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Jay Rosen - drums, Brian Willson - drums. Recorded by Alfredo MArtin at Whitman Hall, Brooklyn College, December 10, 2008. From The Mystery Brothers, here is a wonderful performance of drum concertos, written and performed by Brian Willson, the great drummer / percussionist / conductor, and fellow master drummer Jay Rosen. The production / recording is nothing short of amazing and pristine. Here's a prime example of how the drums are indeed a melodic instrument. Willson and Rosen explore the ins…
Simon Rose - baritone saxophone, Steve Noble - drums. Recorded 4th February 2018 at Jazz North East, Bridge Hotel, Newcastle-upon-Tyne, England. What an unbelievable night of free improvisation the audience were treated to at The Bridge on Sunday night. Two amazing instrumentalists combined to produce two sustained sets of riveting and uncompromising jazz. Individually, both musicians were absolutely superb - I have never heard a baritone sax played with such energy and range before. Steve Noble…
The vitality you hear on Antique Blacks is a testament to the unique energy of the community around The Foxhole Cafe in Philadelphia, as Ra honed his unique brand of Afro-Futurism through the late 60s and 70s. Cosmic theatre, spiritual chants, and experimental electronics make this record an essential document that was ahead of its time. Ancient to future! The 1970s saw change in Sun Ra's recorded output, and as far as we can tell, the content of his live performances. By the middle of the decad…
2017 Release. The composer, bandleader and reedist Willem Breuker, who died in July 2010 at the age of 65, is often omitted from contemporary assessments of Dutch jazz, where the primacy of pianist Misha Mengelberg (1935–2017) and drummer Han Bennink feels indisputable. Those two musicians left a huge impact on the Amsterdam music scene through the work they created in the Instant Composers Pool Orchestra—work that carries on through Bennink and pianist Guus Janssen, who took over the piano chai…
There is no doubt that Misha Mengelberg was an excellent, even a great, jazz pianist. He was already close to that when he recorded with Eric Dolphy at the end of the latter’s career and he certainly was there by the mid ‘60s, when he was leading a quartet with alto saxophonist Piet Noordijk and drummer Han Bennink. But Mengelberg, like Bennink, was a musical maverick rarely content as a performer to play ‘just’ jazz and this is reflected on the solo record Pech Onderweg, recorded 40 years ago …
*Edition of 300. 2022 stock* French-born, Amsterdam-based clarinetist Joris Roelofs has built his career balancing intense discipline and deep commitment to post-bop tradition with a measured exploratory streak. He’s worked extensively in the Vienna Art Orchestra and he maintains a wonderfully buoyant trio with the American rhythm section of Ted Poor and Matt Penman. But this new recording suggests that his attraction to freedom is growing stronger. Icarus is a lovely duo project with the vetera…
Dutch drummer Han Bennink, who turns 75 next month, has been an unrelenting creative force in jazz and improvised music since the early 60s. In 1964 he played on Eric Dolphy's legendary final record, Last Date, and in '67 he formed the Instant Composers Pool with pianist Misha Mengelberg (who died two weeks ago) and reedist Willem Breuker. He has an instantly recognizable sound—loud, chaotic, furiously swinging—and he's applied it to hundreds of records. He's all about improvisation, so leading …
2024 stock Trumpeter Bill Dixon and pianist Cecil Taylor, friends going back to their Truman-era school days, associated copiously in nearly every artistic fashion -- except making music together. Duets is their only meeting in studio apart from both artists appearing on Taylor's 1966 landmark Blue Note LP, Conquistador. In 1992 they made the briefest summer festival tour to Italy and France, budgeting in two additional days for this recording session. That musical output was prepared for a rele…
Following the success of Wewantsounds' Alice Clark RSD edition featuring an extra 20-page booklet, the label reissues the standard version of Alice Clark's highly sought-after soul jazz classic produced by Mainstream Records' Bob Shad in 1972. Featuring original artwork, remastered sound making this reissue is the first official reissue of Alice Clark's original album for decades, a long overdue release of one of the best Soul albums ever recorded. When it comes to legendary albums, very few can…
Originally released in 1974, Doug Carn's final album for the Black Jazz label, and a set that pushes even farther than his previous efforts! Jean Carn isn't in the group this time around, but the set does feature a totally great twin-vocal approach – with singing by Joyce Green and John Conner, blending their voices together in a style that's right up there with the most righteous 70s jazz experiments by Horace Silver or Billy Gault! This vocal balance really brings a new sort of power to Carn's…
