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Hard to believe that this far down the line there would still be unreleased recordings of Albert Ayler, never mind a full live set from the apex of his reign, the glorious 1966 tour of Europe, so I nearly did a double take when I first saw this title listed. The Berlin set which the CD is bundled with turned up in lesser fidelity and in the incorrect order on Revenant’s disputed Ayler box, but the Stockholm set has never even been booted and both receive their first release fully authorised by t…
restocked, sold out at source....Astonishing debut LP by percussionist Ben Hall (Graveyards/Broken Research) and violinist Mike Khoury (Graveyards, Faruq Z. Bey Northwood Improvisers). 'It's not a fear of falling, it's a fear of landing' is simply one of the wildest works of free music we got the chance to experience in recent times.Khoury emits ribbons of lyrical, stream of-consciousness violin playing, alternately letting his notes really hang, or focusing on small, scratchy sounds or di…
This compilation of Echtzeitmusik Berlin has been assembled and designed to become a companion to the book of the same title published in 2011 by Wolke Verlag, which reflects on a multilayered phenomenon within Berlin's musical culture, a phenomenon whose influence and meaning has effects that extend far beyond Berlin itself. Having emerged in the open spaces of the city's east side after the fall of the Berlin Wall, and rooted in a cultural coordinate system made up of squats and free im…
An extraordinary document of an experiment in which three improvisers - Pascal Battus (rotating surfaces and found objects), Bertrand Gauguet (saxophones) and Eric La Casa (microphones) - played at a working building site in Paris, adapting their playing to integrate the sounds and gestures of the workers at the site.
Rune Grammofon presents the third album from Swedish trio Fire! -- something of a supergroup with members from already well-known projects. And again, it's a collaboration, this time with the extraordinary and prolific guitarist Oren Ambarchi. With their heavy, hypnotic, psychedelic rock'n'jazz explorations, they have carved out a different sound than any of the groups they are normally associated with. Sax player, improviser, composer and fervent record collector Mats Gustafsson is proba…
Deep archeology into a long buried and previously undocumented chapter in the history of the early '70s loft era brings forth the revelatory Father of Origin, Eremite's box set retrospective of percussionist/bassist Juma Sultan's Aboriginal Music Society. Drawn from Sultan's mammoth private archive of recordings, this ground-breaking set includes two audiophile LPs and a CD, a 28 page 12x12' book featuring previously unpublished photographs and ephemera and a detailed historical essay by jazz sc…
Recorded live in concert. Rome, Italy December 12-13, 1977 by Nicola Bernardini and at Teatro Comunale, Pistoia, Italy December 14, 1977 by Carla Lugli Originally released as Real Time – ICTUS LP 006 and as CD on Ictus Reissue Series #4 including never released before tracks and Real Time Two ICTUS Reissue Series #8 CD except #6 * un-issued All Tracks Digitally Re-Mastered and Edited By Andrea Centazzo 2005 About: It has been a pleasure finding recently in the ICTUS archive two tracks from…
The second album of the Phantom Band is quite different to the predecessor. The line-up features the spoken word performer Sheldon Ancel on the microphone instead of bass player Rosko Gee. Whilst the debut album revealed many Caribbean or African influences and a generally positive frame of mind, "Freedom of Speech" is a somewhat darker avant-garde rock manifesto, interspersed with individual dub or reggae pieces. All they have in common are Jaki Liebezeit's inimitable monotone polyrhythm…
Meetings with Remarkable Saxophonists - Volume 1. John Edwards, double bass. Evan Parker, tenor saxophone. Eddie Prévost, drums. First of a series of recordings made at The Network Theatre, London on 30th May 2011.
