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Blackdance is one of Klaus Schulze's best albums. There are lots of predictors that point to where his career would go. The tempo changes are smooth and sure and the sequences are varied -- some are deep and strong, others are long on atmosphere. Schulze mixes these elements seamlessly with experimental timbres and spatial textures. He adds an organ drone to give the disc a Baroque attitude and sinister overtones. This is more atmospheric than most of his albums. That gives it a nice appeal and …
From the early days of electronic experimentation in the pop field, Klaus Schulze's second solo album still today it stands as one of the most powerful examples of ambient pulse music ever conceived. The dense layers of rhythm and synthetic tone colors melt into a seamless, flowing soundscape of melody, motion and spatial effects. It's a monumental double album of "cosmic music.
Irrlicht is the solo debut album from Klaus Schulze (originally released in 1972) and is an absolute masterpiece in cosmic, space music. Schulze omitted the use of synthetics for this recording, relying on organ with various electronic effects to produce an absolutely mesmerizing and minimalist body of sounds that transform the listener into a total abstracted world full of mysteries within its almost never-ending spiral. With no electronic pulse and rhythms, just a gloomy and distorted a…
Klaus Schulze is a German electronic music pioneer, composer and musician that needs very little introduction. In the late sixties & early seventies he was a member of several iconic bands such as ‘Tangerine Dream’, ‘The Cosmic Jokers’ & ‘Ash Ra Tempel’ before launching a solo career consisting of more than 60 albums released across five decades. Collaborations were numerous and highlights include working with Steve Winwood, Brian Eno & Alphaville… just to name a few.Klaus Schulze’s proto moog-s…
‘Agape-Love’ was one of Florian Fricke's favorites, at a point in his life where he was inspired by 13th century Persian poet Rumi. Still utilizing a choir for Gregorian chant-like ethereal intensity -- though they sing in Byzantine scales – the band delves deeply into the drone world of Fricke’s sacred music muse. This is an album of many moods/feelings & is a worthy, devastatingly beautiful outing (both introspective & intense at the same time).Out of print since 1983 and never released outsid…
700 copies black vinyl. Born as Florian Fricke’s brainchild, Popol Vuh needs little introduction, the band stayed active between the late 1960s & late 1990s (until Florian’s passing in 2001). Regarded as pioneers in avant-garde German electronic music, their early works practically laid down the foundations for ‘Kosmische Muzik’ (Space Music) with the then new sounds of the Moog synthesizer joined with ethnic percussions.Later the group evolved to include all kinds of instruments (both electric …
Avant-Garde Sonic Ammo ca.1968! Mono version, clear vinyl. Sundazed brings you the reissue of the self-titled album from The United States Of America. U.S.A., led by respected modern classical avant garde musician Joseph Byrd, cut a wide swath through the 1968 world of rock, just then comfortably settling in to its backwoods dreams of country-rock to find the debut U.S.A. album howling like an infant terrible on its front doorstep. At the centre of the U.S.A.'s fiercely experimental univer…
It was legendary record producer Alan Lorber that came up with the concept of "The Bosstown Sound" -- "The Sound Heard 'Round The World" to market and promote the best and brightest of the Bean Town sixties psychedelic scene. (Boston's key groups at the time included Orpheus, Beacon Street Union, Ultimate Spinach, Chamaeleon Church and others). The Ultimate Spinach, arguably the finest of them all, produced magnificent examples of surreal psychedelic record-making, now prized by crate-diggers an…
Considered among the all-time classic psychedelic recordings, the Ultimate Spinach ’68 self titled debut is unearthed in its unfathomably rare mono form! The unique blend of psych, jazz, rock, Gregorian vocals and Baroque instrumentation sets Ultimate Spinach apart from anything released at the time. It includes the now famous “(Ballad of the) Hip Death Goddess,” an 8:12 classic featuring the eerie, haunting vocals of Barbara Hudson, an oft covered staple of the genre.It was legendary record pro…
On translucent gold vinyl. The C.A. Quintet’s journey to Hades burned hot enough to melt the ice in their frigid Minnesota environs. A coveted collectable since the psychedelic record collecting disaster whirl first started over 30 years ago, Trip Thru Hell (1968) is rightly regarded as the epitome of local psych-cum-garage rising above its humble roots into something truly monolithic. Evolving from the local circuit into a hellish beast of keyboards, lysergic lyrics, trippy guitars and even sub…
No Way Out, the thrilling debut album by the Chocolate Watch Band, immediately finds that cosmic sweet-spot of perfect garage-rock traction: where the rubber meets the road and the train keeps a-rollin.' Nobody ever did Mick Jagger any better (even Mick, himself) than the Watch Band's frighteningly superb frontman Dave Aguilar. "Are You Gonna Be There (At The Love-In)" and "Let's Talk About Girls" are on everyone's list of Top 20 garage rock anthems of all time. And that's just the tip of the ve…
Their second, and self titled release, was by far their best effort, containing their most psychedelic and experimental material. Fever Tree's lone hit single, the haunting 1968 tribal anthem 'San Francisco Girls (Return of the Native),' perfectly captured the spirit of the psychedelic era. Although their signature hit led many to assume that they were a Bay Area band, Fever Tree actually hailed from Houston, Texas.
