Jazz /
Birth / Speed / Merging
Tip! Birth/Speed/Merging was recorded in 1976 after the band's move to San Francisco. The album closes The Pyramids' 70s trilogy and makes more use of studio technology: adding overdubs and other effects, a marked departure from the previous two releases, though at no cost to the urgent message and energy of their earlier works.
King Of Kings
Tip! King Of Kings was recorded in 1974 and features a wider array of instruments including Ugandan Harp and Balafon. Perhaps best known for the expansive "Nsorama (The Stars)" a seminal work of Spiritual Jazz.
Lalibela
Tip! The debut album by The Pyramids was inspired by the group's visit to the Lalibela monastery in Egypt, and was recorded in Yellow Springs Ohio in early 1973. Drawing on the teachings of Cecil Taylor and the influence of John Coltrane, combined with a barrage of intense percussion, the album evolves over several long-form pieces.
Naja
*In process of stocking* Swedish saxophonist Mats Gustafsson might have a separate discography for his solo records. He's investigated the possibilities of unaccompanied reed music from almost every angle. Presented with the opportunity to make a new solo record under the isolation of the pandemic, Gustafsson returned to a project he'd conceptualized but never realized: the playing-card pieces of Peter Brötzmann. Although these Fluxus-like prompts are better known through the two card sets the G…
Dedications
One of the towering creative musicians of our time, a master drummer and multiple percussionist, Hamid Drake has anchored inumerable bands. As a hard working player, constantly touring the globe, he's collaborated with most of the major figures in improvised music and contemporary jazz, from David Murray and Peter Brötzmann to Pharoah Sanders and Don Cherry. Along the way, Drake has never had an opportunity to stop and make a solo record. Indeed, he's only performed solo on a few occasions. John…
To Dusk
Every day over the course of a year starting in June, 2020, in something she refers to as a "domestic ritual," Zeena Parkins recorded solo electric harp performances in her home studio. The brilliant improvisor and composer had, like most of her peers, been sidelined by the pandemic; unable to tour, she spent the end of each day at the harp, playing until sunlight waned, inventing and discovering new soundscapes, keeping her musical self together while the world seemed poised to crumble. Parkins…
Shadows And Reflections
Super Tip ** original copies, last ones ** 'Trumpeter Baikida Carroll was once again in the company of alto saxophonist Julius Hemphill for a January 1982 recording with pianist Anthony Davis, bassist Dave Holland, and drummer Pheeroan Ak Laff for Soul Note called Shadows & Reflections. The material here sounded like it could have been a late Blue Note recording; in fact, there were times when the horns brought back flashbacks of the Jackie McLean-Charles Tolliver front line of the '60s. And for…
To Hear The World In A Grain Of Sand (World Music - Live At The Donaueschingen Festival)
** original copy ** "...Of course, they are all just 'grains of sand' in the universe of world music - and yet, a grain of sand, a drop of water, can be a symbol of the entire universe. In this way, the title given to his composition by German composer and saxophone player Berndt Konrad - 'To Listen To The World In A Grain Of Sand' - so beautifully expresses what this concert stands for." (from the CD liner notes by Joachim-Ernst Berendt). Live Recorded at the Donaueschingen Musiktage (Contemp…
La Muerte Es Muy Natural
Terzetto Garibaldi is the meating of three different strong personalities. Roberto Zanisi (Cosmofonia Rudimentale, Eloisa Manera ensemble, Radical Raptors) is a virtuoso musician playing all kind of instruments specialised in string instruments of eastern world. His roots are in ethnic music, jazz, r.i.o. Luciano Margorani (LA1919, Fracture, Artchipel Orchestra, Beauty is in the distance, OppaT) is a versatile musician going from r.i.o, improvisation to electronics. Carlo Actis Dato (Italian Ins…
Live At The East
* Gatefold sleeve. 2022 small repress* By 1971 Pharoah Sanders' playing essentially alternated between two moods: ferocious and peaceful. This live record gives one a good example of how the passionate tenor sounded in clubs during the early '70s. Sanders is joined by an impressive group of players: trumpeter Marvin "Hannibal" Peterson, flutist Carlos Garnett, Harold Vick on tenor, pianist Joe Bonner, the basses of Stanley Clarke and Cecil McBee, drummers Norman Connors and Billy Hart, and percu…
At The Village Gate 1963
The jazz giant Thelonious Monk is here featured in this live recording in New York. Monk is in his best form during this ‘Village Gate’ gig, along with famed session men accompanying him here and forming this solid Quartet - namely, Charlie Rouse on Tenor Saxophone, John Ore on the bass and Frankie Dunlop on the drums. The album features three Monk’s originals (“Rhythm-A-Ning”, “Evidence”, “Jackie-ing”) and two jazz standards (“I’m Getting Sentimental Over You” and the immortal “Body And Soul” …
Jazz Harpist
*Back in print by popular demand! In process of stocking* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a Jazz Voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by Allmusic as her first and best album, period!
