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High quality vinyl reissue with remastered sound. Legendary Italian progressive rock band Banco del Mutuo Soccorso released its first LP in 1971 on the label Dischi Ricordi. The lineup included Vittorio Nocenzi (keyboards), Gianni Nocenzi (piano), Francesco Di Giacomo (vocals), Renato d'Angelo (bass), the newly arrived Pierluigi Calderoni (drums), and guitarist Marcello Todara, who would soon be replaced by Rodolfo Maltese. Although plagued by poor sound quality (something frequent with Italian …
A new Legacy edition of "Io sono nato libero", historic third album by Banco del Mutuo soccorso, one of the most famous and important italian progressive rock bands, enriched by a bonuns disc with 5 inedit tracks recorded with the current line up and a long interview with Vittorio Nocenzi, founder of the band. LP+CD and vinyl shaped book. The booklet includes lyrics, interviews, photos and a wonderful genealogical tree of the band. The entire album is truly outstanding
Light in the Attic Records is proud to continue its Lee Hazlewood Archival Series with LHI Records final release. 1971’s Requiem for An Almost Lady is a personal statement and one of the heaviest break-up albums of all time. There are no lilting strings, sweeping choirs, or dancing trumpets. The arrangements are stripped down to the raw nerve; Lee’s emotions are the orchestra here. The listener eavesdrops on a sonic journal of heartbreak. After losing his lady, his record label, and h…
Light in the Attic Records is proud to continue it’s Lee Hazlewood archival series with an expanded reissue of Lee & Ann-Margret’s The Cowboy & The Lady. The album is Hazlewood’s truest country album and a perfect example of the genre hopping he was afforded at LHI with unlimited creative freedom and money to burn. Recorded over a weekend in Nashville with the help of Charlie McCoy and some Nashville session musicians. “That was 47 years and about 5000 sessions ago.” – Charlie McCoyWith improvis…
Light in the Attic Records is proud to continue its Lee Hazlewood Archival series with an expanded reissue of Forty. Every track Shel and Lee recorded for Forty are included here for the first time, including the outtake “For Once in My Life” and the previously unreleased backing track “Send Out Love.” In exchange for piles of money from major labels, Lee and LHI made promises to produce an amount of recorded material that wasn’t humanly possible for one man and a small label. The logistics didn…
**2014 release, sold out at the label** Seven years in the making, There’s A Dream I’ve Been Saving is the ultimate artifact for Lee Hazlewood heads new and old. This landmark box set contains an expansive LP-sized hard cover book detailing the label history of Lee Hazlewood Industries, accompanied by an essential 4-CD anthology and the never-before-released film Cowboy in Sweden.
Lee Hazlewood fans have seen a bounty of reissues and compilations issued over the past decade with anthologies …
180 gram audiophile vinyl pressing, clear vinyl. Seven is the seventh studio album by Soft Machine, released in 1973. Roy Babbington, who had previously contributed to Fourth [MOVLP1601] and Fifth [MOVLP1599] on double bass as a session musician, replaced Hugh Hopper on bass guitar, who left to begin a solo career. Their unique take on jazz rock was groundbreaking. Seven is a highly diverse album combining minimal, spacey elements and some great instrumental jamming. It was also the last of thei…
180 gram audiophile vinyl pressing. While the instrumental Fourth had forayed deep into jazz-rock territory, Fifth found Soft Machine working almost completely in the jazz idiom. As Soft Machine moved further away from rock on Third [MOVLP183] and Fourth [MOVLP1602], drummer/vocalist Robert Wyatt's dissatisfaction with the band's direction grew and, by the time sessions started for Fifth in late 1971, he had left permanently to form Matching Mole. Wyatt's replacement Phil Howard's propulsive rhy…
180 gram audiophile vinyl pressing. Fourth (from 1971) or 4 is the Soft Machine's first all-instrumental album and features a mix of Free Jazz, straight-ahead Jazz, and gong-like psychedelia. It was also the last of their albums to include drummer and founding member Robert Wyatt."Soft Machine's collective skill is hyper-complex and refined, as they are extremely literate in all fields of musical study. Fourth is the band's free purging of all of that knowledge, woven into noisy, smoky structure…
Another time, indeed! It's been fifty years since Pearls Before Swine first appeared. A genteel, oft-hushed missive from a far corner of the psychedelic hive mind, One Nation Underground was released on an Independent outlier of a record label, removed from the mainstream and still its spirit came to be widely appreciated by a generation and more. Today, this music has been reissued by labels around the world dozens of times. Tragic, then, that it hasn't been heard properly in decades! The stere…
