Jazz /
Flute Music
James Newton’s 1977 self-released solo-debut, ‘Flute Music’ is an unheralded gem of the 70’s jazz underground. An album that showcases a diverse range of styles and fervent cross-pollination, while retaining a clear sense of direction and cohesion. An artist funnelling their wild expression into multiple facets of “The New Music”, crafting an auspicious and artistic debut. Newton would later go on to record with revered jazz labels like India Navigation and ECM, and collaborate with fellow creat…
Live
"Devoting more than forty years to the painstaking development of an individual style doesn’t mean that British tenor saxophonist Evan Parker eschews new challenges and collaborations. Live is notable, however, because Parker manages, without altering his distinctive reed patterns, to seamlessly match his contributions to those of the Paris-based trio Marteau Rouge. And Parker does so without upsetting the perceptive strategies that members of the trio have developed during their years together.…
Café Oto, London, The 22th Of January 2020
A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.
Nature Still
An immersive record of free improvisation from the French trio of analog synth player Jean-Marc Foussat, trombonist Christiane Bopp, and vocalist Emmanuelle Parrenin, 4 works inspired by a still life painting by Duane Keiser, each an impressive evolution and transmutation of sound in dream-like environments that envelop then surprise its listeners.
Spie(l)gelungen
The EMS Synthi AKS was introduced in 1972 as a portable analog synthesizer, used in many avant rock & electronic settings; on Spielgelungen both Jean-Marc Foussat and Thomas Lehn perform on the Synthi, their adept skills and experience with the instrument in free improv highlight both their incredible creative drive and the flexibility of the AKS.
SololoS
A stunning solo album of improvised violin from Viennese violinist Irene Kepl, showing a great range of style and technique while keeping the music playful and interesting, invoking a quote from Trisha Brown: "Dancing on the edge is the only place to be."
Instants Chavirés
"This disc represents the outcome of an improvised concert from February 2000 featuring double bassist Peter Kowald, saxophonist Daunik Lazro, together with the voice of Annick Nozati. Having had to resort once more to Google Translate I apologise in advance for misunderstandings and mistranslations. Comparing the French to Google’s English I can recognise the correctness of it but suspect that the nuances of language have been overlooked. The liner notes start with Nozati saying that she does n…
Noir
"Noir" is the first studio album of the bleakly imaginative trio Marteau Rouge (French for "Red Hammer"), consisting of Makoto Sato on drums, Jean-Marc Foussat on VSC 11 and vocals and the talented guitar player Jean-Francois Pauvros (former collaborator of proper miliar stones of noise scene such as Sonic Youth and Keiji Haino), after their brilliant live recording with legendary free-improvisational saxophone player Evan Parker, whose absence on this record gives this amazing ensemble the poss…
Egypt Strut
In 1968, while he was also the leader of the Military Music Departments in Heliopolis, Salah Ragab formed the first jazz big band in Egypt, The Cairo Jazz Band. Some of the best musicians in Egypt of that time were members – Zaki Osman (trumpet), Saied Salama (tenor sax), Khamis El-Kholy (piano) and Ala Mostafa (piano). On these recordings The Band consists of five saxophones, four trumpets, four trombones, piano, bass, drums and percussion and various other oriental instruments. The opening con…
Bombay Palace
**Limited edition, numbered** Sensational early-seventies funk bomb by Muhavishla Ravi Hatchud and The Indo Jazz Following. Super-rough organ funk, like a dream combination of Mingus, Jimmy Smith, and Zigaboo Modeliste from The Meters -- plus Ravi's ramped-up sitar, like a tripping, undercover Bo Diddley. The first in a new series of Outernational 45s.
