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Ralph Alessi’s fourth appearance as a leader for the label follows a singular album run that’s been met with nothing but praise from The New York Times to The Guardian. The latter lauded Ralph’s previous recording Imaginary Friends (2019) for its “elegant balance of poignant, playful original compositions and gracefully probing improv” and declared it “his best album yet”. It’s Always Now however brims with arguments that there is a new contender for that title. On his new album, Alessi’s unique…
John Scofield’s first guitar-solo-recording ever gives a résumé of all the influences and idioms he has cultivated over his career in performances on guitar, accompanied by his own rhythmic pulse and chordal backing using a loop machine. Besides jazz, John is known to have always also had a soft spot for the rock and roll and country music he grew up with, revealed here in unencumbered renditions of Buddy Holly’s “Not Fade Away” and Hank Williams’ “You Win Again”. Between elegant and personal re…
German-American pianist Benjamin Lackner makes his highly melodious ECM debut with an all-star quartet of trumpeter Mathias Eick, the esteemed Manu Katché on drums and bassist Jérôme Regard. Mathias and Manu share an extensive recording history with ECM and their respectively unique instrumental signatures can be traced across this set of exclusively original material – eight pieces by Benjamin, one by Jérôme. The bassist and the leader’s partnership goes all the way back to 2002, when, in New Y…
There is a searching, yearning quality to Naked Truth, and a raw beauty and vulnerability in Avishai Cohen’s trumpet sound on his most improvisational ECM recording to date. Very much music-of-the moment, found and shaped in the course of a remarkable recording session in the South of France, Naked Truth takes the form of an extemporaneous suite. For most of its length the Israeli trumpeter painstakingly leads the way, closely shadowed by his long-time comrades – pianist Yonathan Avishai, bassi…
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers. Each of them made his first ECM appearance long ago: drummer Andrew Cyrille on Marion Brown’s Afternoon of a Georgia Faun (1970), trumpeter Wadada Leo Smith on his own classic Divine Love (1978), and guitarist Bill Frisell on Eberhard Weber’s Fluid Rustle (1979); these are, of course, players of enduring …
Circle was a band on fire with creativity. Chick Corea and Dave Holland had just left Miles Davis’s band, keen to explore all parameters of new music in an improvised context. Anthony Braxton, equally inspired by Stockhausen and Coltrane, brought in new directions from the AACM. Barry Altschul’s resumé included extensive work with Paul Bley. Together they were, for a while, matchless. Corea called the Paris Concert (recorded 1971) the realization of a dream. Melody Maker: “Paris Concert is evide…
Revisited and remastered, with additional takes, texts and photos, here is the very first ECM session, recorded in Ludwigsburg in November 1969, featuring the great American pianist Mal Waldron, whose resume included work with Coltrane, Mingus, Dolphy and Billie Holiday. In his original liner notes, Mal wrote: “This album represents my meeting with free jazz. Free jazz for me does not mean complete anarchy… You will hear me playing rhythmically instead of soloing on chord changes.” As Jazz Journ…
Bordeaux Concert is a special document from Keith Jarrett’s last European tour. Each of Jarrett’s 2016 solo piano concerts had its own strikingly distinct character, and in Bordeaux the lyrical impulse is to the fore. In the course of this improvised suite, many quiet discoveries are made, and there is a touching freshness to the music as a whole, a feeling of intimate communication. Reviewing the July 2016 performance, the French press spoke of hints of the Köln Concert and Bremen-Lausanne in t…
Their collaboration has been hailed as a summit meeting of two jazz masters. Enrico Rava, trumpeter from Trieste, and Fred Hersch, pianist from Cincinatti, share a deep affection for the tradition and a profound sense for melodic invention. In this recording, with flugelhorn and piano glowing in the superb acoustic of the Lugano studio, Rava and Hersch explore some much-loved standards: Jerome Kern’s “The Song Is You”, Thelonious Monk’s “Mysterioso” and “’Round Midnight”, Jobim’s “Retrato em Bra…
Norwegian bassist Arild Andersen, an ECM musician for more than fifty years, is a masterful player who has always welcomed a challenge. His first recording with his new quartet – including rising stars Marius Neset and Helge Lien (both bandleaders in their own right)– is almost entirely improvised. The players make the leap of faith together and find and develop forms at the moment, an object lesson in spontaneous group creativity. Affirmation was recorded in November 2021 at Oslo’s Rainbow Stud…
The Bobo Stenson Trio’s ability of covering far-reaching idioms and wide-ranging repertoire within the scope of their personal diction has become both hallmark and custom, inspiring the New York Times to say the pianist “makes sublime piano-trio records without over-playing. It’s pulsating, with long improvised phrases; it’s alive.” Sphere is primarily comprised of works by 20th and 21st century composers including Per Nørgård, Sven-Erik Bäck, and Jean Sibelius and offers two originals by Jormin…
The third album from Joe Lovano’s Trio Tapestry finds the group continuing to extend its spacious and lyrical approach, with deep listening and intense focus. “Our Daily Bread is fueled by the rhythm spirit of expression that projects the mysterious world of music that lies ahead,” says master saxophonist Lovano in his liner note, and these elegantly fluid pieces and free-floating ballads indeed feel like songs of the soul. “The intensity comes not from ferocity but from depth of feeling,” wrote…
Original 1990 LP edition. Experience the vibrant and soulful sounds of Sicily with Orchestra Jazz Siciliana's latest album, "Plays The Music Of Carla Bley." This dynamic ensemble pays tribute to the iconic composer and pianist Carla Bley, with their own unique jazz interpretations of her compositions. The album features a fusion of traditional Sicilian melodies and Bley's avant-garde jazz influences, creating a dynamic and captivating listening experience. Led by renowned saxophonist and conduct…
For the first time ever, the complete recording sessions for the Spotlite vinyl album ‘Fingers Remember Mingus’ expanded with bonus tracks. The original album sessions, and the extra tracks, were all recorded between 1979 and 1983. Co-produced by Jazz In Britain with Dave Green, who formed and led the Fingers quartet and who provided most of the recordings from his own tape archive and wrote new notes to complement the 24 page booklet which compiles contemporary reviews and articles about Finger…
Monk’s Blues is an album by Thelonious Monk, accompanied by a big band arranged and conducted by Oliver Nelson. Produced by Teo Macero, the album was recorded in Los Angeles by Monk‘s working quartet augmented by a group of top Hollywood studio musicians. The Monk Quartet included Monk on the piano, Charlie Rouse on Tenor Saxophone, Larry Gales on Bass and Ben Riley on the Drums. Additional musicians a.o. Tom Scott, Buddy Collette, Bobby Bryant and Conte Candoli. Monk’s Blues is available as a l…
From the liner notes by Joe: "This recording took place at my home in the woods in Connecticut. My dog, Scout, a Border Terrier, came with us on a walk onto the huge rock outcropping behind the studio that I call the Temple. Scout draws a lot of attention which explains why Terrier is in the title. On the walk, in the studio, and later eating take-out pizza on the beach together, we all talked like the old friends that we are. Sharing ideas and stories, having endured the tough parts and enjoyed…
3-CDs box-set documents Gush residency at Alchemia club in Krakow in November 2018 celebrating band's 30th aniversary. Gush performs precisely as one might anticipate from a trio of seasoned musicians who have collaborated for three decades. Gustafsson's saxophone emulates the qualities of the human voice, Sandell's piano evokes both lyricism and percussive rhythm, while Strid's drums exude a captivating, enigmatic fluidity in their aesthetics. Their collective efforts yield an intense, abstract…