Jazz /
Bengt
Bengt is the new solo recording by Mats Gustafsson and is dedicated to Bengt Nordström. Mats Gustafsson plays a plastic alto sax. A classic Grafton sax. The type of sax that was used by Charlie Parker, Ornette Coleman and Bengt Nordström. Nordström is best known having produced Albert Ayler´s first recording Something Different!!!!!! on his Bird Note imprint. It is in his own role as a sax player Bengt was truly inventive. Bengt was playing solo sax improvisation already in 1962 (!!!) Nor…
Courants des Vents
An intense, meditative journey through the sound of stone, one continuous piece of more than three quarters of an hour during which the normal rules of time and flow are suspended by this master of lithophones.
Live at the Vortex
A 2006 concert recording at London's legendary Vortex by Evan Parker (tenor saxophone), Steve Beresford (piano), John Edwards (double bass) and Louis Moholo-Moholo (percussion) with special guest Kenny Wheeler (trumpet & flügelhorn) joining the band for the second set."-psi
Disco 3000
A limited edition reissue in dramatic new packaging of the already highly collectable double full-session version of the legendary Saturn classic...In the winter months of 1977-1978, philosopher, pianist and bandleader Sun Ra was in Italy. The Italian tour resulted in releases on Sun Ra's own Saturn label, all of which have long been out of print and all but impossible to find. With the re-release of Disco 3000 one of the most celebrated of these elusive Saturn gems is once more available …
This Is Hot!
Mr. Gale studied trumpet with Kenny Dorham... his most noteable collaborations are with the Sun Ra Arkestra (Lanquidity), with Cecil Taylor (Unit Structures), Larry Young (Of love and peace), Elvin Jones, William Parker among others... he even played gigs back then w/John Coltrane at the Half Note (unfortunatly undocumented)... and cut two mythical albums for Blue Note in the 70's with his Ghetto Music. he's finally back on wax, after around 25 years ?! yes ! remember that word hot music used by…
Green Just As I Could See
Four extended electroacoustic works from Berlin's inside pianist and mixing board artist Andrea Neumann and Baltimore's Bonnie Jones on electronics, minimal and edgy pieces of unusual and absorbing character."ANDREA NEUMANN (b. 1968, Freiburg) studied piano at the Hochschule der Kunste in Berlin. Since 1996 she has been primarily active as improviser and composer in the areas of experimental and new music. In the process of exploring the piano for new sound possibilities, she has reduced t…
Entraxes inégaux Craquer les liants
Reissue of two LPs from Bloc Thyristors label and two groups run by the drummer Jean-Noël Cognard. Empan with Judith Kan, voice, Jac Berrocal, trumpet, piano, Dan Warburton, violin, keyboards, Béatrice Godeau, cello. Tankj with Serge Adam on trumpet, Jérome Noetinger on electroacoustic devices and tape recorder, Titus Oppmann on doublebass. Recorded and mixed by Patrick Müller.
'Blow job
Blowjob’ is an album stripped of glamour, fancy artistry and advanced studio techniques. This is one man, one saxophone and the musical intentions of a modern musician. The second album in +3DBs series Music for ONE opens up a different view on improv than that of Michael Duch (Edges - +3DB009.) With Møster, an experimental attitude is mixed with an underlying sense for the history of jazz. This is not jazz anymore though, but a contemporary art form with a solid memory. Upholding a music…
The beginning of the Second Earth
"After the successful and exciting adventure with The Pyramids (3 fantastic albums issued in the 70's), Idris (who founded the aforementioned group) in 1979 formed Cultural Odyssey (which is still running), fresh from touring Africa and observing the interdisciplinary nature of African artistic culture. the music presented on this rocket is from the very 1st performance by this exciting new group, which took place in San Francisco (1980). strange enough it's also the very 1st LP under Idris Acka…
Live at Kerrytown House
Though modern, “avant-garde” jazz is an ensemble music often based on collective improvisation, solo performance is its own extraordinarily fruitful sub-area of investigation for the creative improviser. Without a reactive, interpretive partner (or several), the solo recital blurs the lines between composition and improvisation as the performer enters a world of unfettered development. Greene has been performing and recording solo since the 1970s, and these settings have yielded some of t…
Metal!
