poets from Shakespeare to Heine have recognised, “the forest” is not just about grandeur and most expansive of gestures; it is also about intimacy and there is a remarkable intimacy to Christopher Kunz’s and Florian Fischer’s music. The forest is both inhuman, wild, and, because it houses us and to a degree depends on us, profoundly humane. You’ll find these qualities here as well. Focus, breathe and listen. (Brian Morton)
ViaLucis Trio
2025 stock ** "ViaLucisTrio is a improvised training with members related to the collective Rare Musics , agency dedicated to promote primarily the free improvisation in Madrid (Spain). The four members of ViaLucisTrio they met in the meetings of improvisers (Tuesday Wednesday), musical call organized by Rare Music; precisely to encourage participating musicians and facilitate the creation of projects such as the group ViaLucisTrio. As well as those demanding musicians in its task and aesthetic …
NOHC
1998 release ** NOHC is a French quartet featuring Daunik Lazro (alto and baritone saxophones), Denis Colin (bass clarinet), Michael Nick (violin) and Didier Petit (cello and voice).
Composition No. 30: Compilation III For Improvisers, Bigband And Chamber Ensemble (2CD)
1998 release ** "Composition No.30, which represents Simon H. Fell's third 'Compilation' for large ensemble, is, in my view, an important monument in the history of late 20th Century music. In this single piece one finds not only Ives, Webern, Cage, Ligeti, Partch, and Boulez, but also Ellington, Mingus, Sousa, Sun Ra, and even a little urban blues. It's as if all of Braxton's varied and copious output were microscoped into one audacious work for large ensemble. Fell seems to me to have created …
In The Shadow
Joe Maneri’s last Microtonal recordings from the year 2002. These are not typically arranged songs, but asymmetrical, asynchronous constructs that develop from simultaneous, complimentary but peripheral gestures of the mind and heart. The harmonic contrasts that result from Joe Maneri’s breathy microtones; the fixed pitches, inclining towards atonality, of Tyson Rogers’ piano; and Jacob Braverman’s ambiguously scored percussion color their contrapuntal angles and parallel lines. Layers of energy…
Say Yes. Till No.
2025 stock ** "What Phil Minton creates with nothing but his voice those "simply unbelievable and uncanny sounds for which nothing comparable exists, far and wide" (Bert Noglik) seems to lie beyond what it is possible. He is the indisputable vocal giant of the jazz avant-garde. He meets a collective of kindred spirits with the ICI Ensemble. Comprising some of the most enthusiastically experimental instrumentalists and sonic artists of the German improvisation scene, this ensemble has been creati…
De Anima
2025 stock ** "It’s been almost 10 years since Louis Minus XVI reigned over the free jazz of the Flandres. Fortunately for us, his reign is not ready to stop with this new album “De Anima “. This Art Ensemble of Lille is hyperactive. In addition to three albums and a split with the Berber artist Lahcen Akil, we find members of the quartet in equally ambitious projects, such as Unik Ubik, M.Thibault, Hook, L’Atelier d’Education Musicale du Centre Social Raymond Poulidor, but also in the company o…
Asynchronous
2009 release ** Paul Dunmall's playing goes from strength to strength. 'Asynchronous' was recorded live at The Europa Jazz Festival, Le Mans in May 2008, and sees Paul in the unmistakable company of longstanding sidemen Paul Rogers and Paul Lytton and the titanic Fred Van Hove on piano.“Dunmall's big, rounded sound and spiralling runs bursting out of a low-key overture, and then engaging in a long, dignified dance with Rogers's dark bowed chords. Dunmall sometimes builds solos in patterns of bri…
Plays Arirang & Other Assorted Classics
* 2025 stock. 40th anniversary reissue. Gatefold LP + booklet with Obi-strip. * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civili…
Plays Arirang & Other Assorted Classics
* 2025 stock. 40th anniversary reissue. Gatefold LP + booklet with Obi-strip. * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civili…
Show Album No.1
* 2025 stock. LP miniature with Obi. * True to the title 'Show Album No. 1', the tracks comprise a repertoire one would expect of a show stage. However, these tracks are much more than a mere ‘record of activity’ done in between their many show performances. The quality of the recording and consistency of production are top-notch throughout the album, while the details and the dynamics in the music itself rival that of the best Korean bands. Producer Yu-Chil-wang recalls of the album, “..it wasn…
Brown Paper Business
2025 stock Suddenly, there was a stick to dig a hole. Now countless years into the future, we await, anticipating more than competition and violence. I am drawn in, and ultimately mesmerised. Later that night, I began to clearly see the de-centralised nature of an awakened awareness, baked to a crisp by a relentless sun on the inside AND the outside. Unobserved, the need for acknowledgement will run away with the spoon leaving nothing to chance. It must be said that no two instances are ever the…
Jazz: Plays Arirang & Other Assorted Classics. A.K.A. Jazz! Jazz! & Wonderous Jazz!
* 2025 stock * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civilian general scene. As is usually the case in other countries, jazz…
Stereo Instrumental Music
The Ibex Band, with Giovanni Rico and Selam Woldemariam at the creative helm, provided the musical backbone for legends like Aster Aweke, Girma Beyene, Tilahun Gessesse, Mulatu Astatke, and Mahmoud Ahmed, including the iconic album Ere Mela Mela, shaping modern Ethiopian music as we know it today. This 1976 album (Ge’ez Year 1968) played a pivotal role in that legacy and has now resurfaced to set the record straight.
There’s a tendency to talk about the seventies as a golden age of Ethiopian mus…
Novoa / Kamaguchi / Cleaver Trio - Vol. 2
Novoa/Kamaguchi/Cleaver Trio Delivers Electrifying Second Volume, A Bold, Experimental Fusion of Density and Dialogue
Olympia
Emerging Drummer Samir Boehringer Sazzerac Unites Musicians from NY and Switzerland in First Album with 577 Records
Stefanovich, Dell, Lillinger, Westergaard: SDLW
*2025 stock* bastille musique presents its twenty-first release »Stefanovich, Dell, Lillinger, Westergaard: SDLW« featuring world premiere recordings by Tamara Stefanovich (piano), Christopher Dell (vibraphone), Christian Lillinger (drums, percussion) and Jonas Westergaard (double bass). Produced at the Teldex Studio Berlin, the album documents the collaboration between Dell-Lillinger-Westergaard and Tamara Stefanovich for the first time.