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"If music really is a form of rapid transportation, then I have found my mode of transport. Suspense brings apprehension before something happens. It’s a fact. The next time you’re in a snappy nightclub, tap your foot to the memories of your day fading out under the blue lights. The fiercest way to walk anywhere is on your toes. “Here I am,” you blurt out, but everyone already knows you, because a bass is a foghorn that guides us out of exhaustion. The days are doing a little number on us all of…
*300 copies limited edition. In process of stocking* Nick Ingman has had a long career - as a composer, arranger and conductor. Big Beat is just one nugget from his legacy, but it's certainly a big one. Was involved in the Eurovision Song Contest on several occasions, leading the orchestra for Olivia Newton John (1974) and writing the live arrangements to 'Making Your Mind Up' (1981) and 'One Step Further' (1982).
*300 copies limted edition In process of stocking* Jazz classics featuring Hampton Hawes on piano. Released,1971. John Denis Hawksworth, British pianist, bassist, composer, and arranger. He worked with the "Ted Heath Orchestra" from 1951 to 1965. Hampton Hawes, American jazz pianist.
*300 copies limited edition. In process of stocking* Small band featuring brass and percussion. Argentinian artist born in Buenos Aires in 1941. In 1975 he moved to Gran Canaria, Spain, where he created the first jazz school of the island.
** Edition of 300. In process of stocking ** Recorded in Supraphon's Prague studios in Dejvice in March 1970. Jointly created by the bands Blue Effect and Stivin's Jazz Q Praha. The result of this process is forty minutes of music in which the influence of external environments, the immediate ability of each participant, and the predetermination in regard to traditions which shaped their musical development to-date, are expressed by new beauty which contains both logic as well as free, imaginati…
The first recording by these pioneers of electro-acoustic improvisation, AMMMusic stands the test of time both as a remarkably prescient session and as an utterly powerful and deep piece of 20th century music
"Always at the helm, the sound magician Jean-Marc Foussat offers us four new releases from his catalogue. In April 2022 in Le Mans, this champion of combinations between electronics and acoustics brought together Emmanuelle Parrenin on the hurdy-gurdy, a very old instrument that is sometimes considered the ancestor of the synthesizer (!) and Quentin Rollet on the saxophones, an "impossible" trio if ever there was one. Yet these instruments are in perfect harmony, blending and harmonising in the …
"Periferia is an ancient greek word which dérives from the verb perifero,i.e, to bear, bring about; Periferoalso means to let someone know or makesomething known to people, therefore to spread and communicate.
Periferia as a specific area is the perimeter of any closed system. But the1ine of letter Фcuts like a sword the circumference of the solid circle. Periferia symbolizes the fact that you are always far from the center, thatyou follow paths which will never bring you towards the center — yo…
"Is it the fall of Icarus, whose vertiginous stridulation we hear from the very first notes of this album, to which Jean-Marc Foussat once again mixes his AKS synth and his voice? A sharp whistle has just pierced the atmosphere and is lost in the urban bustle where the police sirens can easily be distinguished. It is with this scene worthy of a Michael Mann or Christopher Nolan film that this trio recording opens, bringing together saxophonist Urs Leimgruber, who has already signed a magnificent…
"There is a landscape of sonic ideas, of banging, of entity, of new forms of stimulating the body and of prehension moved by our human, urban, maybe even cubist surroundings, or by the big wild country where, we say, music does what it wants. Unless, we misread and “music knows what it wants.” Both! With one stroke, knowing and doing unanimously converge into one. A point of intersection - there are so many - between the desiredl iberties and sublime agitation provoked by the embrasure of paths …
“In the afternoon we performed in a rather austere theatre in East Berlin. Then I remember we crossed Checkpoint Charlie that evening to play in a club in West Berlin. The atmosphere was completely different. I felt as though we were living in a black and white spy movie.” Nicolas Fiszman recalls that chaotic day of 13 June 1982. Two outstanding guitarists, Philip Catherine and Nicolas Fiszman, who at the time was only seventeen years old, were taken from one side of Berlin to the other in pouri…
Tip! *Silkscreen printed cover. Edition of 200, hand-numbered on the back cover. Totally sold out at source *Muumiot is an Italian-Finnish sextet, which also features Ho Chi Moon’s Pekkola. Gau Ri Laa is a set of four songs, released on ten-inch vinyl and digitally. V. Genta - eceltric piano & saxophones, T. Kemppainen - double bass, S. Pekkola - saxophones & shrutiboxes, T. Tammi - trumpet, T. Tiheäsalo - electric guitar, D. Vanzan - drums
Killer stuff!