A double LP of The Thing (Mats Gustafsson, Ingebrigt Haker Flaten, and Paal Nilssen-Love) performing live with bassist Barry Guy at Saint Catherine's Church, Vilnius, Lithuania in 2011, exceptional cutting-edge improvisation.
Six Feet Under
Nate Wooley, trumpet. Christian Weber, bass. Paul Lytton, percussion. Recorded November 30, 2009 at Radio Studio Zürich, Switzerland by Martin Pearson "Five group compositions recorded in 2009 at Switzerland's Radio Studio Zurich by trumpeter Nate Wooley, bassist Christian Weber, and percussionist Paul Lytton, amazing cross-Atlantic improvisation. " Squidco
Live at the Squat Theatre
LP, heavy fluorescent orange vinyl; ltd and numbered 1/99 only, rec. August 24, 1979; first landing of the Arkestra at Squat ! on back cover there's even an elusive photo of original Squat entrance/building. Arkestra personnel during that period:John Gilmore, Marshall Allen, Elo Omoe, Danny Thompson, Michael Ray, June Tyson, Pat Patrick, Hayes Burnett, and James Jackson, Jr."So many fond, fun memories of those magical, wonderfully endless Nights Of Ra at Squat - the time there was a massive b…
Große Gartenbauausstellung
Sven-Ake Johansson, Andrea Neumann and Axel Dörner formed the trio Barcelona Series in the end of the 90's. Their music was utterly important for the development of the new improscene, the new ways of improvising by using your instruments more as acoustic bodies than traditional instruments. Johansson had since the 70's been experimenting with a music with less gestures but anyhow keeping the emotional pressure. Both Dörner and Neumann were pioneers in their ways of playing their instrume…
Thing
This powerful 1972 performance by Arni Cheatham's group provides a unique glimpse of the jazz scene in Boston. The group borrowed the most innovative characteristics of jazz and rock, but never sounded derivative. This is early seventies "jazz fusion" of the highest order, before the term evolved to mean a light, commercially acceptable genre. As with many innovative jazz forms, the recording was made at one of the many local universities, Harvard. The resulting album was pressed in scant…
Ithaca
Restocked!! Last copies arounf - recorded on november 2010, 'Ithaca' stands as one of the missing links between the tradition of free jazz and the current explorations in sound art. Bringing together one of the greatest living free jazz saxophonists and a young talented percussionist and sound sculptor, you have a record that sounds like a 'classic' and yet way ahead of its time. McPhee’s playing here is so lucid that it feels like a compendium of all those aspects of his style that have e…
Archi
Issued for an art event recently presented at the Galleria Milano in the first week of April 2012, the recordings on this LP edition represent a very specific and intimate moment in the creative sound production of Davide Mosconi with NADMA associates Inez Klok and Gustavo Bonora.For Davide Mosconi and for all the artists and musicians involved in the groups he founded (the legendary NADMA, Organic Archestra, Il Quartetto, Alea), improvising sessions were a daily practice that founded their very…
Music to our ears
Mazen Kerbaj, trumpet. Sharif Sehnaoui, acoustic guitar. Raed Yassin, double bass. All music improvised by Kerbaj, Sehnaoui, Yassin. Recorded, mixed and mastered by Fadi Tabbal at tunefork studio on the 29th and 30th of september 2010. Artwork & design by Mazen Kerbaj."f you look up moving companies in the Yellow pages, you’ll see a bunch of companies who put “A” in front of their name (as in A-Alert Moving), presumably in the hope that you’ll call the first listing you find in the book. I ki…
Tout for tea
Guitar, Voice - Derek Bailey, Eugene Chadbourne. Recorded 2-1-1995. Released by Rectangle, a Jazz and improvisation music label from Paris.
And
Derek Bailey, electric guitar. Pat Thomas, keyboards. Steve Noble, turntables. Recorded at Moat Studios, London, August 1997.