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Recorded in the 1980's and snapped up upon arrival in Europe by the Soho Boho's, Acid Jazzuals, Cuboppers, Jazz Massivists and Mojo Jazzmuziker, "Le-Le" by The Arpeggio Jazz Ensemble is a unique one off spiritual soul-jazz outing with avant garde touches and more than a hint of afro-cuban orientalism.The percussion drenched title track has that special worldwide sound and the cool jazz get down groove of "Wet Walnuts and Whipped Cream" is a DJ's delight, whether played over the airwaves or to a …
"Crazed time signatures abound as musicians from the West look East for inspiration, infusing their rock and jazz sounds with vibes looted from India and the Far East. A true marriage of Western and (Middle) Eastern music with a fuzzed-out psychedelic edge.Released originally in 1969, Middle Eastern Rock is a unique, compelling fusion record from Armenian-American oud player John Berberian. The Rock East Ensemble, Beberian’s backing band, consists of the artist’s standard group, which specialize…
Super Tip! * English version. 400+ pages, large-format book, very heavy * This book is dedicated to the history of the music label Free Music Production (FMP), which from 1968 to 2010 achieved incomparable things as a Berlin platform for the production, presentation and documentation of music. Based on many conversations from over thirty years with key protagonists such as Peter Brötzmann or Jost Gebers, Markus Müller tells the success story of a musicians‘ initiative that emerged in the context…
No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse – anything was possible in the cosmos of Albert Ayler’s soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane’s late work was unmistakably shaped by the influence of his younger colleague…
Melodic folk trio jazz by legendary Norwegian pianist and composer Christian Reim, featuring two different sessions with bass/drums combination: Ingebrigt Håker Flaten , Håkon Mjåset Johansen & Harald Johnsen / Jarle Vespestad.
‘The Syd Barrett of the avant-jazz scene’ British jazz composer, pianist, songwriter, Mike Taylor died tragically young, leaving just two albums as well as co-writes with Ginger Baker for Cream’s Wheels Of Fire album to his name. In 1973, under the direction of Neil Ardley, several of the performers who had worked with him recorded an album of Taylor’s surviving orchestral music, jazz tunes and songs as a memorial to him and to preserve his work as a composer and song writer for posterity. Taken…
After a long hiatus due to obvious reasons, Goncalo Almeida & Dirk Serries played an exclusive duo performance at Jazzblazzt in The Netherlands. Open air at the lovely Ozo Land location. Recorded live on June 5, 2021.
Now here we go with a project that can easily be labeled a mammoth. Who remembers Eden Ahbez actually, except for a couple of born too late retro hippies? Well, here we go with the story: It is 1960, Rock’n’Roll has just lost a couple of its protagonists during this and the previous year, the time of the great balladeers has just begun, but soon will run out due to the new and exciting beat invasion. In the US mainstream the tiki culture has reached a certain peak and is about to collapse, but s…
Getatchew Mekurya is probably the most revered veteran of Ethiopian saxophone. A real giant, both physically and musically. Not only is he at the very top level of Ethiopian saxophonists, but he is the 'inventor' of an extremely distinctive musical 'style.'
“”The Other Lies is a collection of six improvised duets performed by Tom Jackson on clarinet Colin Webster on alto and baritone saxophones. Tom Jackson is very accomplished in the fields of contemporary classical music and free improvisation. He also holds a Ph.D from Canterbury Christ Church University. Colin Webster is a musician whose works I’ve reviewed here before. When one of his releases comes up on my Bandcamp feed I always take notice. He’s a prolific and under appreciated figure in th…
“‘Melancholia’ is, perhaps, a somewhat misleading title for the duet of John Edward (double bass) and label boss Dirk Serries (acoustic guitar). One might expect some sad music, a soft thud on the bass, a few strums on the acoustic guitar, but it is clear that these men deal with a different kind of melancholia right from the start. In the two pieces (forty-four minutes), I think there is a mutual agreement between the two to work along dynamic lines. They cut out the middle ground, it seems. Th…
“From May this year, One In The Eye is a double CD bringing together Alan Wilkinson and Dirk Serries for selection jagged, moody, to-playful improv. The set features one disc taking in eight tracks, and a second disc features two longer work-out.
