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* Repress, on color vinyl* Apparently it's been over a decade since avant jazz deity Pharoah Sanders recorded any new music, it took Sam Shephard aka Floating Points to coax the 80 year old out of near-retirement. Anyone familiar with Sanders' work will know how life-affirming his music can be, from his early work with John Coltrane, through 1967's mind-altering "Tauhid" to his spiritual pairing with Alice Coltrane on "Journey in Satchidananda". Here, he takes a more restrained role, offering bu…
The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon / David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makha…
In November 2022 world-renowned kora player Ballaké Sissoko and acclaimed guitarist Derek Gripper spend just three hours recording a wordless album together. The kora and guitar in the hands of masters - a session where New Ancient Strings meets One Night On Earth. “Musically we tested each other,” says Sissoko, explaining that the most magical aspect of their initial encounter was the spontaneity of the whole thing. “We have the mastery of our instruments, the technique and a good ear. Derek is…
First-ever reissue of this cult and extremely rare record by one of the leading musicians and composers of Italian jazz and cinematic music. This album was recorded in 1972 in Piero Umiliani’s Sound Work Shop studio with a similar line up to the one of legendary ‘To-Day’s Sound’ album.
"The outsized sounds emerging from the Excelsior Mill organ captured here constitute a unique chapter in the Sun Ra story, a dizzying phantasmagoria that offers a whole new view on what Ra could do - It might thrill you; it might unnerve you; it might strum your heartstrings; it might spook the living daylights out of you. Most likely you'll experience all of the above before the jolting musical jeremiad is done. Pressed on violet vinyl! When you're Sun Ra, you don't need synthesizers to evoke a…
*Limited Edition* Trumpeter Terumasa Hino at a level that's quite different than most of his early work in Japan recording in New York, and using a very spiritual approach one that's clearly influenced by some of the other players in the session! The album features one long track a bit improvised, and almost free at times but also given a strong sense of direction, too that balance between completely unbridled expression and structure that can make some of the best spiritual jazz sessions so gre…
First vinyl reissue of Eiji Nakayama’s incredible 1978 album, a crate diggers dream find for many years, this is deep spiritual jazz, post-modal impressionism and grooves at the top
Clifford Jordan was actually supposed to perform at Paradiso on September 10, 1969, but at that time the stage was facing problems and closed for a month. He diverts to VARA studio 7 in Hilversum with pianist Cees Slinger, bassist Ruud Jacobs, drummer Han Bennink and percussionist Steve Boston. Three of the four pieces Jordan puts on the lectern he recorded in early 1969 for the Strata-East label under the album title In the world.
Broc Recordz is thrilled to announce the imminent release of our latest album, Cosmos Giants! This cosmic fusion is the result of an epic collaboration between maestro Janko Nilovic, JJ Whitefield of the Poets of Rhythm, and Igor Zhukovsky of the Soul Surfers. Together, they've crafted a musical universe where genre boundaries blur, giving way to a transcendent sonic experience. Immerse yourself in a musical journey where funk, psyche, and soul intertwine to create something truly magical!
"In Europe gives a fine glimpse at the power and intensity of Harper's compositions and his tremendous abilities as an improviser... Highly recommended music for post-bop and free jazz appreciators." - Allmusic
2024 stock. Recorded live at Jazzfestival Saafelden August 28th 1987. This trio live performance, with the great Lester Bowie on trumpet, and the great Malachi Favors on bass is a must for all fans. Kahil El'Zabar is the real great of tribal rhythms, creating very long hypnotic foundations for the soloists to improvise freely, spiritually, bluesy. Lester Bowie is of course a master at all that : he sings, wails, growls, weeps, stutters, moans, farts, ... he can build tension, he can build stori…
Axes and layers, but also the axes, for striking and cutting. This work embraces the muscular energy of avant-jazz and delicate and dreamlike introspection. The musical references are to the America of Tim Berne and the Europe of Marc Ducret - the polyphony and rhythmic pulse of the urban environment. But the connections, even if not strictly musical, reach far; "Axis: Bold as Love" by Jimi Hendrix and "AlasNoAxis", Jim Black's debut album. More than one axis: axes.
25 copies limited edition. 2024 stock. Lo-fi but still fantastic documentation of a 2011 concert by Arthur Doyle in a duo with drummer Steve Noble. Doyle sounds pretty great to me here. The top end of his sax playing is less powerful than it once was, but a lot of his magic was always derived from his sheer otherness, and there's enough of that here to go around. Noble works hard to provide the right rhythmic racket for whatever's going down, and this is some swank soundtrackery for long drives.…
Sun Ra Arkestra, Live in Japan! Recorded at Shinjuku Pit Inn on August 8, 1988, this recording has undergone fresh remastering from the master tape, marking the first reissue in 36 years
Black Truffle is pleased to announce the first vinyl reissue of Trancedance, a wild slice of Swedish Afro-fusion from Christer Bothén, originally released in 1984. A major figure in Swedish jazz and improvised music since the 1970s, often heard on bass clarinet and tenor sax, Bothen studied doso n’koni (the large six-stringed ‘hunter’s harp’ of the Wasulu) in Mali in 1971-2 before turning to the guinbri (the three-stringed lute of the Gnawa/Gnauoua) in Marakesh later in the decade. In between, h…
South-Asian vocalist, multi-instrumentalist and composer Ganavya releases her new studio album “Like the sky I've been too quiet” on Shabaka Hutchings’ Native Rebel Recordings. The album features contributions from artists including Kofi Flexxx, Floating Points, Carlos Niño, Leafcutter John and Mercury-nominated bassist Tom Herbert. Since graduating from Berklee College of Music, UCLA and Harvard, Ganavya has quickly become a much-in-demand artist on the US scene who consistently confounds expe…
*2024 stock* Collaborators for years, here is the first shared record release by two of the leading figures in contemporary improvisation, here grappling with trombone, cello, bass, electronics. A disc for explorers of less frequented and predictable sounds, full of unexpected cues and solutions.
*2024 stock* "Sonic Youth guitarist Thurston Moore has been exploring this kind of radical free improvisation since the 1990s. The three pieces on the record feature the guitarist with two highly compatible veterans of the avant-garde scene: cellist and electronic manipulator Walter Prati and trombonist and electronics guru Giancarlo Schiaffini. The three pieces arise from spontaneous improvisation but there is such energy between the musicians that the flow of ideas is uninterrupted." - S. Loew…
*2024 stock* Gaetano Liguori, jazz pianist, he was part of the Gruppo Contemporaneo in 1971, which provided one of the earliest examples of Italian "free"; in '73 he founded the Idea Trio with Roberto Del Piano (double bass) and Filippo Monico (drums) and later devoted himself to socially engaged works (including with poet Giulio Stocchi), music for theater, ethnomusical research. He recorded, among others, with his father "Lino" pasquale (Naples 1927), an active jazz drummer.
*2024 stock* "This album gives listeners the chance to hear what a very young Tyner sounded like outside the confines of the classic John Coltrane quartet of the early '60s; it reveals a lyrical approach to jazz piano that seems a far cry from Tyner's mature style" - Alexander Gelfand