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Sulle corde di Aries
* 300 copies, machine-printed numbered edition, gatefold cover, 180gr vinyl * 1973’s Sulle Corde Di Aries was Franco Battiato's third release and showed his fascination for electronic, minimalist and systemic musics, as well as his third chapter in Battiato’s foray into esoteric pop. While the artist would venture further out into avant-garde terrain on subsequent releases, his early records enjoy a lyrical and playful spirit—eschewing traditional, song-based composition in favor of kosmische vo…
YaneUra Oct.’80
Les Rallizes Dénudés with Fujio Yamaguchi as a member, burst into a historic live performance at Shibuya Attic in October 1980, and this is finally officially released!
Vol. 3
Volume 3 of a set of collaborations between the prolific Argentine polymaths Reynols and the inescapable Acid Mothers Temple. Recorded in Buenos Aries on AMT’s 2017 South American Tour, the music has identifiable sonic elements from both groups but ends up sounding like neither, with a surprising weightlessness that keeps things jammy and psychedelic until the final track’s blustering rock. Taking up most of side 1, “Kicking Air Bricks” has a loose Gong/70’s Euro-classic vibe, with Satoshima Nan…
Vampire State Building
Reissue of this German rock classic album from 1971 by Hamburg quintet Alcatraz, coming with an additional track, recorded in 1972 at the Windrose Dumont studio in Hamburg. Alcatraz largely instrumental music was related to Miles Davis "In A Silent Way", early King Crimson and Soft Machine. Most successful was the 12 minutes "Simply Headphone Mind". The 13 minutes title track was a long improvisation with lots of fuzz guitar. According to Dag Erik Asbjornsen "Vampire State Building" is currently…
Astrolabio
2024 reissue. The origins of the Genoese band Garybaldi date back to 1965, the year in which guitarist Pier Niccolò "Bambi" Fossati, together with Maurizio Cassinelli (drums), Angelo Traverso (bass) and Marco Zoccheddu (guitar), founded the Gleemen, authors of a self-titled LP released in 1970: an excellent album, still linked to certain 1960s sounds, but in which Bambi Fossati's Hendrixian style began to make itself heard. In 1971 the band changed its name to Garybaldi and the following year re…
Live In London
2024 repress. Weather Report’s long and illustrious career had many twists, turns and revelations. Live In London draws on the best moments of performances delivered at the Hammersmith Odeon in June 1983, with former Chic percussionist Jose Rossy, plus a take of ‘Corner Pocket’ as played at the Dominion Theatre one year later with Mino Cinelu. Mainstay Joe Zawinul mans the ship alongside saxophonist Wayne Shorter, this edition of WR driven by the frantic beats of Omar Hakim and the bass of Victo…
Soft Power
Ezra Feinberg’s third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single ‘Future Sand’.
Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding member of the San …
Tone Float
Grey-area reissue of Organisation's Tone Float, originally released in 1970. German rock band, Organisation, is often referred to as the prototype or predecessor of Kraftwerk -- the godfathers of electronic music. In fact, it was the first iteration of Kraftwerk and if the band had managed to overrule its record label, RCA, Tone Float would have been credited as such. But given that the album was to be released only in the United Kingdom, the label opted for the more Anglicized name, "Organisati…
Live in Aston 1977
"Live in Aston 1977" is a completely new lens through which we can see a unique band with a seemingly inexhaustible energy for live performance. It comes at a difficult time for Can; their recently released eighth studio album, 'Saw Delight', was was poorly received and although posterity has been kinder, the reviews at the time of release have been savage. One might expect the live performances of this period to reflect some of the criticism levelled at the album, that they were slowing down, p…
Sunbirds
Jazz Rock ensemble from Munich led by German drummer Klaus Weiss and Austrian pianist Fritz Pauer and found in 1971. When Pauer presented Weiss some new songs, the two of them gathered Belgian guitarist Philip Catherine, Dutch flutist Ferdinand Povel and American drummer Jimmy Woode (R.I.P.) and formed Sunbirds. The recordings of their debut took place at the Union Studios in Munich on 24th August 1971. Weiss had good connections with various labels and the album was eventually released on MPS …
Wiesbaden 1972
*2024 stock* Musical collective from Munich (Germany), founded in 1969 by Christian Burchard and Edgar Hofmann. Considered as one of the most important German jazz-rock bands during the 1970s. In 1981, Uve Müllrich and Michael Wehmeyer left Embryo to form "Embryo's Dissidenten" who soon became Dissidenten. Embryo have continued for over 50 years with Christian Burchard always in charge and an ever changing international cast of musicians including talents from North Africa, India, China, etc., a…
Wiesbaden 1972
*2024 stock* After Uli Trepte had left the band, Guru Guru had one of their first gigs with Bruno Schaab on bass in the assembly hall of the Germania-Heim in Wiesbaden on November 4th, 1972. They played in front of about 200 to 300 people. The whole concert was recorded expertly and in stereo, with the consent of the band and the promoter, Robert Huth, by Muck Krieger, sharing a flat with Xhol (Caravan), a band they were friends with and which had just broken up. The equipment used - an Uher tap…
Essen 1970
2024 Stock. Like Xhol Caravan: the well-known blend of jazz and psychedelia. Their gig at the third Essen Pop & Blues Festival in the Gruga hall (10/24/1970)
Altena 1970
"Still with their black singer James Rhodes. A concert from spring 1970 in the lovely town of Altena. The cover shows sax player Tim Belbe in Charles Manson style. Good quality."
Missus Beastly
Missus Beastly from Herford were among the most famous German psychedelic and jazz-rock bands, with the most confusing history of all of them. Their first LP released on CPM in 1970 - without any title, just like the second LP in 1974 - had a beautiful red cover artwork and is traded today at around 1000 €. The vinyl edition on Garden of Delights comes in the original red gatefold cover and with four-page insert in LP size.
Bremen 1974
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
Spaceguerilla
Instrumental jazz-rock, recorded perfectly in the Stuttgart sound studio Zuckerfabrik in April 1978. Its style resembles that of its predecessor, 'Dr. Aftershave And The Mixed Pickles', but with distinctive jazz-rock/Embryo alike touch. 'Space Guerilla' (originally out on Schneeball) was the fourth and last LP by Missus Beastly. All of the eight tracks were written by the band members themselves. The 24-page booklet in LP size contains a detailed band history in German and in English language, a…
Night Works
"This disc offers the only known recording of the first version of Gila, a group that gigged constantly to build a considerable reputation as a formidable live act. Taken from a live Cologne radio broadcast from February 26, 1972 (a few months before the group's demise), Night Works is all that one could hope for, long space rock acid jamming and much better fidelity than one would get from a recording by an audience member. Swirling organ tones and acid guitar burnouts surge out of the throbbin…
Bremen 1972
Superb live recordings of a heavily underrated early '70s band from Germany, playing a sophisticated style of progressive krautedelic jazz-rock, mostly instrumental. Eiliff's guitarist (and sitar playr) Houschäng Nejadpour would later become part of an embryonic line-up of Kraftwerk.
Close encounter with their third one
Superb live recordings of a heavily underrated early '70s band from Germany, playing a sophisticated style of progressive krautedelic jazz-rock, mostly instrumental. Eiliff's guitarist (and sitar playr) Houschäng Nejadpour would later become part of an embryonic line-up of Kraftwerk.