We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Another rarity is this original soundtrack album to Terayama Shuji's last movie with music by JA Seazer (Tenjo Sajiki, JA Caesar). Released in 1984, it was Terayama's last completed movie and Seazer's last contribution to his visionary and reactionary world. Saraba Habobune's soundtrack is just stunningly beautiful, far removed from Seazer's trademark bombastic scores. Instead it ventures into more pastoral and almost meditative psychedelic realms filled with traditional string plucking, eerie f…
Deluxe first reissue of this 1974 J.A. Ceasar-performed theatrical underground classic. A nice example of the recent flood of late 1960's-early 1970's psych reissues from Japan that are in the more fluxus/theatrical vein. The period saw political upheaval and protesting amidst much of the country's students and youth; and while the underground movements weren't as widespread as say those in the USA, the pockets of artistic institutions that responded to political causes (like the decimation of n…
Top notch and bang up identical reissue job; gatefold mini-LP style sleeve complete with inserts and obi. This was originally a private pressing on Terayama Shuji's own Tenjosajiki label. The disc is a soundtrack to his like-named movie, of which the title can be roughly translated as 'Volume of First Love Hell.' Psychedelic insanity, spoken word insertions and has included great vocal participations by sublime vocalist Carmen Maki of Blues Creation. Great disc that rarely surfaces with everythi…
This is volume 7 of Omega Point's Obscure Tape Music of Japan series. Many avant-garde composers made soundtracks for experimental film-maker Toshio Matsumoto. This CD consists of Joji Yuasa's three musique concrète works for his 1960s and 1970s short films. The first track features a heavily broken and meaningless narrator for the short film Andy Warhol: Re-Reproduction (1974); "Document Of The Long White Line" is an obscure, early electronic sound collage with chamber orchestra, and "Auto…
After changing the world in the late '60s with In C and A Rainbow in Curved Air, legendary American composer and father of minimalism Terry Riley abandoned tape manipulation and written composition to concentrate on longform keyboard cycles and improvisations. In the early '70s, while in Europe, he was invited to create scores for two films. The first, in 1972, was Joel Santoni's Les Yeux Fermés, a feature-length art film that instantly became a cult classic by virtue of its never having screene…
One of my Iskra's favourite album " The slow motion unfolding of these pieces isolates the beautiful sounds embedded in even their most cantankerous outbursts. The luminosity of Rutherford's long tones, Guy's glissandos and Bailey's pedal-enveloped chords are undiminished despite a marginal mono recording. At times, the music is almost too inviting and too accessible, given Iskra 1903's revolutionary aura. Buzz Soundtrack will force enthusiasts who thought they knew this trio inside out to liste…