Jazz /
Sun Embassy
Roaratorio's survey of the unheard Sun Ra continues with Sun Embassy. Consisting of recordings from Sun Studios (aka Ra's house in Philadelphia) from 1968-1969, the album features nine tracks: six compositions which have never been heard before in any form, plus fresh coats of paint on such 1950s classics as "Sunology" and "Ancient Aiethiopia", and an early rendition of "Why Go To The Moon". Essential listening for Sun Ra devotees. Includes download coupon.
The Hands
LP version. Very much a tight knit unit with three equal players, Fire! has been likened to powerful guitar led trios such as Cream and The Jimi Hendrix Experience, but with Johan Berthling's heavy, doom-laden basslines being such a typical identifier, you can't help but think of Black Sabbath's debut album (1970) when it comes to hypnotic impact. The Hands is the trio's sixth album and it once again displays a totally uncompromising and intriguing mix of (mostly) heavy, dark, and intensely bu…
From Outer Space
**sold out at source, few copies left**At age 78, Joe McPhee shows no sign of slowing down. Plan B is the master improviser's new trio, with James Keepnews on guitar and laptop and David Berger on drums. A soundtrack to a science fiction movie existing only in their heads, From Outer Space finds McPhee and company envisioning the first encounter between alien life and a delegation of earthlings (while giving a nod to jazz's original man from another planet, Sun Ra, with a side-long suite dedic…
Sunshine Man
Harold Alexander was a competent saxophonist and dynamic flutist whose early and mid-’70s albums for Flying Dutchman and Atlantic blended originals, soul/jazz and R&B effectively. Alexander recorded three albums (including a live ‘Montreux Jazz Festival’ record in 1972) and contributed to various other recordings during his career.After a very brief period of recording music, from about 1967 to 1974, Alexander disappeared from the music scene. He is alleged to have commented on the music industr…
Pleasures of the Horror
Bisou Records asked Eugene Chadbourne to do an album for children and he proposed an album about horror movies and monsters. Some references are obvious, like “The Thing”, “Blacky Lagoony”, etc., and some are about strange characters, like “Vampire Tiger Girl”, and some are covers (Sam And The Shams, Shockabilly). It’s probably the best recorded album of Eugene Chadbourne. Eugene met Steve Beresford and Alex Ward in London at Eastcote Studios (where Adele, Duran Duran, Aswad, Tindersticks…
Zodiac
The third volume in Strata East's Series, and a hard to find recording by the great baritone saxophonist Cecil Payne! Although Payne had his roots in earlier bop material, by the time of this recording, he'd emerged as an outspoken modernist – although few labels would give him the chance to prove himself in this respect – save for the legendary Strata East imprint, which gives Payne this chance to show a whole new side of his talents! The group is a perfect one to bridge the generations – with …
Thirsty Ears
Jaap Blonk (born 1953, Woerden) is a Dutch avant-garde composer and soundpoet. He is primarily self-taught, both as a sound artist and as a visual/stage performer. One of his early influences was Kurt Schwitters, whose Ursonate he first heard in 1979; he memorized the entire work, and it became one of the cornerstones of his repertory; he has recited portions of the piece hundreds of times in various public places. His performances of sound poetry are unique and world renowned, making use…
Morning Flight
Recorded in 1973, “Morning Flight” by trombonist Hiroshi Fukumura is a stunning modal and spiritual jazz album! Genius work from Japanese trombonist Hiroshi Fukumura – working here at the helm of a twin-trombone group that also features the talents of Shigeharu Mukai – in a style that's filled with soul and free-thinking imagination! The two players work together beautifully here – avoiding any of the cliches of trombone-heavy groups from the past – and instead, using the open-ended Three Blind …
