Jazz /
Porosità
an AWESOME album by A Sprirale, consistin in Massimo Spezzaferro (drums) Maurizio Argenziano (guitars) Mario Gabola (alto, ten.) Tonino Taiuti (voice, objects) The entire album moves forward in a complicated, constantly mutating web of stylistic references to musical precedents within jazz and twentieth century music, overlapped in a restless search for new textures, moods, dramatic interludes, and possible resolutions
The Incandescent Gramophone
The Los Angeles Free Music Society (LAFMS), Poo-Bah Records, and The Pasadena Arts & Culture Commission brings you an homage and exploration of the 78RPM vinyl medium in true 78 phonic quality. The proposal was to make a mysterious object out its time -- a conundrum. Something technologically obsolete, by the most standards. It is an homage to the beginnings of recording technology by combining current methodologies with older mediums of sound reproduction. The compositions derive its sounds fro…
Whirl of Nothingness
Saxophonist Paul Flaherty is New England's purveyor of the ecstatic jazz pulse. Even before his 1978 debut, Flaherty remained unshakable in the pursuit of soul healing and demon dashing through freedom music. Whirl of Nothingness, Flaherty's second solo album, is eight pieces of alto and soprano saxophone steeped in the theme of loss channeled through blasting improvisations that showcase his fabulous wailing and inferno of sound to stark bluesy melodies. Even without drum buddies Chris Corsano …
The New York Composers Orchestra: First Program in Standard Time
Acoustic jazz recording featuring Holcomb's eleven-minute title-track, Lenny Pickett's ten-minute Dance Music for Composer Orchestra, Elliott Sharp's eight-minute Skew and Horvitz's nine-minute Paper Money and an eleven-minute composition by Anthony Braxton.
the geometry of sentiment
John Butcher is up there with the Parkers, the Rothenbergs, the Zorns and the Harths, yet his style is inimitable; he has arrived at the top at last, and dominates in a world of bent overtones and multiple subdivisions of a single note. THE GEOMETRY OF SENTIMENT - which I perceive as his masterpiece - presents seven tracks recorded at various places between 2004 and 2006, each one with a different kind of resonant space forced by our man to respond in a unique way, at the same time exploring tha…
Phonometak Series #2
The first chapter of this vinyl series opened with Zu duelling with Iceburn, the follow up is a face to face that puts Mats Gustafsson in front of Paolo Angeli. Talking about the swedish saxophonist (here he plays also alto fluteophone) what should I add you don't know already?...personally I've loved his combined effort together with “Rome's only” Zu (withTakemure more then ever in full blossoming), by the way what we have here is an acoustic improvised performance not so far from many releases…
Phonometak Series #1
PhonoMetak Series is a collaboration with PhonoMetak Labs, the discographic division of the music store SoundMetak di Xabier Iriondo. This series is strictly in 10" vinyls, as the early century 78 rpm.
s/t
A very nice production coming from Italy, that can be defined as a perfect meeting point for the experimental and explorative tensions of different musicians, whose background range from classical music to contemporary, from jazz to the extreme boundaries of rock" EAQuartett fall in the realm of Supersilent with an obvious appreciation towards the kraut and free jazz scenes of the late '60s and '70s. A fellow RYMer described this album along the lines of being the perfect exploration of the luci…
Over shadows
Rhodri Davies solo recording for harp and ebows. Recorded January 2004 at the Old School, Bracon Ash, Norfolk. Digipack. "Over shadows" - title courtesy Redell Olsen's "Secure portable space" book - is a single track, 36 minutes long, for harp and eBow. The chief reference name in this composition would obviously appear to be Alvin Lucier, as Davies' subtle juxtaposition of resonant overtones elicits the typical effects of beating between frequencies on the one hand, of marvellous saturati…
Solo in Berlin 1975
Recorded a year after his acclaimed masterpiece, The gentle harm of the bourgeoisie, these three festival sets are at least as good. They find Rutherford at his most original and inventive, making wild music by enhancing his trombone with his voice, with mutes and other objects, as well as using his awesome speed and stunning range. No-one else has made the trombone sound like this, before or since. Five minutes originally on an FMP sampler - the rest is previously unissued."