The Loneliest Flower in the Village
For the past 20 years Nostalgia 77 has become a catch all for the musical life of Benedic Lamdin. His schizophrenic offerings range from songwriting sessions, soundtracks, excursions into Soul and in this case Jazz. The Loneliest Flower in the Village is an album that sees Lamdin reunited with longtime collaborator and arranger Riaan Vosloo and experienced veterans from a host of Nostalgia 77 projects. 'It had been a long time since we'd gigged or recorded so the idea was as much a little reunio…
Thelonious Monk Quartet: Live Five Spot 1958, Revisited
'Johnny Griffin came to Monk with a reputation as a speed demon – double-timing the tempo was his default mechanism, elaborating melodies with a mixture of mellow swing and complex bop phrasing. Their contrasting nature – Griffin’s fluid extravagance and Monk’s percussive dissections – intensi- fied by Roy Haynes’ forceful divisions of the beat, generate a tension unlike any of Monk’s subsequent groups' – Art Lange
STRG + X
Temporary Super Offer! 'The CD’s title is borrowed from computer language: STRG + X is the key combination for “cut to the clipboard” to be temporarily stored and pasted somewhere else at a later time. Perhaps the most important quality of this carefully thought-out yet anything but cerebral music: it is aware of its means and can twist and turn and rearrange them as it pleases, in which case improvised contexts create their own forms and play with original material in a fresh, new way. This is …
Supergolden
** Ltd. 100 copies ** "Supergolden" is the name of Petter Asbjørnsen’s debut album featuring Kjetil Møster on saxophone and bass clarinet, and Øyvind Skarbø on drums. Møster and Skarbø are prominent figures in the Norwegian jazz community, known from ensembles such as Zanussi 5, 1982, Skarbø Skulekorps, Møster! and the Trondheim Jazz Orchestra. Stints living in Bergen, Copenhagen, Berlin and New York informed Asbjørnsen’s work as a composer and performer in projects with Molecules and Erlend Sko…
Nation Time
2022 Repress. "Joe McPhee's solo album, Tenor literally changed my life. The recording (one of his first for Hat Hut, in September 1976) displayed his unique ability to integrate unconventional sounds and extended techniques with pure melodicism, and it permanently altered my perspective on what the saxophone could do and what music could be. Nation Time was recorded six years earlier, but ideas regarding the integration of means and methods were already at the forefront of McPhee's approach to …
Monolog
Renowned Swedish musician Tomas Hallonsten’s debut solo recording started out as a Mark Hollis-influenced project featuring Hallonsten’s instrumental compositions sparsly performed with acoustic guitar,piano, bass and drums at its core. Gradually the music morphed and
eventually it turned out as a solo album where the compositions came to life mainly via Hallonsten’s unique treatment of drum machine and synths.
One For The Soul
By the time poet, singer-songwriter, and artist Lizzy Mercier Descloux recorded 1984’s Zulu Rock, she’d marked herself out as both a globe trotter with more passport stamps than Tintin and a musical innovator whose loose, arty spirit could be applied to styles as varied as no wave, Bavarian oompa and Soweto jive. She’d also established a tight-knit threesome with muse/former lover Michel Esteban and producer/on-off lover Adam Kidron, who all reunited to follow Zulu Rock – a surprise hit in her n…
(Music From The Film) Lucky Man
'When he performed in Germany, they called him the "black devil violinist," his frenetic playing wrapped in a gyrating, trance-like state. For Billy Bang, who believed he had schizophrenia, the epithet bore a resemblance to his inner turmoil. He was born William Walker in Mobile, Alabama but grew up in the South Bronx. He studied violin and classical music, and his talent earned him a hardship scholarship to the Stockbridge School in Stockbridge, Massachusetts. Bang felt out of place in the pred…