Live at Bennington College, 1969
**ltd/numbered 1/30, one-sided picture disk** extract ! historical doc/ensemble with Arthur Doyle at the fiercest !
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“Music to me [is] the universal language, the universal way of communicating.” For Arthur Doyle, saxophonist, flautist and vocalist, music was the life force, and Doyle’s dedication to the music had him playing fast and free jazz for most of his life. “That was my first love,” he once said to Patrick Marley, in an interview from Muckraker: “playing free and spontaneous.” Born on …
Arthur Doyle Trio
**ltd/numbered 1/50, with paste-on cover** unique formation/one of a kind Doyle LP with one long track each side, deep spiritual dimension
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“Music to me [is] the universal language, the universal way of communicating.” For Arthur Doyle, saxophonist, flautist and vocalist, music was the life force, and Doyle’s dedication to the music had him playing fast and free jazz for most of his life. “That was my first love,” he once said to Patrick Marley, in an interview from Muckraker: “playing free and…
Live 1980
**ltd/numbered 1/50, with paste-on cover** Three long tracks, amazing/perfect duo (they'd have played a lot together, real tight/know each other real well); both musicians are still very very underrated ?! fantastic solos by Mr. Reid. Recorded at the New England Repertory Theatre; Feb. 25 1980
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One of the unsung baritonists in jazz, Charles Tyler had a huge tone on his instrument and played with a great deal of fire, usually in fairly free settings. After studying piano growing up in Indianapol…
Edge of Time
Voted top singer in Melody Maker’s 1971 Jazz Poll, Norma subsequently recorded this, her first album, to be released the following year on Decca’s Argo label. Although she began her career in 1965 singing jazz standards, her exploration of the use of voice took Norma to experimentalism and the evolvement of a wordless approach to improvisation that she was to make distinctively her own.Featuring the cream of modern British jazz talent including Kenny Wheeler, Paul Rutherford, Frank Ricotti, …
On The Radio : BBC Sessions 1971
This debut release of The New Jazz Orchestra BBC broadcasts from 1971 measure a year of change for the band’s musical director, Neil Ardley. The first session captures the full majesty of the NJO at the height of its powers in a ‘Jazz Club’ session from February with a 20-performer line-up pre-recorded at London’s Camden Theatre. Humphrey Lyttelton helms proceedings; musicians include Ardley, Harry Beckett, Ian Carr, Henry Lowther, Derek Wadsworth, Mike Gibbs, Don Rendell, Barbara Thompson, Dick…
Le Déjeuner Sur L'Herbe
Reissued for the first time, The New Jazz Orchestra’s 1968 release ‘Le Déjeuner Sur L’Herbe’ features key players in modern British jazz including Henry Lowther, Ian Carr, Michael Gibbs, Derek Wadsworth, Barbara Thompson, Dave Gelly, Dick Heckstall-Smith, Frank Ricotti, Jack Bruce and Jon Hiseman, under the directorship of Neil Ardley. ‘Nardis’ features solos by Ian Carr on flugelhorn, George Smith on tuba and – rarely heard – Jack Bruce on acoustic bass. Complementing this is what might be…
A symphony of amaranths
Scored for a large jazz orchestra, this highly-collectable 1971-recorded album also contains two vocal settings by Ardley, remembered also for his ground-breaking work leading the New Jazz Orchestra, these being the earliest example of his vocal music. The first is a setting of Edward Lear’s famous nonsense poem “The Dong with a Luminous Nose”, wonderfully and uniquely told by Ivor Cutler backed by an unusual chamber orchestra containing keyboards, vibraphone, harp, violin and cello that prov…
Kaleidoscope Of Rainbows
Dusk Fire Records has afforded music lovers fresh opportunity to peer into one of the genre’s most ground-breaking works in the late Neil Ardley’s ‘Kaleidoscope of Rainbows’: re-mastered from the original tapes, with a 16-page booklet featuring previously unreleased sessions and publicity photography and notes by Ardley and an appreciation of his work by Barbara Thompson. This seminal 1976 release, produced by Paul Buckmaster and engineered by Martin Levan at Morgan Studios, London, feature…
Attention L'Armee
Staubgold present a reissue of Atarpop 73 & Le Collectif Le Temps Des Cerises's Attention L'Armee, originally released in 1975. 10 December 1974. 200 conscripts exited the casern of Draguignan in order to demonstrate in the streets of the city. They made part of those clandestine soldier committees multiplying themselves all over France with a view to unite the young activists of the extreme left with the anti-militarists. This dispute was a backwash of the student manifestations in spring…
The Beginning Of A New Birth
"Both World's Experience Orchestras albums were recorded in and around Boston, Massachusetts in the mid to late 1970s and committed to vinyl in minuscule press runs by a visionary, bassist/composer/arranger John Jamyll Jones. Jones is a magical type, who communicates with his instrument, his ensembles, and jazz's ancient lineage in a manner so profound that his late-'70s album are out of time with jazz's trajectory, but timeless when presented today. By the late '90s the music of World's …
On The Corner
180 gram reissue of Miles Davis' expansive 1972 album. ""Here are killer groove riffs that barely hold on as bleating trumpet and soprano sax lines (courtesy of Dave Liebman on track one) interact with John McLaughlin's distortion-box frenzy. Michael Henderson's bass keeps the basic so basic it hypnotizes; keyboards slowly enter the picture, a pair of them handled by Herbie Hancock and Chick Corea, as well as Ivory Williams' synthesizer." (All Music)
Libido
Libido is a noteworthy moment in contemporary Free Improvisation you should not miss. It’s so fragile, yet uncompromising, so sensitive and confrontative at the same time… It’s simply beautifull" Edition of 200 copies on black vinyl. Comes in a cardboard sleeve with inner envelopes and includes a paper inlay. Blemishes are Thomas Lumley (tenor saxophone) Nicola Hein (guitar), Constantin Herzog (bass) and Niklas Wandt (percussions)