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A 2008 sequel to his highly-acclaimed first solo CD 'More is More' on psi 06.08.Peter Evans writes: Over the past couple of years one of my main creative outlets has been solo trumpet performance. These discs are meant to show various aspects of my music's development and were recorded in two different settings (studio and concert) and under two different circumstances. Jazz musicians have often referred to the playing of a solo as 'telling a story', which is essentially how I look at this musi…
Includes liner notes by Jacqueline Grandchamp-Thiam, Rikki Stein and Mabinuori Kayode Idowu. Digitally remastered by Pompon (Translab Paris, Paris, France). With the inclusion of Nigerian master musician Fela Anikulapo Kuti's incendiary 1977 single, "Zombie," "Mr. Follow Follow," a typical anti-authoritarian exhortation, and a couple of hitherto-unreleased live cuts from the 1978 Berlin Jazz festival, ZOMBIE finds the iconoclastic singer and bandleader at his electrifying best. The title track, …
This 4-CD set (4.5 hours of music) was recorded during a series of concerts in 2003 by Antony Braxton's quartet featuring Kevin O'Neil on guitar, Kevin Norton on percussion, Andy Eulau on bass and Anthony Braxton on saxophone. Here they perform standards. Personnel: Anthony Braxton (saxophone); Kevin O'Neil (guitar); Andy Eulau (bass instrument); Kevin Norton (percussion). Recording information: 2003.
Fans of the A.E.C. and cutting-edge-music rejoice! Long unavailable in this country, the Art Ensemble of Chicago's landmark album recorded in 1974 for the Atlantic label is back in print. Though not "easy listening" to be sure, the A.E.C. present challenging music that's worth the effort. Witness the relentless, Louis Jordan/Louis Prima-rooted swing of "Barnyard Scuffel Shuffel" and the sublime African/Japanese/Javanese-influenced rhythmic soundscape of "What's To Say." The eerie, pensive, breat…
Former Henry Cow guitarist Fred Frith pays homage to three giants of contemporary classical music: John Cage, Morton Feldman and Earle Brown. In his own inimitable fashion, Frith has tried to incorporate the chosen composer's own working methods into each of the three pieces that make up The Previous Evening. As he explains in the enclosed booklet regarding his John Cage homage: 'Fragments of text heard in Part 1 were taken at random from Cage's book Silence. Tape editing, the structure of the e…
Beautiful solo work from Anthony Braxton -- recorded live in Paris at the start of the 70s, and a fair bit more sensitive than some of his earlier work on that scene! Side one features a beautiful take on Duke Ellington's "Come Sunday" -- one that runs for 25 minutes, and which features Braxton blowing straight, and almost with some of those Lee Konitz-inspired modes he was using around the time. The tune's still got some of the darkness you might expect from Braxton -- but things really go out …
2024 lucky restock. A mind blowing archival double cd centred around Laurie Scott Baker, who has been involved in experimental music since he was a teenager. A pioneer of live electronics and graphic scores back in the 60s, a member of the Scratch Orchestra & Peoples Liberation Music with Cornelius Cardew, played many first performances of new music. Gracility comes out of the development of free improvisation & groups such as Scratch Orchestra etc. & the general questioning of the music establi…
EKG : Kyle Bruckmann (oboe, english horn & analogue electronics) & Ernst Karel (trumpet & analogue electronics). Electricals' is the fourth duo release by Kyle Bruckmann (oboe, English horn & analogue electronics) and Ernst Karel (trumpet & analogue electronics). As on previous discs, the music is carefully constructed and extended from extracts of duo improvisations recorded in the studio and at concerts.But as the title suggests, the disc has a more electronic feel than much of their previous …
“Very strong, extremely well integrated set, Krebs and Davies meshing perfectly....next to impossible to describe to any degree of satisfaction, but that's usually the case with something as beautifully positioned as this. Mandatory.” Brian Olewnick, Just OutsideAnnette Krebs (guitar, recordings, mixing board) and Rhodri Davies (electric harp & electronics) played together as a duo for the first time for a day at Annette’s flat when Rhodri was visiting Berlin in April 2008. Annette then spent a…
This recording is from a concert during the early 1970's. there is no further informaiton on this recording except that the original reel tape was labeled "Spacemaster Concert." June Tyson recites "The Shadows Took Shape" a Sun Ra poem never heard or seen until now.
Vol. One in Transparency's new audio series of super-high-quality live performances. This one is 3 solid hrs of the Arkestra live at Myron's Ballroom in downtown Los Angeles, April 2 1981. They hadn't played in L.A. for ten years & therefore are FIRED UP!
Lost Reel Collection Vol. 4. Recently discovered rehearsal tapes believed to have been recorded in the San Francisco area in December 1974. Identified (by ear) in the session are Sun Ra, John Gilmore, Marshall Allen, Danny Ray Thompson, James Jacson, Damon Choice, Akh Tal Ebah, Eloe Omoe, Clifford Jarvis, Dale Williams, and others.
Vol.1 in a new series entitled "The Lost Reel Collection." 2-CD set of the Arkestra playing live in a SF warehouse in '71, & a lecture by Ra from his legendary residency at UC Berkeley. This is a Sun Ra album like no other!
As with the transformations brought about by recording facilities,this CD features a shift of emphasis from real time performance to the consideration of various stages and assorted sources in sound production as valid ingredients. The use of synthetic or processed fibers, thus prompts new behaviours -give, grain/counter grain- in the fabrics obtained.
Electroacoustic trio weaving sampled and live sounds as part of a single continuum, encompassing a rich range of sonorities. The outlook, featuring oriental timbres and recalling contemporary music conceptions, unfolds in slow circular sequences that, nevertheless, create a narrative thread. Their poetics proposes a deceiving play on mirrors, the instrumental roles dismantled through that very multiplying of reflections, the sound quality creating an endless kaleidoscopic impression of elusive d…
This 1998 date featured British saxophone and improvisation deity Evan Parker with Copenhagen's Ghost-in-the-Machine trio and Martin Klapper on electronics. This traditional quartet -- saxophones, bass, drums, and piano -- added Klapper to extend the sonic possibilities of all the instruments, which were amplified by microphones. The results are studies more in texture, atmospherics, and sonic constructions than they are in spontaneous composition.
American Landscapes 2 ramps up the intensity slowly and with the clear objective to display power and a thorough sense of control. The first 13 minutes come at you sounding like a forest fire churning with stored energy. Underneath this unfurling force are composed parts that are revealed through close inspection. Once the energy breaks a trombone/saxophone duo stops the presses and summons a simple chamber horn interlude with other brass walking in. The piece wanders a bit into more open free p…
American Landscapes 1 and 2 are live dates from 2006. While there have been a few personnel changes since the original line-up—trombonist Hannes Bauer replacing Jeb Bishop and drummer Paal Nilssen-Love replacing Hamid Drake—the core Tentet has remained intact. Both discs are comprised of a single track, clocking in at respectively about 44 and 52 minutes. Both discs are difficult to digest as single entities: attacking them as longer composed/improvised pieces linked by changes allows you better…
6CD set. Sun Ra & the Arkestra played every Monday night at Slug's Saloon in the Lower East Side of NYC for over 5 years, from 1966-1972. This is the 1st released documentation of this long residency, comprising 2 complete shows (6 hours total) recorded over the summer of 1972. High quality recordings that capture the Arkestra emerging from their psychedelic phase & moving back towards their jazz roots.