Jazz /
Kiedy Wilki Zawyja?
"This giddy avant pop affair is rather more avant than pop, with a large backing band of musicians steeped in the stylings of early 1970s psychedelia, mutant prog, free jazz saxophone solos, slinky blues (particularly on “Red White And Blue”) and moody spy soundtracks in the vein of John Barry’s score for 1965’s The Ipcress File. “Last Exit To Lublin” has a spoken word interlude in which the Cold War language of such films is remapped for the era of Brexit: “Papers, please/How long have you been…
Aeolian
"These inspired duets sound so unforced and unconstrained that they blow fresh life into that well-worn image. From the outset, two quite distinct pianists establish common ground, where they interweave and spring surprises. It's wonderfully fertile ground too. Strings of scintillating moments bound seamlessly into musical mesh, now mysteriously chromatic, now alluringly melodic, fractiously dissonant, propulsive or ethereal. Tippett's speaking voice, heard fleetingly, suggests a degree of physi…
Miles Davis Quintets Stockholm Live 1967 & 1969 Revisited
Temporary Super Offer! 'Was there more than one Miles Davis? Could he be both the Prince of Darkness and the purveyor of cool? A drug addict and an athletic boxer? A hip bebopper and a protohippie? A flamboyant dresser and a shy vulnerable soul? A brutal misogynist and an insecure romantic? The answer is yes, and yes. Miles Davis was both a creator and a destroyer. His chameleon-like nature can be explained by the times in which he lived and created his art. These live recordings in Stockholm, S…
Where Is Brooklyn? & Eternal Rhythm
Temporary Super Offer! These sessions were recorded exactly two years apart, in early November 1966 and 1968 (both were released in 1969). While they can’t be called “bookends” by any means, they do bracket a remarkable period in Don Cherry’s musical evolution, on his journey from the more strictly jazz environments, as adventurous as they were, of Ornette Coleman, Albert Ayler and others, to a philosophy that embraced many non-Western traditions. While these included various African forms, espe…
Sottobosco
Recorded live may 03 2018 at Porgy&Bess, Vienna recorded by Wolfgang Racher & Gerald Domjan mixed and mastered by Martin Siewert
released March 14, 2022 Konrad Bauer - trombone Georg Graewe - piano John Lindberg - double bass
Peace And Rhythm (LP)
Grey-area LP reissue, exact replica of the original * ldris Muhammad's legendary first album for Prestige, a great synthesis of the disparate elements that went into the era's Spiritual Jazz, Grooves, Soul and Free Experimentation and an indication of the many changes that were to occur in Black Music generally over the immediate years following the end of the 1960s.
"Parts of the second solo album by Prestige Records' house drummer, Idris Muhammad, are an even poppier affair than Black Rhythm…
Music Outside (Book)
*2022 stock. Hardcover edition* This is the republication of a book first published in 1973, and as such—and without the benefit of rose-tinted nostalgia—it offers a snapshot of a British jazz scene that was extraordinarily vibrant and diverse. Trumpeter, bandleader and author Ian Carr was ideally placed to chronicle the events and personalities of the era, and his story reveals a scene that was creative despite, rather than because of, the artistic establishment of the day. Discussion of that b…
Flow Of Everything
"As the bassist for the Matthew Shipp Trio for some dozen years, Michael Bisio has still made time to initiate a cornucopia of side projects, all distinct, all persuasive and all showcasing the deep and wide artistry of Bisio. But now, his side roads have led him back to the heart of his best-known gig. The just-released Flow of Everything centers on the bass-piano symmetry of the Matthew Shipp Trio. This isn't the first time Bisio has made a duo record with Shipp, but it's been nearly a decade.…
Live At The Sunset
*2022 stock* Futura Marge presents Live At The Sunset by Other Dimensions In Music (Roy Campbell trumpet, pocket trumpet, flugelhorn, flute, recorder & double flageolet, Daniel Carter alto saxophone, flute, trumpet & voice, William Parker double bass & musette & Hamid Drake drums & skin drum).Recorded in Paris at the Sunset on October 17th & 18th, 2006
Wha's Nine (Live At The Sunset)
*2022 stock* Futura Marge presents Wha's Nine by Trio 3 (Oliver Lake alto saxophone, Reggie Workman doublebass & Andrew Cyrille drums).