2023 repress. Brace Up! is the first ever studio release from the duo of Chris Corsano (drums) and Bill Orcutt (guitar). Recorded in Brussels at Les Ateliers Claus by Christophe Albertijn on March 19th and 20th, 2018. Stage dive photograph by Jason Penner. "Over the past six years or so, drummer Chris Corsano has proven to be one of Bill Orcutt's most reliably flexible collusionists. Regardless of whether Bill is cluster-busting electric guitar strings, weaseling around with cracked electronics,…
*In process of stocking* 'This album pays homage to being, existing, and becoming Ancestors in the Universe. It is a dialogue between an Elder Griot and a young Jali. The story is about each and everyone that gives life, becomes life and ascends through all of our struggles. It is in the House of Good Spirit, that we present an acknowledgement within the African Oral Tradition which represents who we are. A legacy of sound that will give everyone a message. Ashe.' - Neo Griot and the Afrocentric…
*In process of stocking. 2023 stock* Devin Daniels’ Trio Exposition is a bold yet vulnerable body of work that highlights his unique sense of rhythm and harmony through relatively obscure songs by jazz greats. Joined by bassist Logan Kane and drummer Christian Euman, the lack of a harmonic instrument gives the three musicians space to fully explore and push each other. Very rarely do saxophonists choose this instrumentation- especially as their breakout record as a bandleader.
*In process of stocking* "Sting And Grid is an album of great joy and great sensitivity which bears repeated listening due to its relatively calm nature. A real delight for any improv lovers." – Mr Olivetti, FREQ
Two world class players from the Manchester UK free improvisation scene deliver here a beautifully recorded set of pieces founded on pure instrumental skill. Hanslip's elegant, singing lines are delivered with calm and precision, driven by Cheetham's multi-textural percussion.
*In process of stocking* "Wild, wooly, wet, wacky, and quite wonderful new outing from Discus’s primo sound-warping sextet, led by arch poet/spoken word maven Bo Meson. Eccentric is but one mild way to describe the spontaneous wordplay, improvisational acrobatics, and general weirdness to be found percolating across this bafflingly odd disc. Behind Meson’s stream-of-consciousness phrasing lurks guitarist Andy McAuley, synthesist Jez Creek, saxophonist Martin Archer, bassist Peter Rophone, and ce…
*In process of stocking* "Ostensibly ‘jazz’, but you’d be hard-pressed to adopt that term here, as the duo stretch the definition of such pat categorizations to the point where genre effectively becomes meaningless. Just gorgeous, pure music. Softly, as in a morning sunrise." - Darren Bergstein
Music the listener can sink into, immersing themselves in lush textures, and bathing in the richly varied harmonies and sonorities. Ripples began life with an experimental session designed to explore the …
"On this album les 3 fous became 4 with the arrival of keyboard player Jo Thirion, and for the first and only time they had the same sax player for 2 consecutive albums. In addition to the expanded line up, EFL's fourth full length release saw the emphasis shift to relatively short, focused songs and in many ways saw them realise the abundant potential that they displayed on their early albums.
The fundamentals of EFL remained in place, despite the changes. Guigou Chenevier and Ferdinand Richard…