Fantastica
Russ Garcia's 'Fantastica' remains the gold standard by which most outer space exotica records are based. Brilliantly evoking the music of the cosmos via revolutionary studio techniques, cinematic arrangements, and innovative electronic elements. 180-gram vinyl. Replica cover. A 1950s exotica classic that stylistically defines the genre "space age pop." The era of manned space travel began in 1959, but in musical terms, composers had been exploring interplanetary vistas for centuries. Russ…
Jaga Wa Hashitta (The Creature Called Man)
**2006 release, long out of print, very few copies available** This album's a pretty great testament to Satoh's durability as one of the great composer arrangers – sublime stuff from the late 70s, and a record that really works nicely alongside Masahiko's music for films. An obscure murder mystery, given a great deal of depth and class from the music – which is often surprisingly jazzy, despite the setting of the film and kinda avantgardish in some passagesBut all this idle talk aside, it's the …
Forbidden World
Unavailable since the film’s release in 1982, Susan Justin’s music for Forbidden World – produced by the legendary Roger Corman – mixes the electronic influences of the time with splashes of new wave, creating a score that fuses the eerie tonalities and avant-garde sensibility of Alien with the straight-up funk of ASSAULT ON PRECINCT 13. Birthed from this is a cult classic score that deserves to be held up alongside the works of Richard Band and Alan Howarth.
What immediately stands out from the…
La Petite Fenetre
Jacqueline Thibault (Laurence Vanay) often worked for other artists at the legendary Château d’Hérouville studio as arranger, keyboardist, co-composer, and assistant sound engineer. Between sessions she sometimes managed to record her own music. Several years after her two acknowledged masterpieces, “Galaxies” and “Evening Colours,” she was able to bring together the tracks for “La Petite Fenêtre” (The Little Window). As the 1970’s ended, trouble with the Château finances meant that again it was…
Turbomusic
Angel „Pocho“ Gatti (1930-2000) from Buenos Aires was an outstanding pianist, arranger, conductor and composer. He worked mainly in Italy during the 1960s and early 70s. With his orchestras, that included Italian jazz masters like Gianni Basso, Giorgio Gaslini or Oscar Valdambrini as soloists, he accompanied American stars like Frank Sinatra, Sarah Vaughan or Johnnie Ray. Already during the 1950s Pocho Gatti frequently played at the „Bop Club Argentino“ in Buenos Aires with world reknowne…
Temi Ritmici e Dinamici
**CD version** If you are among those who own the two previous Braen's Machine LPs, Underground and Quarta pagina, you're probably already well aware of one of Italian library music best kept secrets, that is the real identities of those hiding behind the pseudonyms Braen and Gisteri. These were the monikers of Alessandro Alessandroni and Oronzo De Filippi, directed by Piero Umiliani and his record label Liuto. With Temi ritmici e dinamici (Rhythmic and dynamic themes) the plot thickens and give…
Synthi Time
**CD version** Synthi Time is perhaps one of the most suitable albums - within Umiliani's incredibly vast discography - to fully appreciate the composing and experimental genius of the Maestro. For once away from the classic soundtracks that made him popular, this project veers away also from refined works of library music such as Genti e paesi del mondo (People and countries of the world) or Problemi d'oggi (Today's issues), released under the moniker of Zalla. In this case, we like to imagine …
Fischiando in Beat
**CD version** Due to a perhaps too buoyant and unfitting title and to a ridicolously limited distribution (even at the time of its original release), Fischiando in beat (Whistling in beat) has often been ignored despite being one of the most entertaining works signed by Piero Umiliani (here accompanied by his orchestra). Originally released in 1969, Fischiando in beat presents twelve gems of instrumental beat music, fabulous specimen of that music genre often labelled with the much-abused term …
Come Svaligiammo La Banca D'Italia
The scat-jazz beat masterpiece of one of the most brilliant but overlooked soundtrack masters of popular Italian cinema, M° Lallo Gori, composed for a wild spy-movie parody directed by the legendary Lucio Fulci. An outstanding soundtrack, never before released on any format, recovered and remastered from the original master tapes, boasting the invaluable contribution by I Cantori Moderni di Alessandro Alessandroni: their vocal presence contribute massively towards making the whole magnific…
Yellow Dust
Bruce Ditmas is a unique, heavy musician from one of those special tightknit communities that tried (and almost succeeded) to change the face of progressive pop music and jazz via musical technology. Raised in Miami (an unknown incubator for future synthesists), Ditmas carved the image of a teen prodigy playing jazz drums at the most exclusive Miami Beach hotels. After being whisked off to New York by none other than July Garland he became immersed in free music, recording compositions by …