The first disc opens with the nearing six minutes of “Upshot”- here we find Serries jagging ‘n’ jerking strums weaved with Wilkinson energetic and at points quite seared sax work- this works as a nicely urgent and shifting opener for the release, throwi…
“Pieces Of Apparatus severs up five examples of extremely sparse and often spaced-out improv for guitar- with all the tracks unfolding in both a jaggedly wondering, dartingly inventive, and largely rewarding manner. Here on the New Wave Of Jazz label is CD release, presented in the labels house style packaging of a white and grey box gatefold, that features a worthy write-up about both Gérard work in general and the pieces offered up here.
Pierre Gérard is based in Liège, Belgium- and has been …
Ballads From The Wrecked Ship is a decidedly varied and rather wonderful improv release, which sits somewhere between sonic creativity and atmospheric moodiness. The seven-track album slides in at a concise and focused forty minutes, and I must say it certainly stand as one of more distinctive/ original improv release I have heard in some time. The album appears on the always worthy/ interesting New Wave Of Jazz- coming in the labels house style mini grey gatefold packaging, which as always fea…
**Limited edition of 100 copies** “I am not sure if with the double bass there are various types, like with the guitar, but none is mentioned on the cover or the fact if this is a mono recording. The latter probably not. It was recorded in the spacious surrounding of the old church in Oud-Charlois, which is a part of Rotterdam and home to a few great concerts, some of these involving the church organ housed there. Goncalo Almeida stuck to his bass. We know him for his one-off collaboration with …
Skeleton Crew was founded in the early 1980s by Fred Frith and Tom Cora. The original idea was to create a new group out of the ashes of Massacre. Hey started experimenting with what they could achieve by themselves, recorded the fantastic debut album Learn to Talk and finally decided to take the new project out on the road. After several years of searching for recordings, mixing and mastering, and held up by the global pandemic, we are proud to finally offer you this double CD of live recording…
Following the already classic Wamono A to Z trilogy, 180g presents an exceptional collection of jazz funk / rare groove tunes recorded in the mid-seventies at the Nippon Columbia studios by three giants of Japanese music: arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa and shakuhachi master Kifu Mitsuhashi.Born in 1932 in Tokyo, Kiyoshi Yamaya started his musical career in 1953 when he played in various jazz bands in town. In 1957, Yamaya joined Nobuo Hara’s famous jazz big band Sharps & F…
Communion, privately released in an impossibly small edition of twenty five cassettes in 1986, is a beguiling, politically underpinned meditation of cosmic improvisation and wayward folk music from Cleveland’s Universal Liberation Orchestra. The group’s name is, in one sense, a tongue-in-cheek reference to their changing membership, while also a proclamation of intention. Started in 1979 as a five-piece, first known as the Cleveland Collective, the group eventually whittled down to the duo of br…
Temporary Super Offer! "Life Time posited a radicalism quite different from the other watershed recordings of 1964. Anthony Williams had an overt, unconventional approach to form, accentuated by the time constraints of a LP side and the various configurations he employed... By the time the 19-year-old Williams returned to Van Gelder Studio to record Spring with Hancock, Peacock, Rivers, and Shorter, the avant-garde was ascending... He retained some of the parameters
of Life Time ..." - Bill Sho…
James Newton’s 1977 self-released solo-debut, ‘Flute Music’ is an unheralded gem of the 70’s jazz underground. An album that showcases a diverse range of styles and fervent cross-pollination, while retaining a clear sense of direction and cohesion. An artist funnelling their wild expression into multiple facets of “The New Music”, crafting an auspicious and artistic debut. Newton would later go on to record with revered jazz labels like India Navigation and ECM, and collaborate with fellow creat…