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The DKV Trio is one of the most exciting ensembles working in contemporary improvised music. Featuring Hamid Drake (drums), Kent Kessler (bass), and Ken Vandermark, the band has been active since the mid 1990s and has released eleven recordings, including their most recent album, which came out in the autumn of 2016: Collider (that features the trio paired with the Scandinavian group, The Thing).2017 promises to be an exceptional year for the band: they will be releasing a new album on the label…
"If ever a group deserved the title of “free jazz power trio”, it would be this one. Legendary reedist Brötzmann, American trombonist Steve Swell and the mighty Nilssen-Love have been playing together since early 2015, and have two masterful live sets under their belt, Krakow Nights and Live in Copenhagen.Live in Tel Aviv, which documents an October ‘16 performance by the trio, is the perfect entry-point for those who might be intimidated by the relatively long lengths of those prior albums - at…
"The Liquid Trio Plays Bernoulli is the new album which was released on October 23 by Fundacja Sluchaj. The album was recorded by Liquid Trio – it’s Agusti Fernandez (piano), Albert Cirera (saxophones) and Ramon Prats (drums). The musicians iquid Trio are playing together for a long time now. Through the years of their musical career they had formed, created and masterfully improved their own playing style and manner. Energetic and active collective improvisations are full of strong, powerful an…
Sundogs are the international improvising trio of Mateusz Rybicki, Samuel Hall and Zbigniew Kozera. The group explores a deep sonic universe through interactive music making that draws from the collective life of its three members. With Influences ranging from Free Jazz, Minimalism and the Berlin Echtzeitmusik Scene, Sundogs approach their music with open ears and a search for deeply connected music.Since 2015 Sundogs have been collaborating and performing their music. A regular feature of the J…
CD version. Listening to the music of Al Doum & The Faryds is always like staying in the pristine nature of an exotic island, in the sacred harmony of a new organic society; imaging all brothers and sisters singing and dancing in the unity of the brotherhood. This is the message of love and joy that pervade this fourth album, Spirit Rejoin. Moving towards accents of jazz ancestry, the Faryds absorb and re-elaborate -- with remarkable insights -- disparate elements and influences of electric jazz…
Vasco Trilla is a Catalan citizen of the world. He performs and records on every continent: in the course of almost three weeks between September and October 2016, Vasco Trilla toured in Poland, in Hungary, he appeared on several concerts in Serbia, followed by Bulgaria. In fact, in each of these concerts Vasco performed with different musicians. If the imagination of the improvising musician – undeniable in the case of Trilla – is a derivative of musical experiences of a nearly 40-year-old mus…
"The title for the CD and compositions were inspired by a desire that Veryan Weston & I had, which was to open up our regular duo's musical improvisational interactions and incorporate other musicians within them, and thereby expand the scope of what we do after many years of playing together. We'd already done a performance with the addition of Violinist and well known Folk Musician Peter Knight at Café Oto which was filmed by Mark French. Alison had recently asked me to play with her and Hanna…
Two great musicians. Two musical Words. First time on CD. Full Circle –
new live CD from legendary drummer Hamid Drake and one of the most
important American improviser Ned Rothengerg.
