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An 8-cd box set of solo recordings by shaw produced during, and just after, the period of his involvement with the early improvisational incarnation of the proto-noise band Destroy All Monsters. there guitar assaults, tape cut-ups, and loop experiments are guaranteed to turn your mind to jelly.Jim Shaw is an atypical figure in California’s art circles, sharing with Paul McCarthy and Mike Kelley the same desire to produce a visual body of work aimed at exploring the dark side of an American …
A 2-CD collection of Shaw/Kelley Duets from the early Destroy All Monsters period. Primarily featuring Shaw on guitar and Kelley on percussion, these extended improvisations also incorporate tape loops, tape collage, and primitive electronics. (Original Release Date: 2011)
This 2CD pair features performances in Tokyo in 1996. Sod and Sodie Sock documents a performance at the P-House Gallery, where the three musicians performed together and separately. The action extended beyond the gallery, into the street in front, and down the block to a local hair salon. Recordings documenting the simultaneous activities of Kelley, McCarthy, and Violent Onsen Geisha have been combined to allow the listener to experience the entire group of, spatially separated, performances at …
Unbelievable but true! baudrillard recites his poetry backed up by an all star band featuring tom watson, mike kelley, george hurley, lynn johnston, dave muller and amy stoll special guest vocalist allucquère rosanne stone. recorded live as part of the chance festival at whiskey pete's casino in stateline nevada, 1996. you've never heard baudrillard like this before! music to read nietzsche to.
Edition Omega Point presents a collection of early work from Japanese experimental composer Kazuo Uehara. "'Seoul 1982' was composed using recorded sounds as raw material to reassemble the 'historical' soundscape of Korea's capital city, Seoul, in the early 1980s. During this time, despite the political chaos and the tension in the city under the Korean military government, I felt the lively energy in people's lives. The raw material comprised a wide range of different sounds, including th…
Forty minutes and Eleven Seconds is a limited-edition vinyl LP created for the remaining performances of the Merce Cunningham Dance Company during their precedent-setting Legacy Tour. The record contains never-before-heard recordings of works by MCDC's Music Committee, Takehisa Kosugi, David Behrman, John King, and Christian Wolff and MCDC's Music Coordinator, Jesse Stiles. These pieces were recorded live over the course of the Legacy Tour using a variety of acoustic and electronic instruments. …
This album is for the downward gaze. Taken from leftover piano sounds of simple sound sequences which Aki Takahashi had recorded for him. There were these irregular noises to be found which makes the connection from ear to eye. At the exhibition the piece was played back under a sheet of glass. Over which black pigment was sprinkled through a sieve. whereas a simple. Open loudspeaker was installed underneath the glass... Rolf Julius' works are always catalyzers for increasing attention to the th…
Fourth issue of the contemporary art journal about sound: Mark Leckey, Ruth Ewan, Tom Marion and the sonic explorations in San Francisco Bay, notes on Robert Morris' 21.3, interview with Pierre Henry, the Louie Louie project, special interventions by Dora García and Hannah Rickards, etc. This fourth issue of Volume comes under the aegis of the double. Somewhere between duality and dialogue, the praxis of certain artists is illustrated as much by way of music as through the visual art…
Kye is proud to present in association with Penultimate Press the fully authorized reissue of Henning Christiansen's Kreuzmusik FLUXID BEHANDLUNG Op 189. Kreuzmusik FLUXID BEHANDLUNG Op 189 was commissioned by the Bonner Kunstverein Gallery, Kunstfond, Germany in August 1989, for inclusion in their Taking Fluxus Around for a Drive happening, (also featuring performances by Dieter Daniels, George Maciunas, Allan Kaprow, Al Hansen, Joe Jones and others) and originally issued on cassette in …
“Strings” documents the long awaited first encounter of David Maranha and Stephan Mathieu, taking place in the Tennis Court of the Parque de Serralves, in Porto, on a sun-drenched yet gusty late-afternoon in July 2011. Having discussed in advance which instruments, tuning and notes to use, the piece was accomplished as an improvisation on the violin, shruti-box and virginals, reflecting both players love for classic minimalism, but also their ability to transform this language and make it their …
Three years ago we suggested to Mattin the possibility of publishing a book containing all his texts to date. Mattin was a little reluctant since much of the material was already available online in one form or another. However, at that stage this material was both distributed and disorganised. With the help of Anthony Iles this material has been revised, edited, and is presented here alongside newly commissioned materials. This book contains texts, interviews and responses to performance…
Two short sides of sound collage from Tokyo's masterful sample artist Otomo Yoshihide. These pieces are made up of short sound samples of almost any instrument imaginable: saxophone blasts, cello strokes, short metallic chord bursts, single plucks of the guitar as well as the noises made by hand movements all set to a metronomic sampled drumbeat. Quite interesting, but not a fully realized work. If Otomo chooses to continue this process, it could potentially have wonderful results.