Recorded in Paris on October 28th 2007, live at the Sunset.
Hors Pistes
*2022 stock* Futura Marge presents Hors Pistes by Laurent Geniez (alto & soprano saxophones, effects, machines, synthesizer, children's toys, washing machine pipes, guitar, electric bass, percussion, tins, various objects & vocals), Paco el Lobo (vocals, guitar & hand clapping) & Octave Z (trumpet, keyboards, programming & decks.
Recorded between 2005 & 2007 at studio Z, and at l'Auditorium in Paris
Shape
*2022 stock* Futura Marge presents Shape by Alexandra Grimal (tenor & soprano saxophones ), Antonin Rayon (Hammond & Clavinet) & Emmanuel Scarpa (drums) .
Recorded on June 30th 2008 at the Sunset, Paris. Digipak.
A Night In Paris (Live At The Sunset)
*2022 stock* Futura Marge presents A Night In Paris / Live at the Sunset by FAB Trio (Joe Fonda doublebass, Barry Altschul drums & Billy Bang violin).
Recorded on April 19th 2008 at The Sunset, Paris.
Recorded live in Paris at the Sunside on July 22nd, 2006. ℗ & © 2006 Terronès
Existences
*2022 stock* Futura Marge presents Existences by Trio Passeurs (Véronique Magdelenat alto and soprano sax, Bernard Santacruz doublebass & Christian Rollet drums).
Recorded live 15th november 2008 at l'AJMI - La Manutention in Avignon (France)
Provenance
Martin Archer and John Jasnoch have a musical relationship which goes all the way back to the early 1980s when they were both a part of jazz-punk pell mellers Bass Tone Trap. Over the subsequent years they have played and recorded together occasionally, previously as ASK, and now as this no frills improvised music duo which allows both musicians to utilise the full range of their respective instrumentation. This new work was recorded in the same place at the same time, one day in July 2021. The …
The Scale
The extraordinary, powerful and characterful French singer Carla Diratz (described by none other than Robert Wyatt as "the soulful Ms Diratz") collaborates here with composers Martin Archer and Nick Robinson to deliver an extremely diverse set which runs from out and out prog through avant-rock to improv, electronic collage and modernist chanson - "Improg" is the name we've given to this mixed up school of music. Lyrics sung in English, French and Italian ultimately present a very personal view …
See You Soon Or See You Sometime
I have wanted to make a trio recording – that simplest and yet most demanding configuration for any saxophone player – for many years, but had been unable to decide who the other players should be. It was only when I heard Michael’s solo work that I realised that his approach to the bass, combined with Walt’s textural playing, would make the foundation which I was looking for. I wanted a trio sound where the saxophone could inhabit the music from within - as opposed to riding upfront in the role…
Jesup Wagon
TAO Forms is rather stoked to present this astonishing new work from the fertile creative mind of tenor saxophonist–composer James Brandon Lewis. Performed by the Red Lily Quintet, an exceptional & singular inter-generational ensemble, this album speaks to the forever-evolving continuum of the jazz tradition.
Dream Sequence
** 2022 much needed repress ** Milestone! Recorded in 1972 at the legendary Landsdowne Studios in London, Cosmic Eye is an extraordinary piece of recorded music. Led by Indian born guitarist Amancio D’Silva, Cosmic Eye was a highly innovative studio experiment in which ‘Jazz Meets World’. Following in the footsteps of other pioneering Landsdowne jazz recordings such as Joe Harriott & John Mayer’s Indo Jazz sessions, Cosmic Eye is modal, but is also under-pinned with traditional Indian instrument…
Live at Antibes Jazz Festival in Juan-les-Pins 1968
Pharoah Sanders, live at the Antibes Jazz Festival in Juan-les-Pins on July 21, 1968. Experimental jazz titan Pharoah Sanders made a lasting impact with his unorthodox approach to tenor saxophone. Born Farrell Sanders in Little Rock, Arkansas in 1940, he was given the nickname Pharoah by grandmother, in reference to the potential regal lineage of his African heritage. Playing clarinet at church services during his youth, he began playing tenor sax at high school. In 1959 he moved to Oakland, Cal…