Major label breakthrough (don’t blink or you’ll miss it)! Moondog’s spell with Columbia, then America’s most prestigious jazz and classical label, began here. Joplin’s lobbying opened the door. The album was produced by James William Guercio, a former Mother of Invention and producer of Columbia artists Blood, Sweat & Tears and Chicago. A modest commercial success, and an unqualified artistic triumph, the disc featured Moondog fronting a 40-piece orchestra. The best known track is ‘Bird’s Lament…
The legendary Can vocalist Damo Suzuki drops this super limited cassette with his Network group and guest collaborators Château Laut. Made up of two thirty minute recordings, “Ausland” is a meditation on long-form sound experiments that we all know Suzuki does best.Château Laut’s Stefan Fähler writes: “I contacted Damo in 2009. He didn't reply immediately and at one point I just forgot about it… So, it was a huge surprise when he replied, exactly a year to the day later, explaining his ema…
Originally issued in 1970, the first album by German band Tomorrow's Gift is a true Krautrock classic. It contains long, powerful tracks with plenty of guitar, organ, flute and drum solos. And of course there are Ellen Meyer's strong vocals which bring to mind Frumpy's Inga Rumpf, or Janis Joplin. Indeed, Tomorrow's Gift and Frumpy had a lot in common musically, and both are highly appreciated by genre lovers. For this reissue the recordings were newly remastered and you also get a 28-booklet fe…
One of those amazing groups from the early 70s German scene – the kind of outfit who were doomed to failure right from the start, but didn't ever let that stop them from making some incredible music! The sounds here came about as a result of the dwindling Tomorrow's Gift lineup woodshedding in a schoolhouse in rural Germany – experimenting freely with all sorts of timings, styles, and instrumental combinations – then refining the whole thing down to their core lineup of keyboards, bass, and drum…
Also for the first time legally reissued is Emergency`s second album from 1972 'Entrance', also on CBS. It has two long tracks (More than ten minutes each) on the b-side and shows the band at it's peak. Perfect musicians play perfect music. Both albums are a must-have! Remastered from mastertape. Both albums are remastered from the mastertapes out of the Sony/CBS archives. The sound is brilliant. Little story included. Limited edition.
Official 180g reissue, from the original master tapes no less, of one of the most insane (and influential) experimental folk records of all time. This was Comus. Super dark themes and nightmarish visions abound in this total one-off of a record. First Utterance was, and still is, “difficult”. Fortunately today an appreciative audience exists for “difficult” stuff like this.Kent-based art students Roger Wootton and Glenn Goring had played acoustic covers of Velvet Underground numbers in London fo…
Here’s inarguably the Holy Grail of the tri-section of the Krautrock / Düsseldorf-school / experimental-electronic crossroads; the sole ”Private Issue” 1973 LP, documenting “Elektronische Musik” as recorded between “1971 bis 1973” by Wolf-J & Eckart Seesselberg. I have long seen this titanic set as so much more than a mere footnote in the “Electronic Psych” canon; if anything, the free-wheeling, free-form live-electronic blasting that ensues pretty much from the onset obliterates the majority of…
Reproduction of a rather odd, late 70s upstate New York “Electronic Music for Healing” lineage LP, credited only to the corporation "Pythagoron Inc. 1977;” about whom we know very little - and maybe it’s best it stays that way. Explaining the music enclosed - encased within, really, without resorting to euphemism is rather hard to do here; so I’ll just give you a rundown of what I hear:The A-side starts out with a surge of White Noise, then suddenly out of nowhere an out of time Echoplexed Dru…
Mental Experience present a reissue of Golem’s Orion Awakes. Orion Awakes was recorded and produced circa 1976 by Toby Robinson, aka Genius P. Orridge, while he worked as second engineer at the famous Dierks Studio in Cologne. Memories from those hazy times are sketchy, but all evidence leads you to believe that the musicians featured here were well-known names from the kraut scene working under pseudonyms, recording 100% underground, non-commercial music under Toby’s guidance, just for fun. App…
"Fetus is an album beyond all definition. It's a masterpiece of daring and wild risks that work every single time. Battiato takes us through eight uniquely super-detailed songs that tug at the heart strings as no other experimental record ever could." Jim O' Rourke. Franco Battiato is often heralded as Italy's answer to Brian Eno. A quizzical composer/lyricist, Battiato turned pop music upside down in the early '70s with three classic LPs – Fetus, Pollution and Sulle Corde Di Aries – that for…