Percussionist Eddie Prévost not only co-founded the British improvising collective AMM more than 45 years ago, he is its chief annotator and its sole consistent member. With these dual roles he has both explained the aesthetic, political and ethical dimensions of an enterprise dedicated to constant self-examination and on-stage negotiation, and ensured the music’s immediacy through the agency of his exactingly tuned-in playing. But before he did any of that, he was a fine jazz drummer wit…
An overlooked performance from Roy Brooks and his legendary Artistic Truth ensemble – recorded back in Detroit in the early 80s – and smoking with the energy of a lost 70s spiritual jazz session! The group's got a leaner feel here, and even more fire than on some of Brooks' other sessions of the period – especially on the solos, which really stretch out boldly – especially on piano from Geri Allen, and trumpet from Rayse Biggs! Other group members include Vincent Bowens on tenor and flute, Mario…
Rare music from a legendary trio – one who cut two studio albums in the 70s, and reunited for this smoking live date in the early 90s! The lineup is heavy on percussion from Huseyn Ertunc – and from both Phil Musra and Michael Cosmic – although both of those players handle plenty of reeds as well – making for a performance that's really incredible – as the musicians shift effortlessly between instruments, often with this sense of urgency to find new expressions – a creative free play that…
Klaus Ellerhusen Holm, alto saxophone & clarinet. Tor Haugerud, drums & percussion. Kim Myhr, guitars & objects. Martin Taxt, tuba. Muringa navigates playfully in a polarized world of opposites. Between speed and tranquility, industry and flora, violence and tenderness, noise and silence, chaos and order; Muringa gives the listener the hegelian third choice. The group consists of four of the most active improvising musicians from Norway. All occupied with other SOFA-projects such as Mural…
Over 4 hours of improvisations were recorded over these two days in april 2010. We then trimmed the sound sequences and the silence, while keeping our specific interactions and phrasing of sounds between us and with the location. But sound is a flexible material and what remains of this session are frequencies that are like vestiges to be reinvented. To help this there is some 'presence'. The acoustic character and the intense immobility that fill the air of the chapel of Las Planques, in the da…
Yet another masterpiece from the archives of Phil Cohran. Armageddon was conceived in 1958 and written down in 1963. After performing with Sun Ra and benefiting from the teachings of the Honorable Elijah Muhammad, Phil Cohran's compositions changed decidedly, and he began to focus on cosmology and culture. This particular performance was recorded live at the Afro Arts Theater at 3900 S. Drexel in Chicago on February 11th, 1968. It has never been released and practically unheard in over 40 years.…
"The Spanish Suite was written to magnify the contribution that Moorish Spain made on the European Renaissance. The relationship of music to cosmic rhythms and harmony was altered from the original state of Spanish music and eventually distorted down to the 12 tone equi-temperment system of tuning. The Artistic Heritage Ensemble was taught to play outside of the 12-tone system and to recognize natural tone relationships. The musicians had to be dedicated to music for life in order to reac…
LP version with bonus 7". Every once in a while, a record presents itself so defiant in its refusal of categorization that it becomes the bane of those poor vinyl archaeologists whose business it is to file and classify. The aptly-named The Naked Truth (1975) is one such artifact; a wayfaring stray of an album that weaves its insouciant magic through the edgelands of sound. The musical provenance is palpable -- an electric blend of spiritual jazz, rhythmic black psychedelia and far-out ex…
Another previously-unreleased gem from South African pianist/composer Chris McGregor and his cohorts in '60s UK free jazz. Our Prayer was culled from the same sessions that produced the also never-released Up To Earth in 1969 and was produced by Joe Boyd and engineered by John Wood at Sound Techniques studio. The previous year they had signed to Joe Boyd's illustrious Witchseason production company alongside Fairport Convention, John and Beverley Martyn, Nick Drake and the Incredible String Ba…
Reissued by Fledg'ling in 2007, this is a classic title from 1971 by Chris McGregor's magnificent big band -- Brotherhood Of Breath. Arguably one of the most influential albums to emerge from the London jazz scene of the early 1970s, the Brotherhood of Breath was an exuberant big-band created by South African-born pianist and composer, Chris McGregor. In South Africa, McGregor had formed the racially mixed Blue Notes in the early 1960s. By 1964, finding it very difficult to work at home, t…
Originally released on Polydor in 1968. During this year, The Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Very Urgent, their eagerly-awaited debut recording, was a joyful call of intent. The album mixes simple but utterly unstoppable tunes and exhilarating horn charts -- immediately establishing a vitality and exuberance that would continue to define the group. Nevertheless, their evident preference f…