Jazz /
South No Border
Roberto Laneri's works always convey a clear artistic certainty: a total composer with an eclectic cultural background. In this latest adventure it seems to propose a kind of weird and curious Exotica music; his Mediterranean ragas release glows and shadows, but the music plays more the plateaus of the Maghreb than the Indus Valley. Like a sorcerer piper, the sax shapes alchemy and hypnotic phrasing become: vague dances of camels, ecstatic progressions of an aboriginal vortex or a mystic arabesq…
Meow
** Small repress **Live and direct from Balombo City, capital of Bolombia, a land of milk and honey in between the scorching stomping South and the glacial abstract North: Maistah Aphrica are back on track! The word has spread in the Bolombian nation: everyone who knows they are returned is shouting De balombo!” (so cool), “El secondo xe Meow!” (the 2nd is better), they answer back. Maistah Aphrica (never been to Aphrica, in their own Bolombian slang) celebrate again Cultura de Bolombia: the nat…
End For The Beginning
**700 copies** We are proud to introduce this new Superfly reissue, produced in collaboration with Universal Music Japan and Production Dessinee. Beautiful modern jazz album with modal and spiritual vibe all the way. This is a state-of-the-art quality repress with vintage Japanese quality touch, with obi and insert, strictly limited to 700 copies.
Takeru
**700 copies** We are proud to introduce this new Superfly reissue, produced in collaboration with Universal Music Japan and Production Dessinee. Japanese modal jazz rarity originally released on Philips Japan in 1970. Dream line-up (Yoshio Ikeda, Masabumi Kikuchi, George Ohtsuka) playing stunning compositions : this one is a must! Gatefold artwork to die for as well. State-of- the-art repress with vintage Japanese quality touch, including obi and insert, strictly limited to 700 copies.
Stomiidae
A collective trio of vanguard improvisers and frequent New York collaborators, Daniel Levin on cello, Chris Pitsiokos on alto saxophone, and Brandon Seabrook on electric guitar, a working band captured here in the studio at Firehouse 12 for a powerful set of idiosyncratic and exhilarating improvisations with tracks and the title named for a family of deep sea fish.
Bop & Ballads
Newly discovered sessions released here for the first time: Ten recordings by one of the greatest saxophonists of his generation, American jazz master Lucky "Eli" Thompson with the Michael Naura Trio, Quintet and guests in Hamburg 1959 and 1960. Small and larger group improvisations with the melodic sound of Lucky on tenor and soprano sax, featuring Heinz von Moisy, Hajo Lange, Jimmy Gourley, Wolfgang Schlüter and Hans Koller. From hard bop to soft ballads, all light, fluffy, intimately personal…
Birth And Rebirth (LP + CD)
"The music in this album is a result of our belief in a continuum that links the present with the past. Our spontaneous improvisations are true to those well defined principles basic to African American culture. Thank you for listening." - Max Roach / Anthony Braxton. This recording was the first to document their collaboration. All of the tracks are improvisations and it appears that the younger Braxton was the one taking the lead. If he keeps himself a bit restrained, steering clear of the ext…
Piano Solo
Raw and angular as they sound, these nine pieces are utterly compelling. Without supporting bass and drums, Monk draws on his early influences to lay down left-hand rhythm patterns, including a kind of off-centre boogie-woogie. But it’s the authority and completeness of each performance that is so impressive, not to mention the considerable technique involved. An excellent booklet provides the background
Straws (LP)
At long last, after remaining out of print for decades, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Steve Lacy’s LP, "Straws", issued as the sixth instalment of the label’s DIVerso series in 1977. Truly singular in the legendary American saxophonist’s discography - featuring stunning solo excursions and dialogs with himself - it remains one of the great documents of 1970s improvisation, and is as engrossing, creativ…
Africa (LP)
