Jazz /
Kampanerura
Kampanerura is the name of a boy appearing in the children's story Night on the Galactic Railroad by Kenji Miyazawa (1896-1933), Japanese poet and author of children's literature. A boy with pure soul transmigrates and becomes a dissipated man around a trip to the bottom in Asia. From accompanying text by Masayoshi Urabe 'What are my legs on? What are my feet standing on? Sand? I feel something sharp and pointed! And a gentle breeze where am I? The sea? I feel it flowing! I've crossed ove…
Mune
Claire Bergerault, voice. Jean-Luc Guionnet, pipe organ. 'Music that proves that improvisation can still offer something vibrant and different. Intense, powerful music that will annoy as many as it delights.' Highly recommended !
Gaycre (2)
Xavier Charles : clarinet, Michel Doneda : saxophone, Jean Pallandre : microphones. Following the first meeting in 1997, they went back to the same places to record again an incredible meeting of soundscape !
The Black Ark
Recorded in 1969 and released in 1973 by Freedom Records, is one of the monumental second generation free jazz recordings, and sadly a very difficult LP to get hold of. One of free jazz's more enigmatic figures, alto saxophonist Noah Howard has been documented so infrequently on record. Now based in Brussels, Noah has been blowing for over 30 years. Born In New Orleans in 1943, Noah started playing on trumpet (the instrument he played in the military during the early 60s), but moved on to the al…
Le retour de
Jac Berrocal, voice & trumpet, Jean-Noël Cognard, drums & percussion, Philippe Thiphaine, guitar (from Heliogabale), Quentin Rollet, alto saxophone, Ben Ajrab, bass, Rivkah, voice & keyboard.
Centering
Milestone! The music on these six discs comes from roughly the first decade of William Parker's career, one of the most intensely creative periods enjoyed by any musician of any era. William Parker's Centering (No Business CD 42-47), as the subtitle makes clear, is composed entirely of Unreleased Early Recordings 1976-1987. It's six CDs in all, with booklet and attractive slipcase.What makes all that important? It's William Parker the superb bassist, jazz composer and bandleader at his very bes…
as : is
It was recorded in Bruxelles 2011, has been mixed and mastered by Sabine Ercklentz. A trio recording of forceful fragility, new sounds mixing, acoustic instruments meeting electronics. Random sounds taken care of. Creating 7 different pieces, each one of them representing its own personality. It is very dense and lo-fi. Christine Abdelnour has been one of the front figures in the last years with her new sounds on saxophone. Andrea Neumann is one of the original creators of the Berlin Scene no fu…
Myriad
Mayas frames her instrument not as 88 keys arranged in tidy scales, but as a sonorous tangle of wood and wire, she produces sounds with a wide dynamic range, playing the whole piano, inside and out, including dramatic percussive effects from banging and scraping the frame of the instrument and the strings. Abdelnour has developed extended techniques and complex patterns of sound production, exploring the microtonal aspects of the saxophone and its high-pitched tones. she employs subtle tonguing…
I Love It When You Snore
Mats Gustafsson is perhaps the pre-eminent saxophonist of this post-free jazz/improv era. A perfect combination of Peter Brotzmann's fiery passion, Evan Parker's extended technique and Ken Vandermark's willingness to explode genre boundaries, Gustafsson's discography spans over two decades and sports numerous must-hear recordings with a long laundry list of collaborators, including such luminaries as Brotzmann, Vandermark, Joe McPhee, Jim O'Rourke, Derek Bailey, Sonic Youth and The Ex. Illustrio…
New Sights, Old Sounds
A much-needed reissue of Derek Bailey's 1978 2-CD Japanese release on the Morgue label, the first disc a series of studio improvisations and the second presenting two live performances in Nagoya and Kalavinka.Recorded and originally issued in Japan in 1978, the contents of this two-disc set quickly became something of a collector's item as the album quickly went out of print. Happily, the master tapes were reacquired for release on Incus in 2002, providing further documentation of a rich portion…
The sacrifice for the music became our lifestyle
Chris Abrahams, upright piano. Kai Fagaschinski, b-flat clarinet. Cover painting & sleeve design by Zev Langer. How do you run a duo when both of its protagonists are living at two opposite ends of the planet ? Well, it's not that dramatic. For many years Chris has used his European tours as a springboard for extended stays in Kai's hometown of choice, Berlin. After appreciating each other's work for quite a while they began collaborating at a friend's piano-armed kitchen in 2007. While C…
The Nearer the Bone, the Sweeter the Meat
180 gram vinyl, originally released in 1979 on the FMP label. Peter Brötzmann on soprano, alto, tenor saxophone, clarinet, bass clarinet; Harry Miller on double bass, and Louis Moholo on drums. Recorded by Jost Gebers on August 27th, 1979 at the FMP-Studio in Berlin. Produced by Peter Brötzmann and Jost Gebers.