**Limited edition of 300 including two inserts** The first release on Ricerca Sonora is a new album by the important American Avant-Garde figure Philip Corner. A contemporary of John Cage, Corner studied composition with Henry Cowell and Otto Luening and musical analysis with Oliver Messaiaen. He was a founding member of the Fluxus movement, founder (with James Tenney and Malcolm Goldstein) of the Tone Roads Ensemble, the resident musician and composer for the Judson dance theatre, and co-founde…
Old Apparatus are a four-piece audio/visual collective transmitting from East London that have been releasing bass-oriented electronic dance music on Mala's underground label Deep Medi Musik. This edition for The Tapeworm is an improvised instrumental piece using guitar, piano, violin and found sound ambiences recorded entirely in the front room of the house they share together. Given that most forms of electronic music are bound by linearity and grid-based digital audio workstations, Old Appara…
Philip Corner (b. 1933) is an American composer, musician and visual artist. His teachers include Henry Cowell and Olivier Messiaen. While on military duty in Korea in 1960-1961, he studied calligraphy with Ki-sung Kim and many of his works have calligraphic scores. A founding member of Fluxus, Corner has performed with George Maciunas, Dick Higgins, Yoko Ono and Nam June Paik. From 1967 to 1970 he taught the course in Experimental Composition at the New School for Social Research, which John Ca…
LP edition: Psychedelic drone sounds, experimental electro-acoustics, minimal music and deep listening from the years 2000 - 2007 by Ilya Monosov, who is a member of the Frogpeak artist collective and one-half of the psychedelic noise group The Shining Path and the improv duo Monosov/Swirnoff. Ilya Monosov has collaborated with Bob Cobbing, Charles Curtis, Duane Pitre, Marc Schulz (in Ben Patterson's installation at the 40th Anniversary of Fluxus), Larry Polansky, Andrew Deutsch (with Paul…
Alessandro Bosetti provides voice and electronics on words & text from a variety of writers, as performed in a trio with drummer Ches Smith and fretless guitarist Kenta Nagai; fascinating and perplexing expression. Alessandro Bosetti: voice, electronics. Kenta Nagai: fretless guitar. Ches Smith: drums. Music and texts by Alessandro Bosetti. Dead Bird text by Alessandro Bosetti on words by Alasdair Campbell. Istruzioni text by Alessandro Bosetti on words by Jerry Mandel, George Dippel, Howard…
Chris Mann says of his work, 'The Art of the Diff,' 'language is the mechanism whereby you understand what i'm thinking better than i do (where i is defined by those changes for which i is required).' Written and performed by Chris Mann. Recorded in July, 2010. Video editing by Eve Essex. Produced by Alex Waterman. Stencil printed by Knust (Holland)
Lovely Artist Record, A side: "B" (for Bartleby) is written by Alex Waterman. Recorded at The 7th Regiment Part Avenue Armory Building, New York City, 23 March, 2008, performed by Peter Evans (trumpet), Marina Rosenfeld (phonographs), Hrabba Attladottir (stroh violin), and Alex Waterman (violincello); (2) The Kitchen, New York City, 25 November 2008, solo; and (3) The ICA, London, 30 May 2009, solo. Mixed by Alex Waterman in Brooklyn.Side B is written and performed by Dan Fox. Recorded and mixed…
A Ballad of Accounting' (2009). Composition for cello and Brooklyn Queens Expressway by Alex Waterman with a 16-millimeter film by Elizabeth Wendelbo. Recorded live under the Brooklyn Queens Expressway, June 2009. Recording engineer and editor: Chris Tabron