machine gun
rare original copy of this landmark record. Recorded with a whiff of revolution in the air back in May '68, this landmark Brotzmann LP taps into the spirit of its time with a robust garage rock sensibility, lending a considerable urgency to the session, with the highest volume passages taking up far more airspace than the Lila Eule club in Bremen (where the original recordings took place) could accommodate. clean condition, unplayedPeter Brötzmann - tenor-/bariton saxPeter Kowald - bassSven Ake …
1980-89 - first decade
Awesome 3 x LP box (plus a 7" and a t-shirt): Two Lp’s of the box with Diez Años double cassette ( a collection of unreleased tracks of the eighties with some tracks of compilations.) The third Vinyl will include: AVANCE RAPIDO (from La Zona Compilation) FUNGUS CEREBRI (from Sinn und Form) RASKIN (from 80´s Tracks) MAXIMO RENDIMIENTO(from 80´Tracks) PRIMERA TUNDRA (from 80´Tracks)TRANS UNMMA (from 80´sTracks) and the superb Live Performance of 87 from the special Bruitiste Box-Set. The 7“ conta…
No Sound Is Innocent
Written by one of the founding members of AMM, the book is divided into three sections: AMM and the practice of self-invention; Meta-musical narratives; and Essays. The book is a bringing together of connected and unconnected writings on a wide range of parameters that have a bearing on the making of music and particularly those issues that come into play in (and sometimes before and after) improvisation. Prévost points out that 'The meta-musical narratives were constructed, as an act of writing…
jazzin the black forest
fantastico documentario sulla storia della label discografica MPS > A brief history of a pioneering jazz label MPS (for Musik- Produktion Schwarzwald) is known as the German „Blue Note“. The label was established by producer and music enthusiast Hans Georg Brunner-Schwer (also named HGBS) from 1968 in Villingen. After he left the SABA enterprise, he made high class jazz productions in a wide variety. Till the 1980s, over 600 jazz vinyls were released in the whole spectrum from traditional Jazz t…
Evidences Vol.1 - Final Industrial Music 1980
Limited edition of 600 numbered copies. The 5-Lp-Box contains all officially unreleased material on Vinyl.The tracks are re-mastered and digitally transferred from the following tapes: Mectpyo/Blut 1 & Mectpyo Blut 2 (1979/80) Atomique/Murder (1980) Gene-P (1980) Nervo/Hydra (1980) Technology 2 (1980)
Bits, bots and signs
Ever since Otomo got into his minimal misuse of stereo equipment phase, a collaboration with Swiss toaster torturers Voice Crack was on the cards. Although Otomo's refraction of high end sinewaves around cranial interiors may not seem like an ideal partner for Norbert Mšslang and Andy Guhl's usual industrial clang, attempts have obviously been made to find a common ground. There's an intense focus upon the fine detail of the unfolding electronic fields, with the Swiss duo providing a constantly …
Alle Neune : Rheinländer Partie
Martin Küchen: prepared and non prepared alto saxophone. David Stackens: guitar, low-budget electronics. Recorded at Fylkingen, Stockholm by Andreas Berthling, 16th of May 2004. Mastered by Andreas Berthling, David Stackens and Martin Küchen.
Tre pezzi per percussione
Wolfgang Schliemann's Tre Pezzi per Percussione (Three Pieces for Percussion) is subtitled "Spesso Usate in Maniera non Convenzionale": often used in not conventional ways. Most of the time, Schliemann's approach is closer to sound art than, say, jazz or contemporary classical. This German CD contains three pieces, all improvised, all solo percussion. In "Presque Vu (En Suite)" ("Almost Seen [In a Suite]"), sparse sound events unfold through nine parts over a total of 44 minutes. Most sounds can…
UNDECIDED
Compilation containing six lengthy solo tracks by some of the most fascinating improvising musicians currently active in Japan. The CD documents a series of lecture-concerts, exploring the meanings, methods and implications of free music, which took place between September 2003 and February 2004 at Mesar Haus in Tokyo.
Mottomo Otomo – Unlimited XIII
The legendary Unlimited Festival in Wels, Austria in 1999 was curated by Otomo Yoshihide (Ground Zero). We are happy to release this sampler that captures the great musicians, bands and projects: Otomo Yoshihide solo, Radian, Incapacitants, Kaffe Matthews / Neumann / Krebs, Tetreault / Labrosse, Nagata Kazunao, Novo Tono, Keith Rowe / Taku / Otomo, Poire_Z, O.Y. New Jazz Quintet (their first performance ever!!), Hoahio, O.Y. solo (finale).