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Recorded live on 25th February 1979, Teatro Cristallo, Milan, Italy. Second of two performances. Previously unreleased. Stereophonic sound. Elton Dean - saxophones, Keith Tippett - piano, Harry Miller - double bass, Louis Moholo-Moholo - drums. All tracks composed by Elton Dean.
Original event organised by Riccardo Bergerone. Very special thanks to: Marino Dean, Roberto Ottaviano, Sergio Balletti, Carlo Verri, Aymeric Leroy.
Executive producer: Riccardo Bergerone.
Restored and produced by Matt…
The Derek Bailey transcription were performed at the Holywell music room in October 2005 as part of a concert organised by Fran Ryan, who wanted to hear me playpiano in a more composed setting. I agreed to play music based on Derek Bailey’s early recordings and brilliantly transcribed by Chris Burn, which he had sent me, I was inter-ested in the challenge and the obvious contradiction of performing free improvisationsas compostions, especially Derek’s, knowing his view on the use of transcriptio…
Svensk Jazzhistoria is a unique series about the evolution of jazz in Sweden, published by Caprice Records. While the first ten volumes reflect the years between 1899 and 1969, this red-hot eleventh installment delves deep into the 1970s. On four albums with a total of 62 tracks, and a book of 188 pages, we summarize a vigorous, explosive, and many-sided decade of Swedish jazz. Like with the preceding ten volumes, volume 11 is the masterstroke of jazz archaeologist Jan Bruer. Assisting him this …
The project Swedish Jazz History is a CD series issued by Caprice Records. The research for this is subsidized by the Bank of Sweden Tercentenary Foundation and the production is partly financed by the Swedish Council for Cultural Affairs. Our ambition has been to reflect the development of Swedish jazz up to and including the 1960s, and Volume 10, the final album in the series, covers the latter half of that eventful decade. Like its predecessor, Vol. 9 (“Brand new!”), the box contains 4 CDs an…
South African born and raised pianist/bandleader Chris McGregor formed the racially mixed Blue Notes in the early 1960's, touring and trying to get by in extremely difficult political circumstances as best they could. By 1964, facing continuous government harassment, Chris & the Blue Notes fled their South African homeland, finally settling in London in 1966. They made a huge impact on London's jazz scene and befriended many in London's emerging avant-garde jazz community. By 1969, the Blue Note…
“Radiance” is the first album of solo piano improvisations from Keith Jarrett in a decade. The last such was “La Scala”, recorded 1995, released 1997. (In between, in 1999, Jarrett issued the home recording “The Melody At Night With You”, a solo album of standards and folk songs). Four years ago, Jarrett told interviewers it was unlikely he would return to solo piano performance. Having been sidelined for several seasons by illness, he had attempted two solo concerts in Japan in the autumn of 19…
*2023 stock* Long awaited, never before published live chronicles of legendary Kondo / Chadbourne / Centazzo 1979 Italian tour. The document of the time, the music, and one of the direction of the improvised art form in late 70s. "We showed up at the train with all the equipment, 50 cases of percussion. The organizer is five hours late to meet. Then we all get searched on highway by the Italian police, looking for terrorists of the Red Brigade…" - Eugene Chadbourne
Hidefumi Toki's 1975 album Toki offers a deeply personal journey into the realms of jazz, showcasing his expressive prowess on alto and soprano saxophones. Backed by a stellar quartet including Kazumi Watanabe on guitar, Nobuyoshi Ino on bass, and Steve Jackson on drums, Toki creates a stunning sonic landscape filled with gentle, raspy tones. The album's ambiance is laidback and mellow, yet infused with a profound sense of spiritual depth reminiscent of Coltrane's work. Original compositions lik…
Mari Nakamoto's third Three Blind Mice (TBM) release showcases her tender vocal style, complemented by the masterful accompaniment of Isao Suzuki on bass and Kazumi Watanabe on guitar.