'San Francisco Girls' is also the centerpiece of Fever Tree's self-titled f…
A private pressing treasure of epic proportions! 'Like seeing God in a burst condom stuck to the tailpipe of a rusty pimpmobile, finding out Jesus stole your mama, looking for the meaning of life in a puke pile by a truckstop motel … kinda scary how real this dude is! Deep level real people music that sounds like no other LP in the universe. Everything about this sound could not possibly add up in anybody else’s mind, but Dennis has put a new place on the map.' - Paul Major (Enjoy The Experienc…
1966's East-West, the second album from the Butterfield Blues Band and their last with lead guitarist Mike Bloomfield found the group branching out from the electric blues and adding elements of modern jazz and the music of India, most notably on the landmark title track, which paved the way for much of the musical experimentation of the late 60s."Sundazed's East-West packs a sonic punch, revealing the scorching guitars and gritty-sounding harmonica in all their ragged glory. During Bloomfi…
This was Missus Beastly's third studio album released in 1976. If you'll notice on the cover art they have the album's title as such as to look like it's the band's name, and the title of the album looks like it would be "For Missus Beastly". A trick by the band really so that they wouldn't have to release this album with Dieter Dierks and Venus Music to which their contract stipulated that they had to.They had had a falling out with Producer Dierks over the cover art of their last album and fel…
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
Missus Beastly regroups and blasts into some very dynamic fusion territory with this exceptional album. The usual apparitions of the house-hold names of the mid-seventies jazz apologists can be traced here, but the eventual output will always sound only as original as Missus Beastly. One of the biggest strengths these guys possesed was their vibrant rhytm section, from the opening track i can make a parallel to Passport's or Embryo's more dynamic tracks, wherein Curt Cress/ Christian Burc…
Missus Beastly from Herford were among the most famous German psychedelic and jazz-rock bands, with the most confusing history of all of them. Their first LP released on CPM in 1970 - without any title, just like the second LP in 1974 - had a beautiful red cover artwork and is traded today at around 1000 €. The vinyl edition on Garden of Delights comes in the original red gatefold cover and with four-page insert in LP size.
A killer bit of jazz rock from early 70s Germany – an album that should have been right at home on the MPS label, given the sorts of all-star talents in the group! The set was produced by mighty drummer Klaus Weiss – who's at his soulful best here, able to kick things when needed, but not with as jamming a sound as on his more over the top 70s efforts – which is perfect, as the album's got loads of sweet, subtle colors from Ferdinand Povel and Leszek Zadlo on flutes, plus great electric and acou…
Jazz Rock ensemble from Munich led by German drummer Klaus Weiss and Austrian pianist Fritz Pauer and found in 1971. When Pauer presented Weiss some new songs, the two of them gathered Belgian guitarist Philip Catherine, Dutch flutist Ferdinand Povel and American drummer Jimmy Woode (R.I.P.) and formed Sunbirds. The recordings of their debut took place at the Union Studios in Munich on 24th August 1971. Weiss had good connections with various labels and the album was eventually released on MPS …