"Brötzmann is a musician of character, who has been blazing his own trail for several years now, and it's true to say that he and his companions have created their own musical environment…
Schwarzwaldfahrt
180 gram vinyl reissue of this LP, originally released by FMP in 1977. Peter Brötzmann and Han Bennink -- e-flat clarinet, b-flat clarinet, bass clarinet, soprano saxophone, alto saxophone, birdcalls, viola, banjo, cymbals, wood, trees, sand, land, water, air. Recorded open air on a Stellavox recorder by Peter Brötzmann and Han Bennink from May 9th to 11th, 1977 in the Black Forest near Aufen and the Schwarzenbach Talsperre. Produced by Peter Brötzmann and Jost Gebers.
Hunting the Snake
2012 repress, originally issued pre-9/11. "Astounding 1975 Radio Bremen session from Germany -- never before released, by one of the greatest working bands in the history of European improvised music is offered for your consideration on Hunting The Snake. How can you lose? This all-star ensemble features Alexander von Schlippenbach on piano, Evan Parker on saxophones, Peter Kowald on bass, and Paul Lovens on drums and singing saw. A brilliant, previously unreleased 77 minute program fr…
Waterkil
After meeting for the first time in Beirut during the Irtijal Festival 2006, Axel Dörner and Jassem Hindi had their first musical collaborationin Switzerland two years later in 2008. From that time on they have regularly performed as a duo on different occasions.The music of the duo is electroacoustic music with trumpet and electronics, both musicians using their musical equipment and systems in an unusual way, developing their own techniques of sound creation.They are interested in explorin…
Real Time One
This CD presents a live recording by three outstanding musicians recorded in 1977. Centazzo had collaborated both with Alvin Curran in duo and with Evan Parker in duo, trio and sextet before this recording.
Alvin Curran, American composer living in Rome, member of the Ensemble Musica Elettronica Viva (along with Fredrick Rzewski, Steve Lacy, Richard Teitelbaum a.o.) was related to the post-cagean school and to the improvised music.
Evan Parker, English, coming from the tradition of jazz, …
Moonish
The tempered tonalities of Abraham's piano mesh with the atonalities of Brown's prepared guitar and utensils. Through concentrated listening and the implementation of conventional and extended instrumental techniques the resultant tones and textures pull at and morph into each other creating a mysterious sonic world, half here, half there. With combined extensive histories in jazz, improvisation, pop and rock music Chris Abrahams and David Brown together are: 'culture of un'.
Outwash
Angharad Davies (violin), Tisha Mukarji (inside piano) & Dimitra Lazaridou-Chatzigoga (zither). Three great trio improvisations recorded in December 2011 at a church in the City of London. Beautiful, spacious, yet at times tense music.
Unbalanced In (Unbalanced Out)
Unbalanced Out (Unbalanced In)'. A powerful, challenging 50-minute collaborative piece constructed over a year through file-sharing by a sextet of leading musicians across the world, with Barry Chabala (USA, guitar), Bonnie Jones (USA/Korea, electronics), Louisa Martin (UK, laptop), Tisha Mukarji (Germany, piano), Toshi Nakamura (Japan, no-input mixing board) and Gabriel Paiuk (Argentina, piano)
Stockholm, Berlin 1966
Hard to believe that this far down the line there would still be unreleased recordings of Albert Ayler, never mind a full live set from the apex of his reign, the glorious 1966 tour of Europe, so I nearly did a double take when I first saw this title listed. The Berlin set which the CD is bundled with turned up in lesser fidelity and in the incorrect order on Revenant’s disputed Ayler box, but the Stockholm set has never even been booted and both receive their first release fully authorised by t…