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'A new series designed by Clare Cooper. M.O.S. is Ingar Zach's second solo release for Sofa, six years after the critically acclaimed 'Percussion music'. M.O.S. reveals a large and almost monolithic sound world. Zach's horizontal bassdrum (gran cassa) functions as a gigantic, resonating membrane, where metallic and ceramic percussions create articulations over the bass vibrations in a ritualistic dance of pulses and overtones. The music moves slowly, but with a continuing drive, and stretc…
Monumental! Who could have imagined back in 1969 that a German label religiously dedicated to uncompromising free-jazz would outlast the Berlin Wall? Such is the ongoing tenacity of Free Music Production, and its story is told in this intriguing 12-disc box set, compiled with a lavish book of photos and perceptive essays by such musicians as saxophonist Ken Vandermark and author Felix Klopotek. The company has been a true labor of love (or fanaticism) for Jost Gebers, who maintained a day…
'Jean-Luc Guionnet (alto saxophone), Will Guthrie (drums) and Clayton Thomas (double bass). Taking the form of a minimalist power trio of saxophone, bass and drums. Recorded in 2009, IN focuses on the tour that nearly killed them - Jean-Luc couldn't eat, Will couldn't walk and Clayton couldn't call an elevator. Niort - recorded at the festival NPAI, caused METEO festival director Adrien Chiquet to complain that the best gig of the festival was 'fucking jazz!'. In Poznan they were attacked…
Improvised music with exception of Irinia-Kalina' solo. Mark Dresser (bass), Irina-Kalina Goudeva (bass), JC Jones (bass), Barre Phillips (bass) and Bert Turetzky (bass). Recorded by Ori Winokur, edited, mixed and mastered by JC at the Kadima Studio, Jerusalem, October to December 2010.
"Soul Jazz Records are re-releasing this classic release of deep spiritual jazz by Steve Reid and The Master Brotherhood, entitled Nova available for the first-time at mid-price. There is also a one-off limited-edition vinyl repress of 1000 copies worldwide. Steve Reid is now known worldwide for his radical collaborations with Kieren Hebden on Domino Records. Nova (and Rhythmatism, also re-released) are his amazing first albums recorded in the early 1970s -- all now serious collector's al…
the second full-length album by the experimental/free-jazz quartet 7k Oaks, live recorded in concert at the InterAct Festival in Hasselt. This new release is at the same time a confirmation of their musical background as well as an exploration of new territories: about an hour of full-blast energy, with a variety of directions ranging from walls of electro-acoustic noise to free-jazz bursts, hypnotic rythmic patterns and lyrical melodic themes. It is the entelechy of …
Easily one of the most coveted and sought-after of all jazz LPs is the elusive Holy Grail that is Roy Brooks' Ethnic Expressions. It's not just rarity that makes a record of this nature so desirable, nor is it the compelling music within -- sometimes, like a Van Gogh or a Picasso, it's the personality of the artist himself that's inexorably entwined with the record itself that lends a fascinating, mesmeric and mythical quality that simply can't be contrived. The sixth release in Jazzman's …
Very loosely related in selected affinity to the late Austrian saxophonist and artist Hans Koller, this younger version has played football with clubs such as TSV Oberlauringen and Dynamo Kebab, has studied ethnomusicology at the School of Oriental and African Studies in London, and also jazz composition with Mike Gibbs and Bob Brookmeyer.Over the past decade Hans Koller has played and worked with Steve Lacy, Evan Parker, Phil Woods, Harry Becket, Kenny Wheeler, Bill Frisell, Steve Swallow, Jeff…
This recording is my attempt to play Evan Parker. Seven tracks were recorded in STEIM's Studio 3, trying to reflect the liveness of Parker's solo recordings. All of these are single takes with minor edits at the beginnings or ends. Two interlude tracks are short experiments looking at timbral characteristics when the rotation of the turntable is extremely slowed down. The last three tracks are compositions made from both Parker's and other improvisors' records.
