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Three musicians of different generations came together to form this unusual free jazz trio. Comprised of veteran musician Akira Sakata (alto sax, clarinet, narration), noted young drummer Raiga Hayashi, and Toshimaru Nakamura (no-input mixing board)—who has been active on the improvised music scene inside and outside Japan since the 1990s—this much-talked-about band performs mainly at live music venues in the Tokyo area. Naturally, their performances contain the furiousness and wildness characte…
“Spirale”, initially released in 1976, is one of the essential recordings of Eastern European modal Jazz. The masterpiece recorded by Paul Weiner, a pianist from Timisoara, a city in Romania, has been transformed into a cult LP and not just because it is a source of samples.
“On Loan with Gratitude was my first vinyl recording as leader released in 1977. Graham Collier started a label ‘Mosaic’ and invited me to record specifically for it. The times were fortuitous with BBC engineer Pete Freshney being able to record at the BBC transcription studios in Shepherds Bush. There was an excellent piano in situ, Pete was an excellent jazz engineer and fan, plus the studios were affordable. I led the quartet for approximately 10 yrs which included regular BBC Jazz club and J…
Space Trip by Appendix is a cult record released in 1973 on the legendary Amigo catalog, the longest-running independent label in Sweden. This amazing Spiritual Jazz-Funk/Fusion LP was very hard to find. Finally available again, fully licensed and remastered, with original artwork. This album is a killer one in its entirety, with no fillers. Some of the best spiritual jazz on record!
*Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.* 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound id…
*Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.* 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound id…
Another legendary Lateef session cut in 1960 for the New Jazz imprint. The co-leader - bassist Doug Watkins - died tragically in a car accident in 1962 at the age of 27. However, prior to his early demise, he recorded dozens of wonderful sessions with some of the greatest jazzmen of his time, among them Sonny Rollins, Art Blakey’s Jazz Messengers and the Horace Silver Quintet. Imagination ! marked his second and final album as a leader, and features Watkins on cello instead of bass. The use of c…
1978 live recording of French quintet consisting of Jouk Minor on beritone sax and contrabass clarinet, Josef Traindl on trombone, Jean Querlier on alto sax, Christian Lété on drums and Dominique Regef on hurdy-gurdy
Live performance of Barry Altschul trio, featuring David Izenson on bass and Perry Robinson on clarinet. Recorded October 14, 1978 at 131 Prince St., New York, NY
Live performance of The Pyramid Trio, Roy Campbell on trumpet and flute, William Parker on bass and Zen Matsuura on drums. Recorded 21 February 1985 at The Joint, Usdan Student Center, Brandeis University, Waltham, MA.
Special thanks to Roy’s sister Valerie Morris, who told us, “Roy spoke to me in a dream years ago and said, “It's all about the music.”
Live performance of two of the most important South Korean free music players Kim Dae Hwan on drums and Choi Sun Bae on trumpet. Recorded live on 26th November, 1999 at Aspirante, Hofu City, Yamaguchi, Japan by Takeo Suetomi.
Stunning performance by tenor sax titan Peter Brotzmann and incredible drummer Sabu Toyozumi. Recorded live on December 4th, 1987 at OHM, Koiwa, Tokyo, Japan by Ohm Hirosh
*2023 stock* "Constantly changing and challenging, this extended three-part sequence by four of Europe’s most accomplished improvisers ebbs and flows enough to create a perfectly framed soundscape, but leaves enough ellipses for individual expression. Recorded at the Total Meeting in Tours, the almost 52 minutes of music were put together with no pre-conceptions. But as the interaction evolved, the players found themselves melding and separating their extended and expected narratives into sponta…
*2023 stock* "Both a reunion and a new configuration, the galloping interaction which makes up Hell-Bent in the Pacific unites alto saxophonist Marco Eneidi, who now lives in Austria, with his West Coast rhythm section plus added impetus from Los Angeles-based Vinny Golia’s many reeds. Golia’s wide-ranging gigs have frequently put him in contact with bassist Lisa Mezzacappa and drummer Vijay Anderson, two of the Bay area’s busiest players, so that his contributions are inspired not alienating. M…
*2023 stock* "In its enterprising catalogue of modern day masters and loft jazz rarities, the Lithuanian No Business imprint also documents local musicians. Chief among them is one of the country's premier improvisers, saxophonist Liudas Mockūnas. Previous appearances on the label have placed him in a Peter Brötzmann-like trio on Live at 11:20 (2010) and in an impromptu freewheeling duet with Japanese pianist Ryoji Hojito on Vacation Music (2011). On Drop It by the self-referential Mockūno NuCle…
*2023 stock* The eight cuts are credited jointly to the brass man and drummer. Their compositions are rhythmically complex but harmonically simple, making the most of Berger's ambiguous role midway between melody and percussion. They eschew overt virtuosity in favor of a distinctive group conception, achieving an orchestral feel from just three voices. Their arrangements are tight, but loose enough to accommodate Berger's ringing solos, extracting maximum dividend from what might seem limited re…
*2023 stock* The title already suggests the content is inspired by the devastation of hurricane Katrina in 2005. And it is without a doubt the best musical performance dedicated to the catastrophic event (as by Terence Blanchard or Wynton Marsalis). How to be all soul and all spirit with just two instruments and remain captivating and compelling from beginning to end may seem like a great challenge to many, but these two fantastic mugicians do it.
*2023 stock* "There have been many tributes to the great tenor saxophonist John Coltrane since his passing, and the years have done nothing to dull the power of his music. This is a heartfelt nod to Coltrane from a collective group consisting of Dominic Duval on bass, Jimmy Halperin on tenor saxophone and Brian Willson on drums. The group plays music from each phase of Coltrane's influential career, and they make their own personal statements from these well known compositions. Opening with "Gia…
*2023 stock* "Russian-born percussionist Vladimir Tarasov is sort of the “old man” of jazz in Lithuania – he’s called Vilnius home since 1968, and achieved international renown as an improviser with the Ganelin Trio (1971-1986). In addition to work as a sound installation artist and solo percussionist, he has also worked with American composers like Anthony Braxton and drummer Andrew Cyrille. Thinking of Khlebnikov, a dedication to Russian Futurist poet Velimir Khlebnikov, is Tarasov’s first dis…
*2023 stock* "Thousandfold is Brooklyn-based guitarist Adam Caine's debut as a leader; he's worked with Soundpainting composer Walter Thompson in addition to leading his own quartet, quintet, and the trio heard here. He's joined on these eight improvisations by regular conscript, drummer John Wagner, and bassist Tom Blancarte. The unaccompanied opening to "Castros" provides a good space in which to view Caine's approach to the guitar. It begins with blocky, almost Thelonious Monk-like cadences (…