Doug Carn created a personalized strain of jazz music that expressed a loving hopefulness. He found a home at the Black Jazz label, where African-Americans called the shots and, of course, racial tension was nonexistent. Who was this 22-year-old whose first album, Infant Eyes, sold very well away from the machinations of the music industry? Once a child prodigy on piano and alto saxophone, Carn had attended Jacksonville University on a full music scholarship and afterwards performed on the Flori…
**Back in Stock** A sequel to the legendary Topography of the Lungs that first brought together the three improvisers almost half a century ago for the seminal 1st album on Incus label. Recorded in 1981 by audio engineer and label owner Jean-Marc Foussat, the trio of guitarist Derek Bailey, saxophonist Evan Parker, and drummer/multi-instrumentalist Han Bennink are heard in an amazing evening of performance at 28 rue Dunois, in Paris, France, in duo and trio configurations, exploring material sim…
**2019 stock, reduced price** The Headhunters' Straight From the Gate was their second album and was released in 1977. Originally started as a jazz-fusion band fronted by Herbie Hancock, members Paul Jackson, Bennie Maupin, Michael Clark, Paul Potyen, Derrick Youman and Obsidion Blackbiyrd delved further into jazz-rock and fusion sounds and recorded the album at The Automatt studios in San Francisco. The Headhunters use a wide range of instruments. From the electric piano, to tenor and soprano s…
**2019 stock, reduced price** Still riding high from Listen Here, Eddie Harris really started experimenting here with a dazzlingly eclectic LP that must have left his new fans wondering just who the real Eddie Harris was. There is good old Latinized funk in the opening cuts, Free at Last and 1974 Blues, but what was one to make of the next one, Smoke Signals, with its interplanetary Echoplexed electric sax and ethereal wordless female voices? Then it's on to a long-limbed Coltrane tribute on pia…
**2019 stock, reduced price** Why some artists achieve the recognition they deserve while other equally talented ones don't depends on many things. But one thing is clear, that obscurity does not always mean lack of talent. Regardless, it is always a pleasure to discover little known but immensely gifted musicians and it is really a great pleasure to hear the reissue of The Diamond Five's Brilliant!. The Diamond Five, a Dutch quintet led by pianist Cees Slinger, was founded in 1959 and lasted un…
**2019 stock, reduced price** Milestones was Miles Davis' third Columbia release after 'Round About Midnight (1957) and Miles Ahead (1957). The recording was made during one of Davis' most creatively intense periods, preceding his recording of the soundtrack for Ascenseur Pour L'echafaud (Fontana, 1958) in late 1957 and the subsequent recordings of Cannonball Adderley's Somethin' Else (Blue Note, 1958) and the repertoire that would become Kind of Blue (Columbia, 1959). Milestones is significant …
**2019 stock, reduced price** Frank Cunimondo has an extensive discography, having recorded with nearly every artist from Pittsburgh. In addition, he has shared the stage with a number of jazz stars including: Sonny Stitt, Lou Donaldson, Jimmy Witherspoon, Urbie Green, Lee Konitz, Louie Bellson, Joshua Redman, Phil Woods and Frank Rosolino. The Frank Cunimondo Trio is also a fixture of the Pittsburgh Jazz scene. In the 80s Frank owned a jazz club in Pittsburgh called 'Cunimondo's Keyboard Jazz S…
**2019 stock, reduced price** Frank Cunimondo has an extensive discography, having recorded with nearly every artist from Pittsburgh. In addition, he has shared the stage with a number of jazz stars including: Sonny Stitt, Lou Donaldson, Jimmy Witherspoon, Urbie Green, Lee Konitz, Louie Bellson, Joshua Redman, Phil Woods and Frank Rosolino. The Frank Cunimondo Trio is also a fixture of the Pittsburgh Jazz scene. Frank's most popular recording Feelin' Good (from the album The Frank Cunimondo Trio…
On this double album, the Albert Ayler Trio consisted of Ayler, bassist Torbjörn Hultcrantz and drummer Sune Spångberg. These four dissonant songs recorded during their live performance on 24 October 1962 were issued on the Bird Notes label in Sweden as Something Different!!!!!! and reissued overseas as the first edition of The First Recording. The tracklist includes a barely-recognisable rendition of the showtune I'll Remember April, an off-kilter take of Sonny Rollins' The Stopper - retitled R…
**2019 stock, reduced price** Mickey Baker, also known as Mickey "Guitar" Baker, was an American guitarist. He is widely held to be a critical force in the bridging of rhythm and blues and rock and roll, along with Bo Diddley, Ike Turner and Chuck Berry. His musical style was influenced by saxophonist Charlie Parker. In the 50s Baker did sessions with The Drifters, Ray Charles, Ruth Brown, Big Joe Turner, Louis Jordan and many more artists. During this time, Baker played on numerous hit records.…