Milano Trema - La Polizia Vuole Giustizia
Right after "High Crime "(La Polizia Incrimina, la Legge Assolve), the magic duo of Guido and Maurizio De Angelis conceive yet another highlight of the genre - the groovy, melancholic score of The Violent Professionals (Italian: Milano trema: la polizia vuole giustizia), which perfectly sets the tone of metropolitan violence presented on the screen. A dramatic sound, which preludes the acid- prog and gloomy music created for Il Grande Racket just three years later, with lots of flutes, clav…
Les Choses de la Vie
First ever LP reissue of this timeless masterpiece by Philippe Sarde, the most versatile and talented french film composer. Les choses de la vie, an outstanding score which offers both the wonderful « Chanson d'Hélène » and most of the musical features which appeared later in Philippe Sarde's musical career : Nostalgia, melancholy, experiment and sound discord. Les choses de la vie is the film which confirms Sautet as a genuine author and Philippe Sarde as a rising composer. This is also the st…
Elettroformule
First in a series of 4 late-summer 2009 blasters from Mr. P.C. C.P. - a reproduction of this über-obscure 1969 Italian Leo-label library R@ER - in Mono, no less - from Giuliano Sorgini. If you already have Sorgini’s name on your radar, most likely you’re either :: (1) a collector of Italian library-music LPs, of which he has many under his belt as "Raskovich" or (2) an avid fan of Spanish director Jorge Grau’s 1975 film “Non Si Seve Profanare il Sonno dei Morti” - aka “The Living Dead at…
Electronic Virtuosity
Long in the works, here’s a replica of Oskar Sala’s 1970 “Debut” album (actually ; he did make his recorded debut on the 1961 “Electronics • Five Improvisations on Magnetic Tape” LP alongside Remi Gassmann’s score to a George Balanchine ballet production, but this the first full-length recording of his work) - a Selected Sound Library showcasing (showboating?) his “Electronic Virtuosity,” intended for “Radio Television Film Advertising Backgrounds.”In some ways the early-electronic equivalent of…
Once
The soundtrack to a seldom-seen 1974 art film by Mort Hellig - featuring a total cast of 3, playing "Creation," "Humanity," and "Destruction," respectively - Israeli Composer Aminadav Aloni's peculiar, minimal Electronic Music cues come from a more compositional bent than much of the era's Synthetic dabblings. Over the course of 8 song-length segments of hand-played melodic refrain, a certain mood is established of laissez-faire, devil-may-care-ish-ness that is, frankly, quite welcome - s…
The Soundhouse
When you think of the BBC Radiophonic Workshop, we’d wager most of the time it’s in context of their seminal ‘60s and ’70-s output. However, The Soundhouse (1983) proves there was much to marvel at in their early ‘80s catalogue, too, summing up the great advances in technology between their Radiophonic Workshop - 21 collection and their acquisition of a Fairlight CMI - the first digital sampling synth - which is thoroughly, imaginatively demonstrated throughout. Horses for courses and all that b…
7 Trumps from the Tarot Cards
Yet another follow-up; actually in this case a precursor to a prior Creel Pone, Ruth White’s “7 Trumps from the Tarot Cards • Pinions” (LS 86066) - originally released just eight notches before her “Flowers of Evil” (LS 86058) in the discography of the now-legendary Mercury Limelight series - in between, Pierre Henry’s “Mass for Today • The Green Queen” (LS 86065), the Percussion of Strasborg’s “Signals” (LS 86064) , Fifty Foot Hose’s “Cauldron” (LS 86062), “Response: Electronic Music from Norwa…
Novecento
With his score to Bernardo Bertolucci's 1976 historical epic Novecento, Ennio Morricone delivered one of the richest efforts of his legendary career. A sweeping and impressively variegated work, it manages to capture the period detail required to complement Bertoluccio's onscreen narrative, yet boasts a timelessness that's the hallmark of all the composer's masterpieces. Morricone's mastery of mood and texture reaches new zeniths here. Novecento communicates a vast emotional palette that extends…
La Terrificante Notte Del Demonio
**ltd 100 on Red vinyl** Demonic sounds, but surprisingly sweet as well – done with this easy-flowing style that's really wonderful – and much more similar to the seductive sound library work of Alessandro Alessandroni, than to some of the starker, darker horror of the time! There's definitely some spooky passages, but they're almost always warmed up in really nice ways – both with keyboards, and with these wordless vocals from the lovely Giulia De Mutiis, who drifts through the record like some…
Ecologia Del Delitto
**ltd 400 on black vinyl** One of the coolest 70s soundtracks from the great Stelvio Cipriani – served up here with a huge amount of bonus tracks too! The music here was scored for a Mario Bava horror film, but it often has a quality that's more lean and lovely overall – that current of sex that we always love in Ciprani's best work, and which made him a key force for transforming the Italian bossa and jazz soundtrack style of the 60s into something completely new for the 70s! There's a …
Anita
