Jazz /
Live Cuts 1981-1983
Following the recent archival release of Primitive Art Group’s studio albums “1981-1986”, we are pleased to announce the release of this 65-minute album of live PAG performances recorded between 1981 and 1983. These recordings document the beginnings of the PAG in all its raw beauty and chronicle its development into a unique improvising unit. Made from original cassettes tapes, this fills a missing part in the story of free music and in the story of underground music from New Zealand. “Live Cut…
Houseplant
Jim Black may be one of the most respected avant jazz drummers on the planet, but when leading his AlasNoAxis quartet, jazz often seems to be the farthest thing from his mind. Perhaps one need only consider the title of the fifth AlasNoAxis CD, 2009’s Houseplant, to realize there’s probably not a lot of jazz here; the title itself doesn’t exactly suggest swinging exuberance or, given the history of Black’s “jazz” output, even crisp and incisive grooves. After all, when contemplating the nearest …
Sightings and Stratifications – 2nd Investigation for Trio
"This CD is a documentation of a concert which was recorded on July 21st, as one of three concerts. The reproduction of the concert is one-to-one, without cuts. On July 19th I played a duo concert in my studio with Max Arsava, on July 20th I played an identical trio concert at the Freie Musikzentrum in Munich.mMy collaboration with Gunnar Geisse goes back almost a decade. In recent years, he has discovered and developed a partly unexplored cosmos with his extended electronic techniques and sound…
The Ancients
Bomb! The debut recording by The Ancients, the intergenerational coalition of Isaiah Collier, William Hooker and William Parker formed by Parker to play concerts in conjunction with the Milford Graves' “A Mind-Body Deal” exhibition at the Institute of Contemporary Art, Los Angeles, and now a working group. Across 2LPs of side-length long-form improvised sets recorded at 2220 Arts & Archives in LA and The Chapel in San Francisco, The Ancients bring the free jazz trio languages first explored by t…
NDR Jazz Workshop No. 25
National and international jazz musicians were invited to the NDR for the Jazz Workshop series. A number of ten to twenty musicians could rehearse for some days and finally present their results to the North German listeners in a live studio concert. The organizer focused on offering some space for experimenting to different musicians who otherwise would never have played together, and to free them from their daily commercial pressures within that period of time. Even though all predominant jazz…
At Studio 2
American vibraphonist Dave Pike was one of the most popular musicians on the German jazz scene in the late 60s and early 70s. The Dave Pike Set attracted attention with their very individual sound, ranging between jazz, rock, free and folk, and they were one of the pioneers of independent European fusion music. Together with his three German sidemen - among them guitarist Volker Kriegel -Pike recorded four studio albums and performed at numerous festivals, e.g. at the Berlin Jazz Festival in 196…
The Jazz Sextet - April 12, 1957 NDR Studio | Hamburg
Hans Gertberg, since 1952 jazz editor and as such as responsible for ''Jazz at the NDR'', had invited an ensemble to Hamburg that was on a European tour and in at least one way promised to shine a little light on the preferences of the trombonist Mangelsdorff. At that time he was already shaping the West German scene considerably. ''The Jazz Sextet'' was the name of the illustrious tour ensemble which also showed up at the Hamburg studio. It followed the current developments up to sacrificing th…
Music From The Source
*2024 stock* *180 Gram Vinyl Audiophile Remastering Recording with a sextet at the New York jazz club Sweet Basil in August 1977, McBee’s band included Chico Freeman on reeds, Dennis Moorman on piano, Joe Gardner on trumpet, Steve McCall on drums, and Famoudou Don Moye on percussion. Two complete albums of music were released by Enja Records from this engagement, the ground breaking recordings Music From the Source and Compassion.
“Few groups today sound as fresh, generate as high an emotional …
Ballet Etudes
*CD Version* Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Sla…
12 Duets (DCWM) 2012
*2025 stock* 'Several years ago, Anthony and I discovered our mutual (giddy) enthusiasm for the music of Richard Wagner. I feel compelled to mention this because there is a positively orchestral, if not Wagnerian, element to our recording together—a sonic Gesamtkunstwerk, if you will, representing all registers of playing. In each take, new drama unfolds, as if each were a new act in an operatic continuum. Yet the most amazing thing about the process of recording with Anthony was the vast spectr…
10 Comp (Lorraine) 2022
10 Comp (Lorraine) 2022 documents six live performances with Anthony Braxton's Lorraine Trio featuring trumpeter Susana Santos Silva, accordionist/vocalist Adam Matlock, and Anthony Braxton and four studio recordings featuring Braxton, saxophonist James Fei, and bassists Zach Rowden and Carl Testa.
