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The soundtrack for the movie Blue (directed by Hiroshi Ando and starring Mikako Ichikawa, winner of Best Actress at the 2002 Moscow International Film Festival), which was based on acclaimed comic artist Kiriko Nananan's comic book of the same title, was composed by internationally renowned musician Yoshihide Otomo known for his borderless sonic creations. Utilizing the basic musical material used in the film and the same musicians, Otomo did additional studio recordings to create another sonic …
Small overview of yasunao tone’s life / work / art, including a 3”cd containing a 1979 piece performed by david tudor, john cage, takehisa kosugi, martin kalve, and yoshiharu suenobu.
Tetuzi Akiyama plays amplified acoustic guitar on all tracks except #2 (turntable and air duster), and #7 (electric bass). Toshimaru Nakamura plays no-input mixing board on all tracks except #7 (tabletop guitar). Gallery Off Site in Yoyogi, Tokyo -- one of the world's most well known venues for performance of the new improvised music. Off Site's core event is the monthly improvisation series 'Meeting at Off Site', established and still hosted by Tetuzi Akiyama and Toshimaru Nakamura. Following t…
Gallery Off Site in Yoyogi, Tokyo, is one of the world's most well known venues for new improvised music. Meeting at Off Site, the monthly improvisational performance series hosted by Tetuzi Akiyama and Toshimaru Nakamura, has in recent years been Off Site's main event. The six tracks on this CD are edited recordings of the Meetings of May through October, 2002. This is the final collection of original-format Meetings, in which hosts Akiyama and Nakamura improvised with one or two guest musician…
In addition to interviews of 12 musicians/1 group residing in Berlin (Gregor Hotz, Nicholas Bussmann, Merle Bennett, Thomas Ankersmit, Ignaz Schick, Hans Strobl, Pure, Annette Krebs, Andrea Neumann, Caramel Empties, Alessandro Bosetti, Boris Baltschun, and Kai Fagaschinski), this "extra" issue of IMJ features 2 CDs with 18 tracks by a total of over 30 musicians, almost all of whom are Berlin residents: Adeline Rosenstein/Andrea Neumann, Annette Krebs/Steffi Weismann, Kommando Raumschiff Zitrone,…
This is a special issue supplementing the well-received IMPROVISED MUSIC FROM JAPAN 2002-2003 (IMJ-301), the launch issue of an annual magazine (published last December). While the annual magazine provides an overview of the year's trends, each EXTRA will include an expansive special feature on a particular theme. The special feature of IMJ EXTRA 2003 is "Improv's New Waves," a close look at JAPAN's young improvisers (with an emphasis on electronics MUSICians). It contains a comprehensive essay …
The 2005 edition of the annual Japanese-English magazine Improvised Music from Japan is devoted entirely to recent albums. Over 350 releases (with a cover photo for each) are presented. The albums, mainly from 2004-2005, span a wide range of styles--improv, onkyo, noise, electronics, contemporary classical, free jazz, avant-rock, and more. While contributions from music critics are numerous, this is not just a collection of reviews. Musicians write about their own and other artists' works, label…
Magazine (English and JAPANese) with interviewes FROM Kazue Sawai, Yukiko Tanaka, Samm Bennett, Tetuzi Akiyama, Uchihashi Kazuhisa, Masahiko Okura, Sachiko M, Taku Sugimoto, Kazuo Imai, Aki Onda, texts by Tetsu Saitoh, Michel Doneda, Otomo Yoshhide… [•] Double CD with ae, Masahiko Okura, Shuichi Chino, Samm Bennett, Tetuzi Akiyama & Martin NG, Yumiko Tanaka, Han Bennink & Kazuo Imai, Une chance pour l’ombre, Optrum, Naoaki Miyamoto, Sachiko M, Mi Yeon, Park Je Chun, Kang Tae Hwan.