Originally available only in sex shops in the Netherlands, this is one of the rarest psychedelic LP’s ever to be recorded in Europe. Consisting of only two long tracks, one covering side A and one covering side B, this album is probably the most mind-bending stuff we’ve heard from around this time. Side A starts with fast-paced free-jazz-rock with intense drumming and Anita’s growing involvement (first giggling, then moaning and finally screaming in all sorts of terrifying ways) Most instrument…
Flowers of Evil
Back again after last week’s mishap (don’t ask) with an absolute corker of a Creel Pone - the setting of a set of poems by Charles Baudelaire to electronic instrumentation & vocal treatments, as realized by Ms. Ruth White in mid-1969. A sampling of any of the included texts should tip you to just how creepy & dark the vibes emanating from within this record are exactly. Ms. White’s possessed monotone-through-echoplex-through-VCLFO’ed-gate throughout is just bone-chilling, her howling synth & noi…
Roots Of Electronic Sound
Here’s possibly... ah hell it IS the best looking Creel Pone yet - thanks to an extended spec and much nicer print-stock - a reproduction of a 1979 Victor label reissue of a 1975 LP on the legendary Alm label featuring a series of short tape music experiments, recorded between 1963 and 1966 by Matsuo Ono, with assistance from none other than Takehisa Kosugi. The artwork and libretto on the lp are full of references to “Atom” - better known to westerners as “Astro Boy” - a mid-60s japanese car…
Lucifer Rising Ost
Originally pressed on LP in 1980, we hereby present an affordable, remastered presentation of the legendary/notorious Lucifer Rising soundtrack that was originally composed for Kenneth Anger’s film of the same name. Comes with printed inner sleeve and spot gloss jacket.“When I composed and recorded the soundtrack for a reconceptualized Lucifer Rising a decade after the first abandoned attempt I drew on my own life experiences to tell the story in music evocative of the mythical Lucifer awakening…
Space 1999
Death Waltz Recording Co. is ecstatic to whisk you far into the future to the end of the 20th century with the truly out of this world Ennio Morricone score to Spazio 1999, starring the late, great Martin Landau. Produced by the legendary Gerry and Sylvia Anderson, the feature was constructed out of three episodes of the revered Space: 1999 television show to introduce Italian audiences to Commander Koenig and his crew, and thrilled audiences with nuclear explosions, parallel universes, a…
Quatermass And The Pit - Electronic Music Cues
This vinyl release features electronic cues from Quatermass and the Pit, a fascinating insight into the beginnings of electronic music and its development through the horror/sci-fi film genres. The full soundtrack to the film, a tense and atmospheric score for full orchestra, is available on a separate release.Originally a BBC serial, Quatermass and the Pit (released in the United States as Five Million Years To Earth) was made by Hammer Film Productions in 1967 as a sequel to their earlier film…
Quatermass and the Pit
Originally a BBC serial, Quatermass and the Pit (released in the United States as Five Million Years To Earth) was made by Hammer Film Productions in 1967 as a sequel to their earlier films The Quatermass Experiment and Quatermass 2. The film, hailed as an early classic of the sci-fi genre, begins when excavating workers discover five million year old skeletal remains in the London Underground tunnels, followed by a metallic object they believe to be an unexploded bomb. When rocket scientist…
Crosstalk
Originally released in 1982, including tracks written for Crosstalk (a science fiction thriller film made in Australia) and other electronic themes, it was written, performed and recorded by Chris Neal in his home studio, using Roland System 700 and Roland MC8. In 1982 there were only a few System 700s ever produced and Roland was more interested in promoting their more commercial System 100M (that's why it was credited on the 1982 original cover to give them a plug). The System 700 was de…
Ghost In The Shell (Original Soundtrack)
First ever official vinyl pressing of the soundtrack for Mamoru Oshii’s critically acclaimed and all around legendary science fiction anime film Ghost In The Shell (1995), adapted from Masamune Shirow’s groundbreaking manga series of the same name. The haunting score is composed by Kenji Kawai, one of Japan’s most celebrated soundtrack composers alongside Joe Hisaishi and Ryūichi Sakamoto, whose work includes Hideo Nakata’s Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven …
The Sound Of The UFOs
Restocked, reduced price. We Release Whatever The Fuck We Want Records present a reissue of the extraterrestrial cult classic The Sound Of The UFOs, a collaborative effort between Swiss jazz and electronic music icon Bruno Spoerri and innovative drummer extraordinaire Reto Weber, available on vinyl for the first time since its original release in 1978. Recorded live in Zurich in March 1978, The Sound Of The UFOs finds Bruno and Reto improvising with a vast array of classic and customized synths …