A keenly awaited recording from the long standing collaboration and friendship between Fernandez and Saura. They have worked together in many different groupings but this is the first time their specific duo music involving piano and live sampling has been documented.
“Jean Derome (flute, alto saxophone, etc.) and Lê Quan Ninh (percussion) are both leading figures in improvised music. They are also active in other musical genres such as jazz and contemporary music. They were invited by Tour de Bras make an entirely improvised concert that was a time of intense music. Such a sublime moment. Fléchettes documents this encounter, this dialogue while surprises and smiles apart, both fun and physical, both calm and truely energic.”
New Jooklo finnish formation, this time with great guitarist Topias Tiheasalo joining the compact trio of saxophonist Virginia Genta, drummer David Vanzan and bassist Tero Kemppainen, whom have been working together for the past three years now. The first time that the four played together was for a live concert in Turku, Finland, in 2009: meeting up just few minutes before the show started, and immediately throwing out a mighty jam of superfast free jazz. After one year, they met again for a sh…
Jason Kahn - amplified percussion. Vincent Millioud - violin. Bo Wiget - cello. Christian Weber - contrabass. Recorded in Zürich, 2008. Cover design Jason Kahn.
Frode Gjerstad (alto sax, bass clarinet) and Paal Nilssen-Love (drums) recorded 2000 by Frode. Cover art by Terry Nilssen-Love. 'Two men sitting on a balcony, old friends, right before dawn. Maybe sipping some nice cups of tea, maybe even something stronger. Talking about anything, things shared, opinions, the way of the world. From time to time the conversation heats up a bit, touches things that are not seen completely eye to eye, then (eventually, always) understanding, friendship, trust take…
"The Art of the Improviser", a 2XCD, is Shipp's most audacious attempt yet to answer the enigmatic question of what it means to be a modern jazz musician. Already having explored the possibilities of electronically infused jazz on critically acclaimed projects with the likes of DJ Spooky, Scanner, and Anti-Pop Consortium, Shipp revisits an acoustic sound for this fearless voyage into the psyche of the improviser. Shipp's "idiosyncratic genius" shines through on this album, explaining once again …
"Group ONGAKU, founded mainly by students at Tokyo National University of Fine Art & Music, was the 1st collective musical improvisation group. The group began their activities in 1958, & from the naming of the group in 1960 onward continued until somewhere around 1962. They attempted to create acoustics corresponding to actual time & space by means of collective improvisation. Although methodically different, the music that they pursued incidentally shared common directions with contemporaries …
Two releases in one, Otherways was a 2nd generation free improvising group from London performing in '73; and Free Space was a group assembled in '73 by John Stevens with Trevor Watts, John Russell, &c. The bulk of this CD features Otherways, a 'second generation' London group that has not appeared on record before. This delayed publication, combined with the general lack of recognition of the musicians involved, does not prepare one for the excellent music they made together, distinctly differ…
An amazing live date from Sun Ra & The Arkestra – recorded in Cairo in 1971, with a very transcendent sound overall! Ra and the group are clearly inspired to be working in the shadow of the pyramids – and their music sometimes has Eastern overtones, a bit in the manner of Salah Ragab – their associate in Egypt – yet at other times, things get quite outside and noisy too! The keyboards are especially wonderful – as Ray plays "tiger organ" and moog, in addition to conventional piano – adding in th…
A CD containing the limited edition Recommended LP release that has been out of print for the last 12 years - though much in demand, since it comprehensively covers the diversity of the Arkestra's work - via Africa, through Ellington and all the way on to Pure Electronics. Given to us by Ra over a decade ago, we intend to apply the royalties of this re-release directly to the Arkestra. A Classic
The Necks in quiet mood recorded at a concert recording in Townsville, Thuringowa, Northern Queensland. Though many Necks' pieces open with - or eventually arrive at - some discernable groove, Townsville just floats in a state of suspension from beginning to end. It's like watching the ocean as wave follows wave follows wave: each the same; each different; assymetric. Bassist Lloyd Swanton who, on this occasion, provides the motif that set Townsville running says he had had no idea where it woul…