Percussionist Jamie Muir was a member of King Crimson during the recording of Larks’ Tongues In Aspic, in 1973. Staying less than a year with Robert Fripp, the Scot had already cut his teeth with another master guitarist, Derek Bailey, as part of the Music Improvisation Company, along with Evan Parker, Hugh Davies and Christine Jeffrey, whose eponymous 1970 album was one of the first releases on ECM. Muir and Bailey recorded Dart Drug eleven years later, in 1981.There’s no shortage of great perc…
"The very first idea that came to my mind was, obviously, to record an album with my own music only. Soon enough I abandoned this idea having realized that a wider context, some clash, would work better. Even more importantly, it should be emphasized that the place of this instrument is here, amongst others. Alone, but simultaneously surrounded by a full orchestra of references and contexts.Therefore, it was my intention to turn to an artist who combines the two fascinations - different varietie…
Established in 2013 and currently having over 50 floating members, the Warsaw Improvisers Orchestra acts as a resource for musicians to meet and work in a large improvising ensemble, or in smaller units within a larger context. Spontaneous music making is our remit, but on occasion, scores both regular and graphic may be used as well as visual cues presented by visual artists. The orchestra is a chance for people to develop a deeper understanding of the relationship of sound and how it functions…
Lifeblood of the cultural diaspora of Apartheid, Dyani left South Africa with the Blue Notes in 1964. His amazing discography includes crucial collaborations with Don Cherry, Steve Lacy, Dollar Brand, the Brotherhood Of Breath and Derek Bailey.Here he is performing solo at a jazz festival in Switzerland in 1978, testing the compositions which would comprise his monumental LP African Bass, out two years later. Double bass, gongs, piano and singing. Knockabout, mystical roots — spell-binding and e…
Edition of 300 copies, newly remastered for optimal sound.The meeting of Masahiko Sato with Albert Mangelsdorff in a recording studio was planned in summer ‘71. Sato, Japan’s leading pianist, had recorded with Wolfgang Dauner, Attila Zoller, Jean-Luc Ponty, Gary Peacock and Charles Mingus. He wanted to play on a record with Albert Mangelsdorff and as both were invited for the Berlin Jazz Festival 1971 there was a good opportunity to record them there. This – first released as an original ENJA pr…
For a label that wasn't around long, Strata East achieved the same sort of label recognition that Impulse! or Blue Note managed to build. In other words, you knew what you were getting when you bought a record on the label, even if you didn't know the names on the outside of the cover. "Don't Look Back" is an album led by American saxophonist Harold Vick recorded in 1974 and released in the wake of Harold Vick's recovery from a heart attack, which may partially explain the passion with which he …
2017 release. Most of the musicians who gathered to record this fantastic spiritual jazz record for the Strata-East label on May 24th, 1974 had crossed each other's paths in various musical pairings over the preceding few years. Husband and wife team Dee Dee Bridgewater (vocals) and Cecil Bridgewater (trumpet) had been working together on albums like Frank Foster's "Loud Minority", and Roy Ayers' "Coffy" and "Virgo Red". Ten weeks before the "Freedom Of Speech" session, the couple had been joine…
One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! Descendents Of Mike & Phoebe is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass t…
Recorded in Liverpool back in 2003, this improvised performance unites two of the UK's foremost improv exponents (Tony Bevan and Paul Hession) with two pioneers of modern free music, the multi-talented guitarist, turntablist and noise artist Otomo Yoshihide and the late, great Derek Bailey.The performance shuffles into first gear during the speculative, tentative first throes of "No Hiding Place/Softly Softly", establishing a ruthlessly abstract sound world from the outset, only to tighten up sl…
The Pipeline group begins as a trio, with Gianmaria Aprile and Simone Fratti. After a short period of free improvisation I suggested to face some compositions of mine, following a path that I’d been testing here and there for a while. In spite of the pieces being written quite traditionally, with a bass line, internal voices and in some cases even chord guidelines, I didn’t give Gianmaria and Simone the full score but I just played each piece repeatedly, leaving them free to improvise and slowly…
Outstanding freeform blow-out by Free jazz percussionist, experimental composer, and all-round awesome dude Cristiano Calcagnile. The album features Calcagnile’s technically-brilliant drumming accompanied by a menagerie of found objects, glockenspiel, aerophone instruments and electrified metal sheet. The resultant is utterly unique. A vibrant album that blazes a trail of rhythmic intensity taking in many styles on his journey, also incorporating combustible electronics and effects in complex bu…
CD Version. Limited, exclusive, extended reissue of Hot Lotta, one of the rarest items in Peter Brötzmann’s oeuvre. Hot Lotta was a special cultural event, the meeting of the brightest free jazz talent from Germany and Finland. Peter Brötzmann and Peter Kowald were joined by Edward Vesala and Juhani Aaltonen for the studio session that resulted in the album but also toured Finland and recorded a radio session. That radio session has now been unearthed and is presented as an added bonus in this o…