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Volume 2 out of 11. Edition of 333 copies, one-time pressing. This is the last recording with Jesse Sharps as the Bandleader before he left for the Army. An incredible afternoon of music and a fitting “Departure” for a Jesse, a true pillar of the 70’s Arkestra. Macrame was originally released in 1979 on the IUCC 2LP, it is presented here, in a raw transfer of the master reel. Mykowski’s 1st Fifth is nothing but pure fire with those blistering solos by Sharps, Session, and a very special reading …
**333 copies, one-time pressing** Volume 6 out of 11. This is the last recording with Jesse Sharps as the Bandleader before he left for the Army.. An incredible afternoon of music and a fitting “Departure” for a Jesse, a true pillar of the 70’s Arkestra. Macrame was originally released in 1979 on the IUCC 2LP, it is presented here, in a raw transfer of the master reel. Mykowski’s 1st Fifth is nothing but pure fire with those blistering solos by Sharps, Session, and a very special reading by Kam…
Big Tip! While stationed in Germany in the RAF during the late 1950s and early 1960s, York-born alto and soprano saxophonist Trevor Watts met the drummer John Stevens, with whom he would form the Spontaneous Music Ensemble upon returning to the UK in 1965, which became an important vehicle for British free improvisation. Watts’ spin-off project Amalgam came two years later with Stevens and bassist Jeff Clyne, previously in the Jazz Couriers with Ronnie Scott; their debut LP Prayer For Peace is j…
Black Truffle is pleased to announce Symphony No. 107 –The Bard, a previously unheard archival recording of the legendary improvising ensemble MEV (Musica Elettronica Viva), captured in concert at Bard College, New York in 2012. Formed by a group of American expat composers in Rome in 1966, the MEV ensemble played an important role in the development of free improvisation, bridging the live electronics tradition begun by John Cage and David Tudor and the high-energy squall of free jazz. Early re…
Featuring what may be his only recordings on the Prophet keyboard, these once lost performances expand the omniverse of Ra across a stellar set of lengthy cuts! All recorded in a single day and finally making their terrestrial debut! What happens when a Prophet meets a Prophet? The answer lies within these grooves. Amongst the hundreds of recordings issued by Sun Ra and his Arkestra, under their various guises, the majority were recorded in concert or in makeshift studios such as their early 19…
These 1969 recordings (released 5 years later) combine Archie Shepp’s free jazz bonafides and a blend of blues and funk through an African lens, all in a big band setting. The all-star brass section, featuring James Spaulding and Charles Davis on sax along with trombonist Graham Moncur III lead the way on stand outs including “New Africa” and “Spoo Pee Doo.” This Verve By Request LP features transfers from analog tapes and remastered on 180-gram vinyl, pressed at Third Man in Detroit.
LP version. Includes eight-page booklet; 425 gsm brownboard outer sleeve; 180 gram vinyl. "Why would I sing in French? I have Breton culture, I speak Breton, I live in Brittany, and the Breton language is the language of this country..." So explained Kristen Noguès, of whom this is the first of the (rare) albums that she recorded Marc'h Gouez, is a fabulous voyage in space on each listening. Noguès learned the Breton language as a child, at the same time as the Celtic harp, -- taking lessons wit…
"Two grand pianos, quasi two orchestras, driven by two of the most distinguished personalities of contemporary jazz: Aki Takase and Alexander von Schlippenbach -- they are having a conversation within the medium of sound. But they complement one another in a way that makes any stylistic differentiation irrelevant. With all the transparency in the course of their playing the dialogical principle opens out into a holistic piano language. What counts is freedom and the responsibility to create some…
Mondays at Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist & composer Jeff Parker's ETA IVtet is at last here. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, & alto saxophonist Josh Johnson to convene in extraordinarily depthful & exploratory music making. Gleaned for the stoniest side-length cuts fro…
