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Seligpreisung
The fourth LP by Popol Vuh was originally released on Kosmische Musik in 1973. It follows the religious theme of its predecessor and features the line up of Florian Fricke with Conny Veit on guitars, Daniel Fischelscher on guitars and drums (he was the drummer of Amon Düül II), Robert Eliscu on oboe, Djong Yun on vocals and Klaus Wiesse on tamboura. Reissued from the master tapes in quality vinyl pressing, full glory laminated gatefold cover and featuring an insert with liners and photos. Limite…
Hosianna Mantra
With its religious theme it shouldn't be heretic to consider Hosianna Mantra as a small miracle. Suddenly the dark, unmelodic Popol Vuh offer us an incredibly beautiful work of amazing gothic folk that, this time, fit perfectly in the Pilz catalogue - yet managing to sound as something completely unique. It was originally released in 1972 and featured a host of musicians that included Conny Veit on guitars, Robert Eliscu on oboe, Djong Yun on vocals and Klaus Wiesse on tamboura, led of course by…
Einsjaeger & Siebenjaeger
Einsjäger & Siebenjäger, originally released on Kosmische Musik in 1974. Settling down the partnership of Florian Fricke with Daniel Fischelscher that was started in the previous outing and, again, featuring Korean soprano Djong Yun on vocals, the fifth Popol Vuh LP also counted on sporadic contributions by Olaf Kübler on flute to follow the path set on Hosianna Mantra and Seligpreisung. Reissued from the master tapes in quality vinyl pressing, full glory laminated gatefold cover and featuring p…
Affenstunde
Issued on Liberty in 1970, the debut LP by Popol Vuh features Florian Fricke's Moog synthesizer experiments at it's most spirited wild. One of the earliest experimental Moog Lps, with Fricke's electronic explorations supported at times by Holger Trülszch's percussion, flying free at others, the result has been labeled as a dark, unmelodic, unprecedented sound and it settled the path for many kraut adventurers to follow.Reissued from the master tapes in quality vinyl pressing, full glory laminate…
Onze Danses Pour Combattre La Migraine
Milestone reissue!!! By popular demand, here's the vinyl reissue of the seminal album, recorded in 1977 by Aksak Maboul, comprised of Crammed founder Marc Hollander with Congotronics producer Vincent Kenis, and originally released on Marc Moulin's ephemeral Kamikaze label. Deluxe vinyl re-issue with 1977 original cover, full colour inside folder with extensive texts, downlaod card with bonus tracks. A hugely cherished record around these parts, not least for the strangely prescient 'Saure …
Works 1968-1976 (Friends Edition)
**Limited Friends edition of 99 copies only** Milestone reissue exploration of the legendary Sperm hugely influential late 60's - early 70's electronic music* The Sperm mixed elements of avant-garde music with free jazz and psychedelic pop. Members of Sperm during the years of existence have been Antero Helander, Ilkka Lehtinen, J.O. Mallander, Markus Heikkerö, Mattijuhani Koponen, Nikke Nikamo, Pekka Airaksinen, Peter Widén. By 1970 Pekka started his own label O Records to produce and distribut…
Music From Living On The Earth
Alicia Bay Laurel is well known as the writer and illustrator of one of the classic books of the back-to-the-earth movement, the 1970 hand-written guide to living the good life, Living On the Earth. She is also an accomplished singer, songwriter, and guitarist, the latter skill honed by studying with John Fahey. The songs on Music from Living On the Earthwere composed concurrently with the writing of the book, permeated by the sun and soil of the commune life. Bright and earthy paeans to the nat…
Abbiamo Tutti un Blues da Piangere
“Abbiamo tutti un blues da piangere” is the Perigeo second album, which continues a slow but steady evolution over a solid rock basis, moving from the originary jazz component to a growing fusion side, with an increasingly dominant search of melody. In the seven tracks of this LP the sound is still edgy and dark, thanks to a constant tension that never stops until the end of the last song.
