Jazz /
Nigeria's Afrobeat - III
Involving the combination of elements of West African musical styles with American funk and jazz influences, with a focus on chanted vocals, complex intersecting rhythms and percussion, Afrobeat was popularized by multi-instrumentalist and bandleader Fela Kuti who is responsible for pioneering the style both within and outside Nigeria.Soundohm is glad to bring you 'Nigeria's Afrobeat', a series of bundles offering a perspective on the musical tapestry that composed the Nigerian Afrobeat scene be…
Nigeria's Afrobeat - II
Involving the combination of elements of West African musical styles with American funk and jazz influences, with a focus on chanted vocals, complex intersecting rhythms and percussion, Afrobeat was popularized by multi-instrumentalist and bandleader Fela Kuti who is responsible for pioneering the style both within and outside Nigeria.Soundohm is glad to bring you 'Nigeria's Afrobeat', a series of bundles offering a perspective on the musical tapestry that composed the Nigerian Afrobeat scene be…
Nigeria's Afrobeat - I
Involving the combination of elements of West African musical styles with American funk and jazz influences, with a focus on chanted vocals, complex intersecting rhythms and percussion, Afrobeat was popularized by multi-instrumentalist and bandleader Fela Kuti who is responsible for pioneering the style both within and outside Nigeria.Soundohm is glad to bring you 'Nigeria's Afrobeat', a series of bundles offering a perspective on the musical tapestry that composed the Nigerian Afrobeat scene be…
Jazz Rock
They say you can't judge a book by its cover, and going by 'Jazz Rock’, nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'yō music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost …
Sound American no. 24 - The Sun Ra Issue
Our first issue of 2020 celebrates interstellar icon and generative force of nature: Sun Ra. Contributors on the topic include Taylor Ho Bynum, John Corbett, Naima Lowe, Luke Stewart, Thomas Stanley, and Ken Vandermark. The issue also features supplemental writing from Jessie Cox on Marshall Allen, Reg Bloor on Glenn Branca, Chris Pitsiokos on On The Corner, Peter Margasak on Derek Bailey's On The Edge series, and a conversation between Audra Wolowiec and Freya Powell. The issue closes with the …
Jazz Piano
Roman pianist and film composer Armando Trovajoli scored over 300 feature films during his remarkable career. Starting out in the 1930s as a player in Orchestra Rocco Grasso and Sesto Carlini’s beloved jazz orchestra, in 1949 he represented Italy at the Festival du Jazz de Paris and he began composing films three years later. Jazz Piano, released by RCA in 1959, saw Trovajoli fronting a quartet with three of his regular orchestra members, namely drummer Sergio Conti, bassist/arranger Berto Pisan…
Marching Songs Vol. 2
It's hardly surprising that Mike Westbrook reigned supreme in the latter quarter of the 1960s and early 70s. His big band was voted top of that category in the late-lamented Melody Maker British jazz polls for 1970 (and the two years either side of that). In the same year, his third album, Marching Song, recorded a year earlier came third in the category "LP Of The Year" (the number one album that year was John McLaughlin's seminal Extrapolation so there was exceptionally strong competition). Th…
Marching Songs Vol. 1
It's hardly surprising that Mike Westbrook reigned supreme in the latter quarter of the 1960s and early 70s. His big band was voted top of that category in the late-lamented Melody Maker British jazz polls for 1970 (and the two years either side of that). In the same year, his third album, Marching Song, recorded a year earlier came third in the category "LP Of The Year" (the number one album that year was John McLaughlin's seminal Extrapolation so there was exceptionally strong competition). Th…
Trio
Mike Taylor died, probably by his own hand, at age 31 in 1969, having realised a fraction of his potential as a composer and player, and written for the New Jazz Orchestra, singer Norma Winstone and the rock band Cream. Cream's singer and bassist Jack Bruce and Ron Rubin (occasionally) are on acoustic bass here, with Jon Hiseman on drums, a line-up that highlights the close links between 1960s Britain's creative rock and R&B scenes and the jazz of the time.