* 45th Timeless Records anniversary edition of 1000 individually numbered copies* To celebrate the legacy of Wim Wigt’s Timeless Records, Music On Vinyl is releasing a 45th anniversary jazz series. The series features albums that are part of the Timeless Records legacy and will be released throughout 2021/2022. To kick off this series, Pharoah Sanders’ Africa is released on the 19th of November 2021.Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz, which has e…
Turbina Anthem
"It's almost a given that any new release on the Lithuanian No Business label is going to be a bit out of the ordinary. As the catalogue grows, so does its depth and breadth. Turbina Anthem vouchsafes that proposition, comprising an unusual guitar and trumpet duet by two Portuguese improvisers who deserve a wider audience. Trumpeter Sei Miguel boasts a discography stretching back to 1998 in the company of compatriots, but in recent years has made a number of appearances with American free guitar…
Volume 1. "Inhale"
“The debut record of Luft (the duo comprised of Mats Gustafsson and Erwan Keravec) - is a two volume album of exceptional explorations within the bagpipe and reed universe ——unknown music of poetic beauty and high energy cascades. Fast moving changes in texture and layers vs static repetitions and alternatives densities and melody treatments! Vol 1 - is focusing on the interaction between the two persons/ instruments - with a huge variety in extended techniques and various ways of treating the i…
Radio Over Miles
What would it sound like if Miles Davis and Radiohead had a baby? Released February 5, 2010. Greg Spero - keyboards Corey Wilkes - trumpet Makaya McCraven - drums Junius Paul - bass uartet – Radio Over Miles
Grill
Grill by Gbubemi Amas is as smooth as the red cardigan artfully slung around his shoulders on the cover. Whether he is running through the scales on a cover version of ‘Fire and Rain’, or trying on his calypso highlife moves on ‘Ereyon’, you know Amas is a man with a smooth line for every occasion. He is also a man with impeccable enunciation. Listen to ‘Slow Down’. It features one of the most cultured sound checks you will ever hear in your life – “Willy, keep the bass a little bit tighter”. Th…
Africadelic
Aurora present a reissue of Manu Dibango's Africadelic, originally released in 1972. The strange and majestic musical beast that is Africadelic was Dibango's follow-up to Soul Makossa (1972), but it was initially released on Louis Delacour's library music label, Mondiaphone, before Soul Makossa became an international phenomenon. As a Mondiaphone release, it was aimed at television and film producers seeking atmospheric background music, so the original titles are simply "Theme No 1," "Theme No …
Ville Sauvage (2CD)
This project was inspired by « La pensée sauvage » de Claude Levi-Strauss. « On the 29th of September, a concert took place at the Manufacture Atlantique in Bordeaux with a piece I designed for the ensemble « UN » with Benjamin Bondonneau’s artistic collaboration. Earlier, 24 solos that were induced as an independant series of events in various places in Bordeaux at different times of the day, chosen by the musicians and programmed from June to August 2017. Successive events gave birth to in sit…
All The Ghosts At Once
Three young musicians team up to form this exciting trio. Personnel: Mette Rasmussen - alto saxophone; Tashi Dorji - guitar; Tyler Damon - drums.
Le Funambule
With mystery and drama the duo of clarinetist Sylvain Kassap and double bassist Benjamin Duboc start their performance with whisperings, Kassap's expanded range and vocabulary on the clarinet evocative against Duboc's strong bowing and plucking, as they both take their listeners across a tightrope of carefully balanced, masterfully evolving free conversation.
For Bobo (Oscar Brown III)
Recorded in October 1997.
Homecoming
As in Benjamin Jephta words: ss musicians coming from different training institutions, we are taught a variety of concepts and are exposed to various styles and genres of music. We are taught what is ‘hip’ and what is not. I assimilated what was trendy and emulated the people I looked up to. In the processes, I lost track of the real spirit of my music. The reason I play music, the essence of what first inspired me to compose a melody. It’s that spirit I wanted to capture by calling this album ‘…