We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"Onkiniemi Ateljee is a cultural space established in a disused knitting factory in 2020, at a time when the Covid pandemic had been raging for roughly half a year. Globally, countermeasures to the disease and the threat it posed were varied, but the effects were universal. Communal rituals, such as live music gatherings, became rarer or changed in nature. The most you could do was put a record on while boiling masks in the evenings. Every now and then I’ve heard people speak of experimental or …
*250 copies limited edition* Mu Quintet are a Leeds-based instrumental jazz outfit drawing inspiration from movements within the musical avant-garde. With a sound characterised by rich compositions, explosive improvisation and intricate melodies, they aim to push at the boundaries of the small ensemble.
Joel Stedman - Bass Clarinet & FluteHugh Vincent - PianoSimon Henry - DrumsElliot Roffe - Double BassMatt Cliffe - Tenor Saxophone & Flute
Tip! Bocian Records presents Moon by saxophonist/clarinetist Frank Gratkowski and pianist Reinhold Friedl. Recorded and mixed by Nik Hummer. Mastered by Rashad Becker.
2023 Repress. Released in 1976, Eternity was Alice Coltrane's first album for Warner Bros. after eight wondrous records on Impulse! Combining the drones and textures of India, the gospel and R&B of her Detroit youth and the dissonance of modern classical composition, Coltrane's music in the '70s would become increasingly difficult to categorize. Having moved a few years earlier to California (where she founded the Vedantic Center, an Ashram for spiritual studies), Coltrane stretches out on Etern…
Tip! *2023 stock* Everyone’s Children is the stunning debut album of spiritual avant-garde music from keyboardist, composer Surya Botofasina, out on Spiritmuse Records. The record combines deep jazz excursions with expansive synth passages and intimate piano turns to create a hypnotic, meditative and devotionally expressive suite that soothes, enriches and uplifts the soul. Botofasina’s upbringing at the Sai Anantam Ashram in the Southern Californian hills involved daily bhajans (traditional Hin…
Psychicemotus was released in 1965 and features Yusef Lateef on various flutes and tenor saxophone, Georges Arvanitas on piano, bassist Reggie Workman, and drummer James Black. And while the Coltrane era of modal and free jazz was in full swing, Lateef always followed his own muse, and continued looking forward while looking back to ancient musics. His use of bamboo and Chinese wood flutes on the title track and "Bamboo Flute Blues" added not only dimension and texture, but rhythmic invention to…
Jesper Nordberg Trio is a group based in Copenhagen (DK) and Malmö (SE), featuring the double bass player Jesper Nordberg, violinist Stefan Pöntinen and trumpetist Ruhi Erdogan. With Nordberg's compositions as a starting point, the trio's playing can be characterized by close interplay, radical shifts, and having elements ranging from experimental improvisation, Balkan music, Scandinavian folklore, jazz and expressionism. Jesper Nordberg's warm tone and rhythmic displacements meet Ruhi's trumpet…
*2023 stock* Spirit Spirit is an improvised suite in nine parts and epilogue by the Scandinavian trio featuring the renowned saxophone player Torben Snekkestad, pianist Søren Kjærgaard, and double bass player Tomo Jacobson. The suite was carefully composed from almost 3 hours of spontaneously improvised studio recordings by the trio. The outcome is a focused, minimal, dark, dynamic, enigmatic 38 minutes of music that unfolds like a ghostly tale. The trio was formed in 2016.
*2023 stock* Lo and behold, the second and final part of the diptych from the unusual free improvising quartet featuring two New York-based viola players Mat Maneri & Tanya Kalmanovitch, and Copenhageners Tomo Jacobson on double bass & Kresten Osgood on drums, is finally here! This time, we enter into a darker, fiercer, seemingly telepathic exchange - a powerful finale to an unprecedented musical journey.
Perhaps for the first time in the history of music, here is two violas, double bass, and drums quartet featuring the New York-based Mat Maneri & Tanya Kalmanovitch, and Copenhageners Tomo Jacobson & Kresten Osgood. Calling their music chamber free improv gives some clues about the sound world you are entering, but it also falls very short in the face of the multitudes presented here. ‘Variations On No Particular Theme’ is a pregnant name in which we can look for the key to this album. Of course,…
*2023 stock. 50 copies limited edition* After his oneiric, Casio-centric 'Nullpluss' that Kristian Tangvik released two years ago, the time has come for his next move. In Kristian's own words: "The Cod and the Cat has developed over the course of two years. It came to me in a dream. Some compositions arrived while traveling, others in a complete standstill. And so I have gathered a fresh combination of exceptional performers from the rich and exciting underground of Copenhagen's music scene, and…
*2023 stock* Bloodstock themes, cascading drum fills, pumping bass lines, and flamethrower saxophone cries - Litterjug is a rollercoaster ride of joyful anarchy. Litterjug is a Copenhagen-based contemporary trash jazz trio featuring three original improvisers from Poland, Lithuania, and Denmark. The band's explorations are heavily rock-inspired, with a dose of abrasive free flow improvisations. The trio offers contrast-filled, action-packed music, sometimes rocking a simple groove, and other tim…
"The almost five year span bookended in this particular Ayler revisitation marks, in a certain sense,
the beginning and end points of the most lasting and creative portion of his remarkable, though
sadly brief, career." – Brian Olewnick
"The emerging credo of western society’s post-Beat counterculture was egalitarian and
anti-hierarchical, be the hierarchy social, political or on the bandstand. Evans and Ayler shared
the belief; only their lexicons were different. If hearing Spiritual Unity was akin, as Ted Joans
wrote, to someone shouting “Fuck!” in St. Patrick’s" – Chris May
"On a good day it is strenuous to stay current with pianist Matthew Shipp's imposing and voluminous output. On an even better day it is a fool's hardy errand to say the least. Now with the planned re-issuing of some of his great early deconstructions of musical thought and theory, starting here with 1990's daringly incongruous yet hypnotically accessible, Circular Temple, keeping up just got a whole lot harder. With William Parker on bass and Whit Dickey on drums, this four-movement suite for pi…
*2023 stock* "John Coltrane's Crescent from the spring of 1964 is an epic album, showing his meditative side that would serve as a perfect prelude to his immortal work A Love Supreme. His finest quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones supports the somewhat softer side of Coltrane, and while not completely in ballad style, the focus and accessible tone of this recording work wonders for anyone willing to sit back and let this music enrich and wash over you.
While not quite at th…
*2023 stock* "A brilliant album from Fela Kuti – and one that shows him really coming into his own, with that tremendous new sound that would go onto influence decades of musicians! The title track – Roforofo Fight – is a side-long jam that instantly sets a new standard for African funk – skittish drums, a sweet keyboard line that snakily sets the groove, and a wonderful long alto solo that's got even more raspy soul than Fela's vocals! Those vocals are sometimes more broken up, verbally – and h…
*2023 stock* "Gongs have been part of my life since 1970, when as Jazz Swiss School student in Bern (Switzerland), I had the lucky opportunity to visit the Paiste, Cymbal and Gongs factory. I was immediately fascinated by the sonic world of the gong and related metal percussion and I started dreaming a future that could possibly include those marvelous instruments. Few years later, while in New York on my first US trip, I found few Albums of Balinese Music in a small record store in the Greenwic…