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*2022 stock* Stelvio Cipriani has managed to capture the atmosphere of the story, writing a romantic commentary for piano and saxophone, introduced by Poliziotto Solitudine E Rabbia Seq. 1 which, varied with the guitar, will follow the daring deeds of the protagonist. The song is also reproposed in a vocal version during Poliziotto Solitudine E Rabbia Seq. 7 Inside the cd edition of "Poliziotto Solitudine E Rabbia (Original Motion Picture Soundtrack In Full Stereo)" (2012), a Digitmovies release…
“Gli Intoccabili” (The Untouchables) is a particular semi-unknown movie that belongs to a very crowded underground panorama made of international productions realized between the '60's and the '70's. Some few lucky ones immediately became 'instant classics', while many others remained in some dusty closed drawer for years, just to be rediscovered lately and being considered a cult. To this second category belongs this film directed by Giuliano Montaldo in the US and screened for the first time o…
Tip! In 2010, Sublime Frequencies released Saigon Rock and Soul, a compilation of wartime rock ‘n’ roll tracks from Vietnamese groups with distinctly American influences. Included among them was “Đêm Huyền Diệu (Magical Night)”, a slinky, horn-packed song attributed to a young singer known as Phương Tâm, though it later turned out to be artist Connie Kim’s rendition.Magical Nights: Saigon Surf Twist & Soul makes up for this error and then some, putting Tâm’s powerful voice and entire prolific ca…
"L'Ultimo Treno della Notte" (Last Stop on the Night Train) is a 1975 thriller film directed by Aldo Lado, one of the most violent movies ever produced in Italy in the '70s (and beyond) that actually shows, even in the crudest scenes, for same admission of the director, a harsh attack against the bourgeois society and its powerful rich people. Despite the limited budget, the friendship between Aldo Lado and composer Ennio Morricone made this collaboration possible; nonetheless, only a 45rpm 7" w…
*2022 stock* "One of the last Goblin-related releases to arrive on CD thanks to the Cinevox label, the notorious `Volo' from 1982 is now reissued. The Eighties was not a banner year for much of anything prog-related, and with bass player Fabio Pignatelli the sole founding member here, he's joined by a mix of related ex-Goblin members and session players, and together they delivered a sleek set of pop/rock/funk pieces very much in the manner of the popular commercial styles of the time. While it'…
*2022 stock* Reissue of Ennio Morricone's soundtrack to director Luigi Comencini's 1977 film with two previously unreleased bonus tracks added, alternate versions of 'Mariangela E La Seduzione' & 'Il Gatto'. 15 tracks total, with all delicately balanced between being refined classical arias and erotic themes. This is yet another extraordinary soundtrack by the genius master of Ennio Morricone. This is wonderful music that takes you back to the wonderful seventies.
*2022 stock* "After testing the waters with the solid but unexceptional Lounge at Cinevox: Beat, Vol. 1, Cinevox upped the ante with this more interesting second volume. Lounge at Cinevox: Beat, Vol. 2 has the edge on its predecessor because it boasts a more adventurous set of selections. This combination of factors is apparent from the first cut, a wild slab of psychedelic funk entitled "4 Mosche Di Velluto Grigio (Titoli)": After leaping out the speakers with a jazzy drum intro, this cut then …
*2022 stock* This CD is the first complete soundtrack of the "Spaghetti" western "Roy Colt Winchester Jack" directed in 1970 by the Master of Horror Mario Bava who only rarely abandons his favorite genre to experiment with new ones. Piero Umiliani has composed the soundtrack ranging from the classic western genre to the beat style in fashion at the time of composition, emphasizing the arrangements by organ, drums, electric guitar, brass and bass in lounge style.