This reissue is the result of a unique collaboration between two long-established companies in the jazz and…
Ictus
A real masterpiece....dreamy improvised music with eastern influences and electronics!! "Before his magnificent experiments with electronic music on Elektrictus (previously reissued on Wah Wah), Andrea Centazzo was already an accomplished musician who had issued his recorded works on the PDU and RCA labels. His first release was Ictus, a free-form avantgarde jazz oddessey on which he already started to experiment with electronic generated sounds. Ictus was a band formed by Centazzo, Armando Bat…
Lsd
Originally issued by Capitol Records in July 1966 and subtitled a documentary report on the current psychedelic drug controversy!, this notorious album offers both a background report into the new phenomenon of lysergic acid diethylamide and a recording of an actual trip. Fuelling anti-psychedelic prejudice beneath a veneer of objectivity, it stands as an important early artifact in the history of the psychedelic movement, and features contributions from Timothy Leary, Allan Ginsberg, Aldou…
It's About Time
Pioneering synthesizer soundscapes originally issued in 1974, available again. The electronic duo of Robert Margouleff and Malcolm Cecil aka Tonto released their influential debut, Zero Time, in 1971, showcasing what they described as "the world's first and largest multi-timbral polyphonic analog synthesizer." Three years later, they released this classic follow-up, recorded in Malibu. Building on their earlier achievements, it incorporates guitar, bass and drums into the unique sound of Tonto: …
North Atlantic Raven
Limited numbered edition of 500. Previously unreleased album by German trio Sand, composed and recorded in 1973, '75, and '76. The once-croaking raven now flies silently over the ocean, higher and higher. Where are you rolling, sun-ball, and why don't you fall? The sandy Golem crumbled into dust. His brave struggle against the mighty forces of darkness soon dissolved in voiceless space. There is something magical and inexplicable in creation, and Sand absolutely manifest these mysterious phenome…
A Bird In The Engine
In the late '60s, Pip Proud recorded two of the oddest records ever to come out of Australia – Adreneline & Richard and A Bird In The Engine – before vanishing into obscurity for the better part of three decades. Often called the "Australian Syd Barrett," yet Proud actually released his second album in 1969, a year prior to The Madcap Laughs, and developed his indigenous psychedelia in virtual isolation.A Bird In The Engine is even more rare than his debut. From the extraordinary "Eagle-Wise" to…
Ritt Durch Den Hades
Ultra-rare lost psychedelic Kraut-Folk from 1979. First time on CD and LP! Taken from the original mastertapes! Gulaab means “rose” in Nepalese language. Gulaab is a German virtuoso on the acoustic guitar who has served three years as an after dinner musician in a luxury restaurant in Nepal to play for an amazing number of well known personalities of the 20th century during the early 70s. A strongly influential experience that shaped his musical expression big time but also let him become an ope…
The Yellow Princess
Re-mastered from the original analogue master tapes, pressed on 180 gram . Remastered edition, ultralimited and, unfortunately, pricey/ originally released in either 1968 or 1969 depending on your sources, The Yellow Princess saw a post-philosophy degree, subculture-aware John Fahey branching out from his earlier, more traditional work. He earned his name back in 1959 at the age of 20, with his Blind Joe Death debut album. Following that album Fahey engaged in a wide stylistic range, from Appala…
Z=7L
Zao was founded at the beginning of the seventies by Yochk'o "Jeff" Seffer (saxophone, clarinet) and François "Faton" Cahen (pianos), both ex-members of Magma's first era, which includes the albums "Kobaïa" (1970), "1001 ° centigrades" (1971) and "Uniweria Zekt-the Unnamables" (1972). In this first album from Zao, "Z = 7L" (1973), the very complex melodic instrumental layers are enriched with the wonderful voice of Mauricia Platon (with its kobaïan accents). Zao’s progressive/zeuhl sound has lon…
En Public Aux Etats-Unis D'Amerique
Etron Fou Leloublan were a French avant-rock band founded in 1973 by actor and saxophonist Chris Chanet. They were one of only four bands invited by Henry Cow to perform at 1978’s Rock In Opposition festival. This, their third album, was recorded live while on tour in the United States. Recorded in public at the Squat Club, New York City, Trinity College, Hartford, Conn. in November 1979, “En public aux états-unis d'amérique” is the perfect introduction to the group’s avant-rock mayhem. Reissued…
Out Of Reach
All but unknown to most but the most hardcore Can fanatics, 1978's Out of Reach is one of the group's rarest albums. This is due in large part to the fact that bassist Holger Czukay left the band before the recording sessions, and drummer Jaki Liebezeit has a greatly reduced role, leaving most of the rhythm duties to percussionist-come-lately Reebop Kwaku Baah. As on the group's proper swan song, 1977's Saw Delight, new bassist Rosko Gee largely leads the group, and his jazz-inflected playing is…
Saw Delight
1977's Saw Delight is the German progressive group's farewell. Percussionist Reebop Kwaku Baah and bassist Rosko Gee from a late-era lineup of Traffic to add a sort of Afro-Cuban jazz feel to their sound. Similarly, Rosko Gee's handling of the bass duties (which he performs superbly throughout, adding an almost Mingus-like rhythmic intensity to even the loosest songs) frees Holger Czukay to add electronics and sound effects to the proceedings. The opening "Don't Say No" recalls the controlled fu…
Flow Motion
The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, thanks to its smoothly percolating near-disco groove, which makes it resemble a late-period Roxy Music hit), but many fans dismiss it as the group's feint toward commercial success. That fluke hit aside, the charge doesn't really hold water. There's a ne…