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2015 Release. In order to finance his artier excursions, which increasingly required more expensive technology, Frank Zappa recorded several collections of guitar-and song-oriented material in the late '70s and early '80s, which generally concentrated on the bawdy lyrical themes many fans had come to expect and enjoy in concert. Sheik Yerbouti was one of the first and most successful of these albums, garnering attention for such tracks as the Grammy-nominated disco satire "Dancin' Fool," the con…
2017 Release. 180 grams, sourced from the original 1970 Analog Master. A fascinating collection of mostly instrumental live and studio material recorded by the original Mothers of Invention, complete with horn section, from 1967-1969, Weasels Ripped My Flesh segues unpredictably between arty experimentation and traditional song structures. Highlights of the former category include the classical avant-garde elements of "Didja Get Any Onya," which blends odd rhythmic accents and time signatures wi…
2018 Release. Zoot Allures, released in October 1976, is mostly a studio album (there are some basic live tracks, as in the title track and "Black Napkins") featuring a revolving cast of musicians who, oddly, do not correspond to the ones pictured on the album cover (for instance, Patrick O'Hearn and Eddie Jobson did not contribute). Compared to previous releases like One Size Fits All, Roxy & Elsewhere, or even Over-Nite Sensation, and to upcoming ones such as Zappa in New York, Studio Tan, or …
2018 release. 180 grams, Taken from the original 1970 Analog Master. It's 1970, and look what Frank Zappa's up to: The band now includes jazz
players like George Duke (keyboards) Anysley Dunbar (drums) and Ian
Underwood (guitar and keyboards) plus a mysterious pair of singers
called The Phlorescent Leech & Eddie -- who, it would turn out, were
singers Mark Volman & Howard Kaylan, who'd recently jumped ship
from LA pop group the Turtles (they weren't contractually allowed to use
their real …
2017 Release. 180 grams, sourced from the original analog master. "It's all one album. All the material in the albums is organically related and if I had all the master tapes and I could take a razor blade and cut them apart and put it together again in a different order it still would make one piece of music you can listen to. Then I could take that razor blade and cut it apart and reassemble it a different way, and it still would make sense. I could do this twenty ways. The material is definit…
'Sukram Gurk' was the title chosen for the Siloah second LP. It was the name of Markus Krug spelled backwards. Markus' name was chosen because it was the one that sounded better phonetically to the ears of the trio. The sound of the album takes it all one step further, turning into an electric storm, yet retaining the free psychedelic improvisation feel of its predecessor. The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has ori…
Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baums…
Contains both original ZNR releases Barricades III and Traite de Mechanique Populaire, plus two extra CDs - one containing the whole of the post-ZNR LP Les Flots Bleus by Patrick Portella and Joseph Racaille as well as Joseph Racaille’s Pegase and his ReR Six Petites Chansons EP. The second CD collects early ZNR demos and lost tracks togther, appearing here for the first time. With a very substantial and definitive book of memories, histories, reflections, photographs, documents, interviews and…
180 gram audiophile vinyl. 2015 Release. Shooting at the Moon (1970) is the second solo album of Kevin Ayers. The LP first hit store shelves in October 1970 and featured Kevin with a new band backing him; “The Whole World.” Which featured Kevin on Guitar, Bass and Lead Vocals, Mike Oldfield on Bass and Guitar, Mick Fincher on Drums and Percussion, Lol Coxhill on Saxophone and David Bedford on Keyboards, whom also featured on Joy of a Toy. Robert Wyatt also makes an appearance in “Colores Para De…
