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**1982 Album. Original copies** Guitarist Thomas Tedesco tearing it up in June of 1981… the personnel on this one is an all-star group featuring: Bobby Bradford , Roberto Miranda, Onaje Ferguson, and Sartuse
**1984 Album. Original copies** Curtis Clark, Roberto Miranda, and Sonship Theus take you on an epic journey… an overlooked artist, Curtis Clark appearing here in his Nimbus debut.
**1985 Album. Original copies** Curtis Clark often overlooked beautiful solo piano LP, his 2nd release on Nimbus, featuring vocals by Marlene Holsey on the haunting title track.
**1984 Album Original copies** Curtis Clark’s 3rd Nimbus album was in retrospect a foreshadowing of things to come for Nimbus… Not only would Nimbus records relocate to Amsterdam within a few years of the release of this LP, but also this album features musicians that would form the heart of the Nimbus roster over the years to follow, with Ernst Reyseger on cello and Ernst Glerum on bass violin (see Amsterdam String Trio and TA releases). This is Tom Albach’s favorite Curtis Clark album.
**2020 stock, rare 2nd ed. from Nimbus, last copies** Adele Sebastian was an Afro American jazz flutist and singer, active from the early 70s (when she was still a teenager) until her untimely death at the age of 27 (!) in 1983 from a kidney failure. In fact she had been depending on monthly dialysis to stay alive for years. She lived through and for the music and you can hear it on her only solo album “Desert Fairy Princess” which was first issued in 1981. The mostly acoustic instrumentation b…
Last copies. Sealed dead-stock original copy of the Horace Tapscott's 'The Tapscott Sessions' solo piano series, released on Nimbus West Records from 1982 to 1984. Horace Tapscott has been one of the top "unknown" jazz pianists in the Los Angeles area since the 1960s, recording far too few sessions which has led to him being continually overlooked by jazz fans from outside L.A. During 1982-84 he recorded seven solo piano albums for the tiny Nimbus label, playing unaccompanied solos, his improvi…
LP version. 180 gram vinyl; Half speed mastered; Heavy sleeve and obi. We Release Jazz announce the official reissue of Ryo Fukui's final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters. Known for his miraculous albums 1976's Scenery (WRJ 001CD/LP) and 1977's Mellow Dream (WRJ 002CD/LP), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ry…
LP version. 180 gram vinyl; Half speed mastered; Heavy sleev and obi. We Release Jazz announce the official reissue of Ryo Fukui's New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters. Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui's idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable sessions with seasoned American jazz mu…
Roscoe Mitchell turned 80 on August 2020. At this occasion, we launch the following offer: 50 % discount for purchasing together the nine albums, 6 single CDs, two double CDs and one CD + DVD. These nine albums particularly illustrate the diversity of Roscoe Mitchell's music.
Three duets, two with two other great figures of current jazz, George Lewis and Matthew Shipp, the third with a contemporary musician, David Wessel, two very different trios, one with West Coast musicians, James Fei and Wil…
Rogueart presents Joshua Abrams' Cloud Script. All compositions by Joshua Abrams. Recorded by Ken Brown on September 26th 2016 at Electrical Audio, Chicago, IL, USA. Joshua Abrams (double bass), Ari Brown (tenor saxophone), Jeff Parker (guitar), Gerald Cleaver (drums).
“Sharp, deeply interactive, and soulful music; brilliant quartet!” - Rogueart
Joe Morris and Tomeka Reid offer a few new “standards” that are the fulcrum between a set of prepared instrument pieces where it is difficult to recognize either instrument and attention is absorbed by the overall density and character of sound, and a set notable for its sparseness as both Reid and Morris play primarily independent lines. Within that set, the effect, most apparent in the rare moments in which one musician briefly acknowledges the other then shifts onto a new independent line, is…
* Edition of 500 * Released on the occasion of Matthew Shipp 60th birthday. This double LP is the first vinyl Matthew Shipp recorded since his very first recording, "Sonic Exploration", a duo with Rob Brown, released on 1988. All compositions by Matthew Shipp. Recorded by Jim Clouse on November 10th and December 1st 2015 at Park West Studios, Brooklyn, NY, USA.