SAC School Of American Craftsmen
Outernational Sounds present a reissue of Jeff Resnick's SAC ("School Of American Craftsman"), originally released in 1978. Organically funky, laced with avant-garde synth textures, and studded with breakbeats, the second release on Outernational Sounds is Jeff Resnick's unique, ultra-rare, 1978 promotional recording for the School for American Craftsmen, at the Rochester Institute of Technology. Five tracks of soul jazz and modal fusion -- re-modeling Trane, and opening with a variation of "Nor…
Bennu
Rempis and Ra have worked together for about fifteen years. Most regularly since 2012 in their trio with Joshua Abrams, which expanded into a quartet in 2016 with the addition of pianist Jim Baker. That band is a real working unit, having performed dozens of gigs in Chicago and abroad, and releasing three critically-acclaimed records, also on Aerophonic: Aphelion (2014), Perihelion (2016), and Apsis (2019). The diligent work these two improvisers have put in together in that context has slowl…
Birth Of A Fossil
Wendell Harrison was born in Detroit in 1942 where he began formal jazz studies for piano, clarinet and tenor saxophone. At 14, while still in high school, Harrison started performing & recording professionally with artists such as Marvin Gaye, Grant Green, Sun Ra, Hank Crawford … and many others.
In 1971, Harrison began teaching music at Metro Arts (a multi-arts complex for youth) where he also connected with Marcus Belgrave, Harold McKinney and Phil Ranelin…soon after they formed the (now lege…
Cannes '58
*tiny bump on corners, discounted copies* Donald Byrd’s residency in Paris in 1958 to study with composer Nadia Boulanger gave rise to one of the greatest bands of his career with Bobby Jaspar on tenor sax and flute, Walter Davis, Jr. on piano, Doug Watkins on bass and Art Taylor on drums.Sam Records is proud to present this previously unreleased concert by the Donald Byrd/Bobby Jaspar Quintet recorded during the evening dedicated to ‘Modern Jazz’ during the 1st and only Cannes Jazz Festival on …
24 Hrs
The rarefied music of Ramuntcho Matta returns to Emotional Rescue with the first ever reissue of his album, 24 Hrs. Recorded in 1986 – the same year as his influential Ecoute... – the album finds Matta working in a less playful, more experimental framework but with the same ground breaking results. Again collaborating with a selection of accomplished players, 24 Hrs sees Matta (electronics, guitars, marimba, melodica, sanza, vocals) work again with Cacau de Queiroz (flute and saxaphones) and Eli…
Modes and Blues - 8th February 1964
This is a previously unreleased mono recording of Modes and Blues from the Tubby Hayes Quintet’s weekly Ronnie Scott’s residency on 8th February 1964. Regarded as one of the masterworks of British modern jazz, Modes and Blues shows the Quintet at the very height of its powers, channelling the new musical flavours and inspiration that Tubby Hayes had absorbed from the cutting edge of jazz and the new directions of John Coltrane. Recorded with Hayes’ approval by Les Tomkins on his Ferrograph tape…
Original Soundtracks 1970-1974
*Limited to 300 copies* This limited vinyl edition includes 21 of our favorite tracksA compilation of early, unheard and unknown works arranged and directed by Dutch soundtrack composer Ruud Bos. Full of wild jazz, organ funk, cinematic grooves, breakbeats and dope fender rhodes piano solo’s.A must have LP for anyone who has a heart for cinema, funk, soundtracks and rare movie scores!
Functional Stereo Music
Rob Franken was a talented Dutch, journeyman keyboardist of the 70s. Among other things, he is considered the first Dutch jazzman to make ‘good use’ of the Fender Rhodes and synthesizer.These 3 CDs compile a full six vinyl lps worth of previously unreleased commercially music. Much of the music is electric trio, but some sessions use extra percussion and even sax or trumpet. The description below explains what this music is, but it’s much better than simply ‘music for elevators’ and it certainly…
Spirit Junction: Korean Folk Music Meets Jazz
* First ever reissue * Composer and saxophonist Gil Ok-yun was a central figure in Korea’s golden age of gayo (1960s to 1980s), and has given us countless gems through his collaborations with greats such as Hye Eun-yi and others. Gil never did let go of his jazz roots, and would occasionally release gayo records in the jazz-tinged kayokoku style with the help of musical colleagues during his time in Japan such as Keitaro Miho and Shungo Sawada. It was through his meeting with Korean classical m…
Akuma Ga Kitarite Fue Wo Fuku
Hozan Yamamoto, a legend of Japanese jazz, he is rightly regarded as a true master and was recognised as a "living national treasure" by the Japanese government in 2002. Over five decades he pushed the genre into new directions, absorbing fusion, funk, spiritual jazz and many other sounds, resulting in a discography studded with gems of rare beauty. Exploring his back catalogue has taken us on an engrossing journey that now sees us reissuing another work from this ground-breaking musician.Though…