![Quintet [Tristano] 2014](https://cdn.soundohm.com/data/products/2025-01/a2951698608_16-jpg.jpg.500.jpg)
Quintet [Tristano] 2014
*2025 stock* 7-CD set of Braxton's interpretation of the music of Lennie Tristano and associated colleagues including Billy Bauer, Connie Crothers, Warne Marsh, Sal Mosca among others.
Anthony Braxton: pianoEivind Opsvik: bassMike Szekely: drumsJackson Moore: alto and baritone saxophones (left channel)André Vida: tenor, sopranino, bass, contrabass, and c-melody saxophones (right channel)
Duo (Amherst) 2010
*2025 stock* Recorded September 22, 2010 at Bezanson Recital Hall, Amherst MA
Produced by Taylor Ho Bynum for the Tri-Centric FoundationConcert produced by Glenn Siegel for the Solo & Duos Seriesof the Fine Arts Center at the University of Massachusetts, AmherstVideo recorded, edited and directed by Dennis SteinerAssistant camera by Nick RussoAudio recorded by Jim MatusMastered by Nick Lloyd, Firehouse 12 Studios, New Haven CTGraphic design by Ben HellerThanks to WMUA 91.1, ACTV, Amherst Media, …
Possibility and prejudices from within a cup
The essence of conviviality. You take a punch, soft as a sock at the end of a jog, but that isn’t the real point here. Even poorly brewed fuel can become a cherished experience when shared in good company, highlighting that at its core, the communal experience lies not in the quality of the beverage, but in the connections it fosters. And so, by evidence of this striking piece of truth, even the occasional misstep in the infusion process can't diminish the warmth and camaraderie that fills the m…
In Between
*2025 stock* Thomas Florin's 2nd solo piano album "In between" released by Konnekt in 04.2020. With the desire of having a free an open-minded approche of music, Geneva based piano player Thomas Florin is working with different kind of Jazz and improvised musics.
Following a first solo release focused on a repetitive and resonating sound research, "In Between" captures the result of a process of hybridization, a minimalist and open-ended approach to a jazz oriented material, leaving a lot of roo…
The Zebra Paradox
*2025 stock* Setting the stage for The Zebra Paradox requires building anticipation and intrigue on the inside of the listener before they even hear the first notes. To accomplish this an imagined transference of information must bloom like a deep inhalation of sonic spores. If categories can be applied to explore how concepts are played out in this music and throughout the album, perhaps think of displacement, confusion, time distortion and derangement. Otherwise the listener might choose to tr…
Or Not All
*2025 stock* This acoustic piano-drums collaboration can be transformed through electronics into a hybrid spatial continuum creating a frictional, nervous symbiosis filled with jolts but also with abrasive and/or restrained fluidity.
After an initial meeting within the N-Ensemble project initiated as a Carte Blanche from the AMR jazz club in Geneva by Nicolas Field in March 2018, Valerio Tricoli (IT, tape Recorder Revox) , Nicolas Field (drums, UK/CH) and Thomas Florin (piano, CH) wanted to deve…
The Equinox
The Equinox is PainKiller's much anticipated sequel to their critically praised 2024 album Samsara, and it has a more varied and adaptable style than their previous work.
F4 Fake
This is for sure no fake news! F4 Fake is the exciting new album by Made To Break, the gripping quartet of Ken Vandermark, mixing jazz, funky patterns, and electronics in groovy improvisations -- interrupted by abstract insertions. Recorded by Daniel Schatz, November 29 2017 at Primitive Studios, Vienna. Mastering by Alex Inglizian at Experimental Sound Studio, Chicago. Mixing by Alex Inglizian and Ken Vandermark. Artwork by Federico Peñalva. Personnel: Ken Vandermark - reeds; Christof Kurzmann …
Mental Shake
*2025 stock* CD version. Cafe OTO's tenth Otoroku release sees a return to the group that kick-started the label -- the veteran German reedsman and free-jazz pioneer Peter Brötzmann with the long-running London bass/drums partnership of John Edwards and Steve Noble. After the release of The Worse The Better, that group went on to play a series of devastating shows in Europe and to emerge as one of Brötzmann\'s finest working groups. Over the same period, Peter was developing a deep rapport with …