Taylor is a highly rhythmic pianist wh…
An Elizabethan Songbook
In compiling a modern album of Elizabethan music, London Jazz Four were faced with both technical and interpretive problems. Musically they had to decide how far we could alter the original notation in order to allow ourselves a more modern basis for improvisation, and at the same time preserve the original character of the music. To achieve this, they concentrated on melodies that were strong enough to withstand at times rather violent re-harmonisation, without losing their Elizabethan flavour.…
A Love Supreme
One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years. Recorded over two days in December 1964, Trane's classic quartet-- Elvin Jones, McCoy Tyner, and Jimmy Garrison -- stepped into the studio and created one of t…
Banko Woman
For over forty years, the Apostles of Aba have stood as the jewel in the crown of the music scene in Eastern Nigeria. Since their formation in 1973, the band has turned out memorable performances in a variety of styles including rock, soul, funk, pop and reggae. Even today, the Apostles continue to thrill audiences in their hometown of Aba with dazzling shows. Cultures of Soul is proud to present one of the Apostles’ more obscure—yet relentlessly funky recordings: Banko Woman, originally release…
Moving World
In 1974, a brash young designer called Augustus Kerry Taylor had an idea. He'd gather together the hottest musicians in Ghana and record an album of the heaviest and funkiest sounds coming out of America. And this time, he wouldn't just design the cover, like he'd done with Fela Kuti, he'd even release it on his new label, Emporium, as well. Local Accra legends Joe Wellington, Jagger Botchway, Leslie Addy, Officer Toro, Oko Ringo, Soldier and Steve answered the call. They were christened the Kel…
La'ila
Akwassa were among the best Afro-Beat bands coming from Nigeria. They released La'ila in 1975 and were one of the early Nigerian Funk bands to get an album out. They were related to the Heads Funk Band and most members were part of both bands. They managed to release two albums as Akwassa. Their debut La'ila came out on a well known Afro-Beat label Afrodisia Records. Akwassa were originally a duo made of Felix Day (guitar and vocals) and Kevin Coburn (organ, synthesizer and vocals). Felix Day is…
Hard World
Hard World is the first of three albums released by Heads Funk Band and it's one of the most rare LPs coming from Nigeria. What we have here is a pure, well crafted Afro-Funk. Heads Funk Band is related to Akwassa, where both are two exceptional bands with the same members, but co-existed simultaneously featuring Felix Odey (Feladey) on guitar and Eddie Offeyi on drums. The original forming duo of Akwassa was Felix Day / Feladey (guitar, vocals) and Kevin Coburn (keyboards, synths, vocals), who …
Groove The Funk
Groove the Funk is a essential and influencal early Afro-Funk LPs from 1975. The album was released in Nigeria and the whole LP is really something excitingly special, carrying a unique style of fuzz guitar and keyboard with ecstasy rhythms that can be experienced only from the heart of Africa. Nigeria had a rich musical history with a variety of bands that were playing their unique Afro-Funk with incredible rhythms. In Aktion's case thanks to one of the best drummers of that time, Ben Alaka. Sa…
Son Of January 15
Segun Bucknor was one of the most important figures in the Nigerian music scene of the 70s, despite having only a brief career with his afrobeat unit which in 1972 released this superb album of which originals usually not turn up at any price. A reissue like this on Jet Records therefore is long overdue to enable every woman and man with a fondness for African popular music of the 70s to take a closer listen to this gem and fall in love immediately. What do we get to listen here?
Well, the album…
Sweet Funk Music
Who said that all Nigerian afrobeat from the 70s was dark and though provoking with a melancholic edge despite the ongoing powerful grooves and a more or less political message denouncing the the methods of the country’s leaders to increase their own wealth and power while the simple people suffer. Well, this 1978 album by bandleader Thony Shorby Nyenwi proves this idea wrong. What we have here is a sacredly rare gem, fetching 300 € for a copy in playable condition. A crown jewel of Nigerian afr…
Ikoto Rock
There we go with another Afro Beat classic that did not really leave Nigeria back in the day it was released. Therefore we can only guess the value among collectors but some reliable sources tell us that even not so mint original copies go for up to 600 $. The Afrodisia sublabel of Decca music is responsible for quite a few awesome afro beat gems that have only recently been rediscovered by never sleeping music lovers such as the folks behind Everland Music from the Netherlands and here we go wi…
Let's Have A Party
It’s no exaggeration to say that Geraldo Pino and his band the Heartbeats kickstarted the whole soul/funk/afrobeat scene in West Africa. Mixing highlife, funk and jazz, and using the latest equipment, they laid waste to all before them. In 1966 Fela Kuti was a jobbing musician, eeking out a living with highlife bands. When Gerlado Pino came to town, it changed his life. “Pino tore up the scene,” he recalls in an interview with Carlos Moore. “I knew I had to get my shit together. And fast!”. Prod…