Rüdiger Carl and Sven-Åke Johansson are two fellow travelers on the path of experimental music who have worked together since the late 1960s in many formations, most notably as the wild-card Fluxus pranksters on Peter Brötzmann’s legendary 1969 recording Machine Gun, and on many more recordings and stagings of sonic interventions over the decades. In the words of Peter Margasak writing in the Chicago Reader in 2012: “Where to begin with percussionist and polymath Sven-Åke Johansson: Is he a beb…
Back in print by popular demand ! The expressive English pianist Mike Taylor recorded a couple of excellent albums in the mid-1960s, at the request of Denis Preston of Lansdowne Studios, before drug use got the better of him, resulting in a long period of homelessness and a tragically early death from drowning at the age of 30, in 1970. Trio, the only album Taylor cut with the jazz trio he fronted, has strikingly original renditions of jazz standards such as “Stella By Starlight” and “The End Of…
Temporary super offer! Spittle Records present an expanded reissue of Massacre's Killing Time, originally released in 1981. Following the breakup of Cambridge's avant-rock legends, Henry Cow, guitarist Fred Frith moved to NYC in 1979, and soon found himself deep in the heart of the city's robust post-punk and free-jazz scenes. He performed with Bill Laswell and Fred Maher, from the group Material, as a power trio of sorts under the moniker of Massacre. The group quickly garnered a reputation aro…
*2023 repress* Akhenaten was the first album Nat released on the fledgling Gondwana label back in 2009, it was the second release on the label and has remained a hugely popular and much sought after album ever since. Jazzman Records issued a vinyl version in 2016 (which quickly sold out and is now a collector’s item) and Nat reissued a CD version a few years later, but this is a much needed and long awaited new vinyl pressing. Featuring four original compositions the album is a deeply meditative…
Recorded April 10, 2022. Limited and numbered edition of 100 copies. Silk screen printed sleeves, riso printed OBI and blank white labels. Some copies include a silk screen printed inner sleeve with Ultraääni ads.
Tip! *Silkscreen printed cover. Limited edition of 208 copies. Totally sold out at source * ...in February 2020, just in time before the outbreak of the ongoing pandemic, four avant-garde jazz/free improvisation enthusiasts got together to play and hang out. The place for their meeting, a cosy studio (Odd Funk Records) in a small town in Southern Finland, has during the past ten years received a certain reputation - that of analogically recorded and mixed raw funk, afrobeat and a bit more twiste…
Awe-inspiring debut of a prodigious young pianist, whose virtuosity on the keys has earned him recognition in Norway and beyond. Joined by his talented brothers in the horn section, this seven-man ensemble delivers a dynamic musical experience featuring compositions penned by the pianist himself. Mark it Spiritual Jazz / free with a tonal and groovy core, the album has made its mark already and is not to be missed!
This highly sought-after classic has now returned for a third re-run, showcasing the talents of young Estonian trumpeter Jaan Kuuman and his esteemed instrumental ensemble. Recorded in the early to mid-seventies this compilation features a masterful blend of tight jazz-funk rhythms,infused with a dramatic flair and irresistible hooks that will leave listeners yearning for more. Stock fly fast on this one.
Small combo beat laden jazz experimentations, drawing influences across the rare groove spectre in this unique funky mashup.The group consists of Finnish players including Aleksi Heinola on drums, Temu Åkerblom on bass and Markus Holkko on reeds & flute. Second album in our New Library Series, recorded and produced at Jazzaggression’s own PELTO studio!”
Temporary Super Offer! "If we just could have hung on for another year,” Rudd said of both NYAQ and the Jazz Composers Guild, “things could have turned out much differently. Things were about to flip, in a good way. A lot of government programs were starting up that we could have gotten
grants from. There was a change in perception about the music that was happening. People were starting to consider it as art. The music was moving out of the bars and coffee houses and into museums and concert …
By 1966, the first wave of free jazz had established the foundation upon which this radically generated music could be understood and personalized, shared as a communal activity and still invested with significant singular characteristics. Noah Howard and his bandmates represented a second generation, as creative attitudes were expanding.