Recital
Originally released in 1961. Peruvian singer Yma Sumac glided effortlessly from contralto to coloratura, her voice covering a range of no less than four octaves -- skeptics even suspected studio trickery! Her early repertoire included popular music and jazz pieces, but by this 1961 concert, she was devoting herself to the goal of making known the music of her homeland and neighboring countries. This is the first time ESP-Disk has released this concert on vinyl. To fit it on a single LP, the orch…
Here & Now Vol.1 & Vol.2
**Double CD edition** “Music especially created for films, television, radio, publicity and industrial use”. The disclaimer coming with these two records – "Here And Now 1 & 2" – puts a smile on our lips and brings us back to more culturally innocent and naive times. A quick listen is enough to realize that this is top quality material (even if often hidden behind weird and mysterious titles), which can’t be compared to anything released in recent times. Paolo Renosto, the person behind the moni…
Musique Idiote
180-gram vinyl. Roger Roger (August 5 1911 - June 12 1995) was a French film composer and bandleader. His aliases included Eric Swan and Cecil Leuter, the latter a pseudonym he used for his electronic productions. He was one of the first, along with Pierre Henry and Jean-Jacques Perrey, to experiment with the Moog synth; his Pop Electronique album was released in 1969, five years after Bob Moog put his synth on the market. Musique Idiote is his super-rare experimental Moogy LP with beautiful cov…
Fumo Di Londra
Music from the Original Motion Picture Score, composed, arranged and conducted by Piero Piccioni. Vocals: Lydia MacDonald, Alberto Sordi, I Cantori Moderni di Alessandroni. This masterful composer collaborated many times with Sordi, writing themes that were to became Albertone's career trademarks; "Marcia di Esculapio" from the movie "Il Medico della Mutua" and "Rugido Do Leao" from "Finché cé guerra, ce speranza" (which was used later for a series called "TV Storia di un Italiano").
Th…
Quarta Pagina
**CD version** Another amazing find of our research - this obscure album by The Braen's Machine is dated 1971 and is part of one of the most fascinating and enigmatic periods of Italian music history. Library Music, made for radio and TV mainly, pressed on a few vinyl copies..."Quarta pagina" portrays with great ability some possible - who knows if they ever had been realized - crime scenes, with hard-boiled and dark atmospheres, alternating with the Psych-Funk rides that have always characteriz…
Kali-Yug La dea della vendetta
Lavagnino’s soundtrack to the great 1962 movie ‘Kali-Yug La Dea Della Vendetta’ (also known as Goddess Of Vengeance (1963, UK); Kali Yug: Die Göttin Der Rache (1964, Germany); Kali-Yug, Déesse De La Vengeance (1963, France); Vengeance Of Kali (1963, United States), directed by Mario Camerini and starring Senta Berger and Lex Barker, finally get a proper reissue since it’s 1963 release on CAM Records. Composed and directed by Lavagnino, ‘Kali-Yug’ is one of the best soundtracks ever writte…
Cold Worlds
last copies around....A collection of Horror-Electronics, supernatural soundscapes and sinister library muzak from Australian composer Don Harper. Centring on the library music re-recording of the 1968 Doctor Who soundtrack The Invasion (A dark otherworldly Sci-Fi jazz suite) Cold Worlds is also a focus on the electronic music of this largely unsung composer. Like many Australian film composers (Ron Grainer, Dudley Simpson, Don Banks) Don Harper based himself in the UK during the 1960…
Il Mondo dei Romani
Restocked!! "Il mondo dei romani" is one of Maestro Piero Umiliani's most atypical sound library/synch albums, recorded in 1972 during a period of great electronic experimentation (partly because of production reasons, partly responding to an immense desire to express his creative skills). Unique in his discography, the album joins paradigmatic Roman classicism with the most genuine electronic experimentation, which in some parts reminds us of Kraftwerk. A great follow-up to the electro-synth so…
Style
**CD edition** Awesome library, remastered from the original master tapes with superior sound quality, replica of the original RCA LP (with bonus CD) in a limited edition of 500 copies. Sweet keyboards galore‚ a wonderful sound library set from the Italian scene of the '70s‚ filled with Fender Rhodes throughout! The tunes are a mix of funky and mellower numbers, but all sport these really great keyboard lines up top‚ always rhythmic, even when moving slow‚ and with this sexy sparkle that's right…
Underground
Milestone Reissue! CD Edition, deluxe digipack and Obi. Initially pressed in very few copies for TV production use only on Umiliani's LIUTO label. A monster rare album with Music by Alessandro Alessandroni and Oronzo De Filippi Produced by Piero Umiliani at the now legendary Sound Work Shop studio in Rome, January 1971. During the '70s, work days at Umiliani's Sound Workshop Studios were hectic; thousands of sessions were held in order to keep up with a very busy Italian movie industry: Hundreds…