Toshimaru Nakamura's main instrument of late has been what he calls the 'no-input mixing board.' Rather than input external sound sources into the mixer, he treats it as a self-contained instrument by controlling its internal feedback -- the result being a truly original performance style. Over the past four years, Nakamura has released the solo NIMB CDs No-Input Mixing Board (on the Zero Gravity label), No-Input Mixing Board 2 (a bruit secret), Vehicle (cubic music), and No-Input Mixing Board […
The Japanese underground band Johari was create in 1990 by the magic duo Asahito Nanjo (High Rise) and Makoto Kawabata (Acid Mothers Temple) and will became later, in 1995, this shamanistic avant-garde formation Toho Sara. “Hourouurin” is their third opus, after two albums on PSF “Eastern most” (1995) and “Mei Jou Tan Sho” (1999) and some live performances in Europe during the years 1996 and 1997. “Hourouurin” is a weird unit who attempt to achieve a mystic fusion of ethnic music and rock, accor…
The debut album of The International Nothing -- the duo project of Kai Fagaschinski and Michael Thieke, two Berlin-based clarinetists who are composers as well as improvisers. All eight of the tracks on this recording are composed works. In addition to five pieces focusing on the resonance of the mellow, limpid timbres produced by the two clarinets, there are a couple of tracks seasoned with songlike elements and vocalization by guest musicians, and one tune featuring two contrabass players. The…
Tetuzi Akiyama has in recent years attracted tremendous interest on the Japanese and international improvised music scenes. In addition to performing many times in Europe, America, Australia, and New Zealand, he's been releasing a steady stream of solo and group recordings on these countries' labels. Oimacta, a duo album he recorded in a Sydney studio with Martin Ng (turntable feedback), promises to become one of his most widely recognized works. Akiyama's instrument here is the acoustic guitar.…
Alongside Otomo Yoshihide, Taku Sugimoto, Toshimaru Nakamura and Sachiko M, Tetuzi Akiyama is an essential figure in the world of improvised music. Akiyama, also known as 'The Captain' by his colleagues, has been releasing a multitude of solo and collaboration pieces recently, and this new record is an important and not to be missed addition to these releases. Route 13 to the gates of hell : live in tokyo is a complete document of Akiyama's guitar solo performance at the uplink factory on may 7t…
This is the debut album of Osaka-based sound artist Tetsuya Umeda (born in 1980). Active mainly in the fields of sound installation and performance, Umeda presents works that invariably explore the character of a particular space through physical phenomena and electricity-induced minimal movement. Ocket is made up of nine performance works produced and recorded in 2003-04 and featuring Umeda's self-made speaker tool. The impression of viewing the sound from the space above results in an effect t…
Taku Sugimoto is an extremely restrained guitarist who produces very few sounds in performance, allowing silence to be the controlling force. As an improviser and composer, he's garnered international acclaim, and also provoked strong reactions, both positive and negative. This two-CD set documents Sugimoto's live performances, in Australia in September 2003, of two of his own compositions (one per CD): 'Dot (73)' and 'Music for Amplified Guitar.' Environmental sounds -- listeners' coughs, foots…
Drummer Shoji Hano began his performing career in the '80s, playing with artists like Toshinori Kondo (trumpet) and Kaoru Abe (alto sax, etc.). Since his first European tour in 1990, he has played in many countries and collaborated with a wide range of musicians. Some of Hano's performances with sax players Peter Brotzmann of Germany and the late Werner Ludi of Switzerland, American bassist William Parker, English guitarist Derek Bailey, etc., have been recorded on CD. As evidenced by his great …
Ultra-heavy first album by new PSF super group, SANJA, consisting of gravel 'n' glass voiced crooner Kan Mikami, the scene's heaviest tub thumper Toshi Ishizuka, and alto terrorist and veritable rock'n' roll breather Masayoshi Urabe. The three first played together at a concert to mark the 25th anniversary of the founding of PSF Records last year, and the intensity of the heat they generated has already become the stuff of Tokyo underground legend. The trio were quickly hustled into a studio to …
Samm Bennett (Korg WaveDrum, vibrators and contact mics, Korg ER-1, Alesis AirSynth, Casio VL-Tone, CD player, Bias, bumble ball, can, gong, beepers, effectors and crank-toy with portable karaoke mic). Percussionist Samm Bennett was active on the New York improvised music scene in the '80s and '90s. Later he moved to Tokyo, where he's been involved in multidirectional projects including SKIST (his duo with Haruna Ito) and R.U.B. (his trio with Kazuhisa Uchihashi and Ned Rothenberg). From early o…
Sachiko M with two sinewaves on one empty sampler. Sachiko M is a musician who uses the sampler as an instrument. Rather than apply the device's original function of sampling recorded material, she makes music using nothing but its internal test tone sine waves. Her approach to this radically minimalistic sound and meticulously thorough music has created a sensation worldwide. Currently one of the most sought-after improvisers on the scene, Sachiko M collaborates with influential artists both in…