Jazz /
The London Concert
All of the music from the 1975 Wigmore Hall (London) concert by this duo then nearing the mid-point of their twenty years of work together. On CD for the first time. Reissue of Incus LP 16 plus 31 minutes of extra material.
Duos, London 2001
Derek Bailey, electric guitar (tracks 1, 2), acoustic guitar (track 3); Alan Wilkinson, baritone saxophone, voice (track 1); Roger Turner, percussion (track 2); Julian Kytasty, bandura, flute (track 3).
Dart drug
Jamie Muir, percussion; Derek Bailey, guitar. Carminative (08.48), I soon learned to know this flower better (07.14), Jara (07.49), Dart drug (25.50). Recorded at Crane Grove, London in August 1981. Cover photograph (reproduced above) by Jamie Muir. CD is a re-issue of the LP issue which is no longer available.
s/t
Recorded live at Verity's 1972, this CD represents possibly the finest duo performance of Derek Bailey and Han Bennink. Reissue of the rare LP on Incus
Figuring
Derek Bailey, guitar; Barre Phillips, bass. Who's there to know that you passed 'em around (16.01), You'll find my theory is logically sound (16.23), Don't save (10.02), 100 years from today (14.48).Tracks a and b recorded at the Arts Theatre, London on 12 May 1987 by Michael Gerzon; c and d recorded at Hawth Centre, Crawley on 4 September 1988 by Michael Gerzon. Cover drawing (reproduced above) by Tony Mostrom.
Solo guitar. Volume 2 (1991)
Recorded on the 22th june 1991 at approximately the times indicated. (Discogs)
Fairly early with postscripts
IMPROVISED GUITAR SOLOS also with: Anthony Brax ton flute & sopranino saxophone (on 3 & 4 only) .Kent Carter: double bass (on 9 & 10 only). John Stevens: percussion (on 9 & 10 only).
The Flirts
As wonderful is his duo with compatriot Cor Fuhler, who, like Prins, has gradually progressed from Bimhuis improv into electronic experimentation. This is a quite befuddling duo (as on Live, Prins utilises electronics, FM modulations and radio; Fuhler employs EMS Synthi AKS, turntables and mbiras), whose interaction is in a constant state of flux, and one whose ideas flow so liberally and create music which is at times so disorientating that it feels as though one is listening to it through some…
A Bright Nowhere
Matchless Recordings presents a live concert by Conditions recorded at Gateway Studios Kingston-upon-Thames Surrey England 16th November 2002 and 2nd March 2003.
The album includes six tracks performed by John Edwards - Double Bass, Eddie Prévost - Drums, Alex James - Piano, Nathaniel Catchpole - Tenor Saxophone, Jamie Coleman - Trumpet.
The geographers
"It's a generalisation, but Sylvia Hallett scrapes and Clive Bell blows. Bell specialises in reed or pipe instruments from exotic locations, principally South East Asia. Hallett bought a saw for £2.49, mounted a bicycle wheel on a spindle and also plays the more frequently-sighted viola. Bell studied the shakuhachi flute in Tokyo, then lived in Thailand, where he familiarised himself with the brittle vibrations of the khene reed-pipes. This was the beginning of his love for blown instruments tha…
The First Two Gigs
An improvising quartet featuring four of the finest and most innovative musicians, who have extended the ranges of their respective instruments - piano, saxophones, harp and double bass - into new, uncharted territories. As well as having exceptional techniques, they are all virtuoso listeners, so that these first two performances as a quartet sound as if they have being working together for years. 68 minutes.
Solo in Japan
This is a document of one of the solo gigs by the modern sax legend and presumed bearer of the hallowed flame of Black American free jazz when he made his first trip to Japan.
50 ballets
Drums duo with Nicolas Field and Alexandre Babel. Nicolas Field, drummer. Performs music combining notation, improvisation and electronic processes. Studies in jazz, live electronics and composition in Geneva, den Haag and Amsterdam. Solo performances in den Haag, Amsterdam and Geneva. Alexandre Babel, born in Geneva. Studies drums in New York, classical percussion at the Geneva conservatorium and piano at home. Gets involved in different kinds of notated-unnotated contemporary music projects. H…
Blood lightning 2007
It has been purported that this release on the mighty No Fun imprint finds the estimable C. Spencer Yeh at the very summit of his powers, making his finest, most complete statement yet. As with the other Burning Star Core release from this week (Operator Dead... Post Abandoned on No Quarter) Yeh is joined by Robert Beatty, Gameboy records noisenik Mike Shiflet and Trevor Tremaine on drums. While Operator Dead is characterised by a near-ecstatic interpolation of krautrocking dynamics and wide ope…
Schnee live
ErstLive 003 is from the duo of Burkhard Stangl and Christof Kurzmann, titled 'schnee_live', the final show on the last night of AMPLIFY 2004: addition. Stangl and Kurzmann began working as a duo in late 1999, releasing Schnee in 2000, and playing numerous concerts over the past four years throughout Europe, the US, and Asia. schnee_live documents how much their duo has changed since the initial recording of Schnee, which was the first time they ever played together as a duo.
eh
One of the central aesthetics of the Erstwhile label is the counterpositioning of electronic and acoustic improvisers. Rarely has that been more starkly, and beautifully, achieved than on the opening and closing tracks of eh by guitarist Stangl and turntablist/electronicist Dieb13 (Dieter Kovacic). Stangl is one of a handful of contemporary free improv musicians who happily forays into tonal, even melodic spheres, conjuring up a reduced version of John Fahey, perhaps. On "eeeh", his delicate str…
Experience the magic
Blistering CD of live performances recorded at CBGB in New York in 1992.
Barbed wire maggots
Back in stock, CD reissue of what was the 4th Borbetomagus album, originally released on LP by Agaric way back in 1983. The trio of Jim Sauter (reeds), Don Dietrich (reeds) & Donald Miller (guitar). Recorded at In-Roads, NYC. May 7, 1982. "Barbed Wire Maggots is a motherfucker, even now, 23 years after it was recorded. Recorded at In-Roads on Mercer Street, BWM documents a gorgeous evening of extreme sonic dialogue. Sauter and Dietrich's reeds skinny-dip into virtual classicist free mode at time…