** Audiophile pressing (Pure Analogue Cutting, One-Stage Pressing Process, 180 g.) edition of 490 copies ** More than 40 years after its publication, the album Lassa sta 'la me creatura continues to be systematically cited in the stories of Italian music related to the' 70s as a completely unique and innovative event in the music scene of those years. A remarkable Italian folk/ethnic album with experimental tendencies, released in 1974 on the legendary Intingo label, Canzoniere Del Lazio was one…
Sold out at the label, few copies in stock. Originally released in 1972, Zeit would be Tangerine Dream's third full length album, and the first to feature the main trio of Edgar Froese, Peter Baumann, and Chris Fanke. The German electronic group pioneered the entire dark ambient genre with this work, whose title translates to "time," and was based on the philosophy that "time was in fact motionless and only existed in our own minds." Also worth noting is that Popol Vuh's Florian Fricke plays Moo…
2018 release. Burnt Weeny Sandwich is the first of two albums by the Mothers of Invention that Frank Zappa released in 1970, after he had disbanded the original lineup. While Weasels Ripped My Flesh focuses on complex material and improvised stage madness, this collection of studio and live recordings summarizes the leader's various interests and influences at the time. It opens and closes on '50s pop covers, "WPLJ" and "Valarie." "Aybe Sea" is a Zappafied sea shanty, while "Igor's Boogie" is na…
2017 release. We're Only in It for the Money is the third studio album by the Mothers of Invention. Released on March 4, 1968 on Verve Records. As with the band's previous two albums, We're Only in It for the Money is a concept album, and satirizes left and right-wing politics, particularly the hippie subculture, as well as the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy…
2017 release. Reissue on 180-gram vinyl with a free download code. Lumpy Gravy is the debut solo album by Frank Zappa, an album of orchestral, electric and concrete sound written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, The Mothers of Invention. It was commissioned and br…
An early 70s set from Captain Beefheart & The Magic Band – but one that was actually recorded in the mid 60s – a bit before the classic Trout Mask Replica! The set shows Beefheart and the band at their most unbridled – really jamming with bluesy roots, but into the very trippy outer limits – with the Captain on vocals, harmonica, and "first-time musette" – plus Alex St Claire Snoufer and Antennae Jimmy Simmons on guitars, Jerry Handley on bass, and Drumbo on drums (Dustygroove)
Edition of 100. Recorded, mixed and mastered at the Outside Inside Studio on a Sunday afternoon in October 2013 by Matt Bordin, who also plays guitar an mandolin. Squadra Omega is a psych/avant/kraut rock collective devoted to free improvisation, psychedelic jams and mind blow ups
Some artists like Cluster, Tangerine Dream and Klaus Schulze have become quite popular and synonymous with the Kosmische Electronic music that rode the wave alongside the Krautrock explosion, but also nestled within the explosion of creative electronic music emerging from Germany in the early 70s, others have been left in the vaults of obscurity and discovered only by those jumping into their time capsules and searching high and low for some of the less heard acts. And obscure does not mean for …
Available previously only as a private cassette release, this Shub Niggurath reissue features the bands very 1982 first recordings. While the influence of Magma, Art Zoyd and Univers Zero are strongly in evidence at various points along these five long tracks, Shub Niggurath took it all several steps further in every direction making them one of the most extreme and uncompromising bands of the mid-80s French avant-garde scene; and while this demo was never intended to be an official release, the…
Esa Kotilainen’s Ajatuslapsi was a very moderate success at the time of its release in 1977 (on Love Records label, also responsible for the Sperm releases), but over the years its cult status has become immense. Svart Records presents the first ever vinyl reissue, with the mastering and cutting of the lathe supervised by Kotilainen himself. Ajatuslapsi is quite a magical record. One of the first ambient synthesizer records ever in Finland, it is quite unlike much of the similar stuff produced e…
Though recorded in England, Bert Jansch’s time in America recording the preceding ‘L.A. Turnaround’ and ‘Santa Barbara Honeymoon’ is still much in evidence. The breezy, bluesy style carries effortless across standout tracks ‘Looking For a Home’ and ‘3AM’, alongside the more familiar UK folk territory of ‘The Curragh of Kildare’ and ‘Pretty Saro’. Recorded at London’s now-legendary Air Studios, the production – steered by Jansch and new collaborator Rod Clements – has a wonderful lightness of tou…