Featuring Natsuki Tamura on trumpet, Satoko Fujii on piano & compositions, Takeharu Hayakawa on electric bass and Tatsuya Yoshida (from RUINS!) on drums & voice. What I find most fascinating about this quartet is that although Satoko & Natsuki come from a mostly diverse jazz background, those crazed Ruins dudes have created their own progressive/punk world. Quite an odd combination of extremes which grows stronger with each disc by challenging each member and the audience as well. Once more Sato…
The second of two releases of this trio recorded live in Krakow in 2016 finds Chicago reedist Vandermark, German drummer Kugel and Ukranian bassist Tokar blowing holes in walls. There are occasional respites, say when Tokar takes one his fascinating, focused solos. But generally this is tough stuff. Vandermark is a master of taking a phrase and working it repeatedly, wringing out the last drops as he modulates his ideas to the boiling point. His clarinet playing brings to mind what Artie Shaw mi…
This album was inspired by the music coming out of Jamaica in the mid 1970s, in particular the use of drum machines by Lee Perry and Aston Family Man Barrett (and Sly Stone in the USA) but also the instrumentals and dubs by Keith Hudson and Im & Count Ossie etc. Searching out, buying and listening to those records had a deep and profound effect on me and became a big influence on me as a musician, which continues to this day.
Followers of our Quarterly will recall, about 6 years back, Woodbury's inspired arrangement of 'Shenandoah', which managed to embrace the whole of America history in under 10 minutes. Since then he has been working on completing this collection, his first full ensemble instrumental CD. The interest starts with the ensemble itself, half as expected for Latin, Jazz and Big band arrangements and half traditional American: pedal steel, banjo, accordion and fiddles. One thinks of Van Dyke Parks', and…
Released on LP in 1987-8 these are composed rock/contemporary/experimental pieces for electric guitar quartet and drums, complex and enegetic. Both LP's are now on one CD, omitting the Fred Frith guitar quartet extracts, which have now been released separately.
Tip! Behind the deceptive veneer of the demure monotone artwork, something unassuming lies within this long-play waiting to be explored. Intrigued by the ironic title, enticed by the elegant text positioned alone on the beautifully tactile matte canvas, the listener will experience musical wonderment at odds with the presentation and discover that the 1976 album Colours is a powerful yet sophisticated set of electric soul-jazz. An inspired recording that bursts with warmth and texture, the pivot…
Two gigs by a loose ensemble of nomads, hybrids, tech-heads and agitators gravitating around Porto, Portugal. ANTIFLUFFY is the pop cousin of Autodigest, both dedicated to a critique of the current culture of entertainment and the paradoxical labyrinths of late consumerism. While Autodigest takes the cerebral, strategic route, Antifluffy gets down and dirty, visceral in the face of fluff. Whether disemboweling magnetic tape or analogue photographs, delivering impassioned manifestos or crooning a…
Tip! The trio of Japanese Saxophone legend Akira Sakata with the scandinavian rhythm section presents already his fifth album! While the trio was on a Japan tour in 2019, Sakata arranged for a handful of special collaborations, with some of Japan’s most important artistic figures. Featuring the avantgarde dancer Min Tanaka, the pianist Yuji Takahashi and a heavyweight veteran of Japanese experimental music - drummer Takeo Moriyama. Moriyama was playing with Sakata in the Yosuke Yamashita Trio an…
*2024 stock* The new ONJQ (Otomo Yoshihide New Jazz Quintet), with new members Shinpei Ruike (Tp) and Osamu Imagome (Tb), will release their first album, "Hat and Beard," featuring a selection of songs and edits from live recordings from their 2018 tour. Mixed & mastered by Soichiro Nakamura (Peace Music). Includes songs by Ornette Coleman, Eric Dolphy, and Wayne Shorter, plus self covers and new originals, for a total of 6 songs over 70 minutes.
*2024 stock* The cliffhanger collaboration by Masataka Fujikake and Takeharu Hayakawa, which has been going on since 2007, is now complete with a live performance of the May 2011 session with Jim O'Rourke as a guest. The trio's bold arrangements are a powerful work centered on a solitary guitar sound that only Jim O'Rourke could express.
Souffle Continu records is thrilled to present Byard Lancaster – Us, Mother Africa, Exactement and Funny Funky Rib Crib. His all 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under th…