Warning! Slowly remove contents from its package: while you think you are entering into new beginnings you are indeed beginning to reach…
Rare funk & Avant-Garde soul from a seven years old kid singer featuring the best of French and Cameroonian musicians diaspora, recorded in Paris in 1977. The album contains two nicely dramatic tracks: “Look Up in the sky (Negro nature)” is a stretched funk groove with psyche synth by Michel Morose, bubbling bassline by the great Victor Edimo, the famous Toto Guillaume on guitar, and a brilliant poetic song by Francis The Great, who at that time studied in Menilmontant (Paris). “Ravissante Baby …
* Contains 24 Pages Booklet-poster with photos and texts * For more than a decade, the versatile musician and composer Mirco Mariani has been pursuing a unique experimental journey on song-forms through the parallel projects he founded: Saluti da Saturno, eXtraLiscio and Fwora Jorgensen. Since 2014, AngelicA festival has produced and commissioned to Mariani several special projects of variation, extension and new arrangement of these groups’ repertoire.
The record Shaloma Locomotiva Orchestra do…
"Heritage of the Invisible II" follows Navarro and Holmes’s rise to prominence as members of free jazz collective Irreversible Entanglements. In March of 2020 in "The Nation" writer Marcus J. Moore said "Irreversible Entanglements’ fearless music takes to task the police, American politics, capitalism, and racism." The revolutionary ethos that drives Irreversible Entanglements is no less present in Navarro and Holmes’s duo work, though their duo finds them much more wholeheartedly and jubilantly…
Originally recorded in 1971 at Abbey Road studios in just a few hours, 'Live!' is a collaboration between good friends former Cream drummer Ginger Baker and Nigerian multi-instrumentalist and Afrobeat pioneer Fela Ransome-Kuti and his band The Africa 70. Featuring a live audience of 150 people who crammed into the studio with them, this is not only a piece of history with some of the most accomplished musicianship you'll ever hear, it's also a really fun party record and a great example of what…
Reissue of this long lost funky Afrobeat/Reggae classic from 1978. For fans of Fela Kuti, Peter Tosh, Bob Marley, Segun Bucknor. The year is 1978 and one hot thing from the musical underground is Reggae music from Jamaica, the USA or the UK, where most of the acts had musicians of Caribbean descent. Reggae had the groove, the rebel spirit, and the relaxed attitude all in one, to enchant a big part of the world’s inhabitants. And while at least Jamaica as a relatively poor and so-called "Third Wo…
Repressed, in process of stocking. "The Chicago-based string genius Joshua Abrams first talked to us about the idea of this album a while back. It took a couple of years to get together, but in a way, it's cool that it's being released in 2018 -- the 50th anniversary of the recording of the first free bass solo LP, Barre Phillips' Journal Violone. Issued by Opus One in the U.S., Music Man in the UK (as Unaccompanied Barre), and Futura in France (as Basse Barre), Phillips' groundbreaking album wa…
* Limited edition 180 gram solid purple coloured vinyl. 2020 Stock * Lush Life (1958) is among John Coltrane's best endeavors on the Prestige label. One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material. Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass), and Art Taylor (drums). The intimate setting is perfect for ballads such as…
Here it is, naked to the bone, free jazz in all its glory, loose, intense and furious, not in hanger but with "joie de vivre." A sax-drums duo like comprised of Thomas Beaudelin on saxophone and Erwan Cornic on percussion, makes you anticipate an essentialist approach to the communicative powers of improvisation. The music is dense and intense, seeming to drag everything that happens to be in their path with vehement free sounding and shamanic interplay. Don't miss this one