*2022 stock* In Adua e le Compagne, a desperate drama with no way out, Piero Piccioni's jazz is the master, a constant counterpoint to the story even in its most excruciating moments (Adua's revolt in the pre-final, dressed as a prostitute in front of the clients of the trattoria to discredit the scoundrel who would like to continue exploiting her). A precise relationship of collision between image and music that would characterize much of Pietrangeli's later cinema (La visita, and of course the…
*2022 stock* This official soundtrack album for the Italian horror movie La Chiesa ("The Church") features four pieces performed by Keith Emerson. These are The Church (Main Theme); Prelude 24 (From Well Tempered Clavier); The Possession, and The Church Revisited, all four of which have also been included on the Keith Emerson "At the Movies" 3CD set. Emerson's contributions add up to about 13 minutes of music all in all.The rest of the music on this soundtrack is by other artists, including seve…
"Released in 1972 on the Cinevox record label, Morricone’s score is in a word classic. It contains every musical trademark that we associate with the Maestro, quirky and jaunty backgrounds, romantic and poignant melodies, infectious and haunting musical interludes and emotive and heartrending passages that just melt the listener. The CD re-issue was also on Cinevox, and the company released it in the November of 2003, it contains a little more music than the LP recording in fact there are four …
*2022 stock* "Touted as being the definitive edition of Ennio Morricone's darkly seductive score for the first motion picture directed by Italian master of the macabre, Dario Argento, this release of L'uccello Dalle Piume Di Cristallo, or The Bird With The Crystal Plumage, coincides with the film's debut on Blu-ray (see separate review). The entire original soundtrack-album is presented here in stereo for the first time and, not only that, but a very generous helping of bonus and alternate track…
*2022 stock* "Non ho sonno isn’t exactly a return to the glory days of Suspiria and Roller, but it’s very good, and is worthy of purchase before most of the 1980’s soundtracks. Though Goblin managed to hold on to the 1970’s sound even on most of their 1980’s work, this album sounds much more like the 1980’s than the 1970’s or 1990’s, especially the guitar. As far as opening themes go, “Non Ho Sonno” is good. That basically goes for the rest of the music too. It’s all very good, but not as unique…
*2022 stock* Back in '76 or so, Mario Bava wanted in on some of Argento's azione in the film music department. For his movies, Dario had enlisted some homegrown twentysomethings fresh from sessions in England as an outfit alternately called Oliver and Cherry Five. The quartet, rechristened Goblin, had cranked up their amplifiers to score Dario's two very popular films, the bloody Profondo Rosso and the supernaturally-inclined Suspiria. Bava wanted the same kind of sonorous edge for his next fora…
*2022 stock* Through his music Stelvio Cipriani has tried to give body and sensitivity to the symphony that the works of great Renaissance artists have continued to express through the centuries. The works in question are those of the Vatican. The artists are among the greatest that the history of mankind has ever produced, it is sufficient to mention only two names, Michelangelo and Raffaello. In Cipriani's music, the old and the new blend in modulations of profound consonance.
For Alejandro Jodorowsky'"Santa Sangre," Simon Boswell has composed, arranged and conducted a fascinating electronic music score with Latin flavor that describes all the world of Fenix the magician from his childhood to young man, a world full of music and colors, but also filled with dark fears.
Suspended sounds and vocalizations in Latin introduce the scrupulous 'electronic' commentary of Pino Donaggio. While the mysterious atmosphere of the opener La Setta soon evolves into a syncopated rhythm, the following Ansimando offers the listener disturbing notes of keyboards and elliptical effects of synthesizers that constitute, in addition, the central body of the mysterious Il Cuore Strappato. The dreamlike plots of Sogno are, instead, based on the continuous dialogue between acoustic guit…
*2022 stock* `Contamination' sees Italian progressive and cult soundtrack band Goblin add a refreshing dose of other wordly sci-fi sounds to their usual creeping horror atmospherics, and it makes for a mostly consistent and successful album.This time the soundtrack to a science-fiction film, It's a shame that the album is another mostly unnoticed and somewhat ignored work from the band, because in addition to a number of suspenseful and moody numbers, it contains the classic Goblin track `Quiet …
*2022 stock* A reissue of Cherry Five, the first and only homonymous work of the band, made by Claudio Simonetti, Massimo Morante, Fabio Pignatelli, drummer Carlo Bordini and singer Tony Tartarini. The album was recorded in 1974 but published only in 1976, a year before the official birth of Goblin and the worldwide success of "Profondo Rosso". In the original vinyl Simonetti and Morante were included as authors of the songs but not as performers. The record in question is a rarity today, sought…
*2022 stock* When Cinevox began reissuing the album catalog of Goblin in the late '90s, they also issued some new albums featuring Goblin soundtracks that had never been given a proper release. One of the most interesting albums from this group was La Via Della Droga, the soundtrack to a 1977 Italian crime thriller that chronicled the adventures of an undercover police officer as he infiltrated a European drug ring. The score plays down the horror theatrics that dominated chilling scores like Su…