R. Schumann, Balilla Pratella, Luigi Russolo, Edgard Varese
Spanish/English edition. 85 pages, edition of 50 copies. A compilation of seminal texts for the young electronic musician. Perfect bound / ByW /
R. Schumann - Consejos para Jóvenes Músicos
Balilla Pratella - Manifesto para Músicos Futuristas
Luigi Russolo - El Arte del Ruido
Edgard Varese - La Liberación del Sonido
Performances and Recordings 1998-2018
New double-LP edition of a selection from Saltern's acclaimed collection of recordings surveying the career of renowned, American cellist, Charles Curtis. Features the music of Guillaume de Machaut, Tobias Hume, Silvestro di Ganassi, Terry Jennings, Morton Feldman, Anton Webern, Olivier Messiaen, Richard Maxfield, and Curtis himself. Includes liner notes by La Monte Young and Tashi Wada, as well as a new text by Curtis, and a download of the full original album. Mastered by Stephan Mathieu, and …
Lament For The Rise and Fall of the Elephantine Crocodile
First-time vinyl reissue is limited to 750 numbered copies. Comes with poster. Yoshi Wada's Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on India Navigation, remains one of the most remarkable flowers to grow in the rarefied air of American minimalism – akin to Terry Riley's Reed Streams and Pauline Oliveros' Accordion & Voice, yet with a wild, liberated energy all of its own. After graduating from Kyoto University of Fine Arts with a degree in sculptur…
Linkage
First-time vinyl reissue is limited to 750 numbered copies. Comes with booklet. Terry Fox was a first generation Bay Area conceptual artist. Beginning in the 1970s, he worked extensively with sound, especially the use of piano wires detached from their native instrument and anchored between opposing walls of the performance space. Linkage, Fox's first album, was originally released in 1982 to accompany an installation at Kunstmuseum Luzern in Switzerland. The record would mark Fox's first attemp…
Seven Sounds, Seven Circles
* 2023 stock, reduced price. Sold out at the source, last copies around * Mindblowing artist's book that houses seven CDs that were the audio accompaniment to German conceptual artist Lothar Baumgarten's 2009 exhibition at the Kunsthaus Bregenz in Austria. Each disc contains an hour of audio recorded on a remote peninsula in the Hudson River, the shrieking and croaking of native fauna broken by the occasional Amtrak train. The book opens with photographs and an essay by the artist
The Guests Go in To Supper (Book)
Rare 1st edition from 1986. Nearly 400 pages, large size, paperbound, smythe-sewn. Texts, scores and ideas of 7 American composers using language in composition: John Cage (Mushrooms et Variationes), Robert Ashley (Improvement), Yoko Ono, Laurie Anderson, Charles Amirkhanian, Michael Peppe, and Kenneth Atchley.
Published by Burning Books, 1986. Edited by Melody Sumner Carnahan, Kathleen Burch and Michael Sumner. Introductions by Charles Shere and Frances Butler.
Qicksand (Book)
Quicksand was written to be an opera libretto. But it was written in the form of a novel. . . . I am devoted to "mystery" stories. I read them one after another, mostly two or three times. Some of the best writers today are writing in this form. So, I thought that I would try to make an opera libretto from a mystery story, told verbatim. That is, the libretto and the novel would be the same: no scenes moved around or actions adapted to the proportions of a libretto, just tell the story the way i…
Atalanta (Acts of God) (Book)
Rare 1st edition hard cover. The definitive text of Atalanta (Acts of God) is followed by an Afterword by Robert Ashley. An excerpt from the Afterword: "I had already decided who the three characters of Atalanta (Acts of God) would be: Max Ernst, a long-time artistic hero for me; Willard Reynolds, my uncle, a storyteller to whom I had listened for most of my life; and Bud Powell, a legendary jazz pianist. The "successful suitor" in the Atalanta myth now has three forms (reminding us of his succe…
Perfect Lives
Rare 1st edition hard cover. The definitive text of Perfect Lives is accompanied here by Robert Ashley's plot synopsis and his own candid account of the making of the opera. This is the first publication of the complete narrative of this major work of twentieth century arts and letters. Edited by Melody Sumner Carnahan. 8 1/2 x 7 inches, 224 pages, clothbound, smythe-sewn. Published by Burning Books with Archer Fields Press, 1991.
"Ashley calls the libretto part of a great oral tradition, and, …
Graphème Vol.2
* This second volume contains 12 new scores in full colour and in b&w as well as an insert poster score! * Welcome to the second instalment of Graphème, a publication for experimental and graphic music scores. As in the first edition, we find new ways to talk about organised sound and creative solutions to artistic questions and endeavours. In publishing a work like this, we hope to offer an alternative outlet for composers and performers to express, explore and publish their ideas in a direct …
Space Music
*300 copies limited edition* After "Spontaneous Music" in 2018, Edition Telemark presents "Space Music" by Japanese Fluxus artist Takako Saito (b. 1929) who has been living in Düsseldorf, Germany, since 1979. Similarly to the previous LP, the recordings featured here deal with everyday things and actions which Saito transforms through unique and deliberately crafted artistic interventions. For "Space Music", pieces were selected whose acoustic outcomes involve the characteristics of the spaces i…
The Heavyweight Sound Fight
Brimming with equal parts humor and rigorous art, iDEAL Recordings delivers one of the most fascinating and historically important archival releases that's aver graced our hands, Charlie Morrow, Sten Hanson, and Carles Santos' “The Heavyweight Sound Fight”. Documenting a never before released performance staged in NY during 1981, three seminal artists join forces for a battle in sound, delivering raucous vocal utterances against the backdrop of dualing band and wild experimental interventions, m…
May 99
Tip! Black vinyl, with silkscreen and insert. In the spring of 1999, Charles Curtis, Alan Licht, and Dean Roberts brought an unconventional mix of drone, improvisation, and experimental rock on an eleven-stop tour of Europe. The concept was straightforward, yet novel: each night, they would improvise a single piece while sustained sine waves played for the duration of the concert. May 99, culled from three shorter pieces recorded for a radio program at Amsterdam’s VPRO near the end of the tour, …
Grammofon-Missionen - Swedish Jesus Music Aesthetics 1960 - 1990
With a preface by Johan Kugelberg and additional interviews by Emil Karlsson. This lavish coffee table book takes an in-depth visual look back at the amazing art and graphics of the so-called Swedish Gramophone Mission. The book presents the largest collection of Swedish Christian records from the 1960s -1980s ever amassed featuring 777 record covers, many of them extraordinary and surreal private/custom pressings.
Jam packed with lots of interviews, liner-notes and previously unpublished phot…
Vernascacadabra
Tip! *2nd collector's edition of 20 copies with chromatic variation* Xing presents the new LP Vernascacadabra by Invernomuto, eighth release of Xong collection - artist records. The release is on white vinyl, in a limited numbered edition of 150 copies. The collector's edition consists of 10 copies, each accompanied by a jacquard blanket, with the original picture also used for the record cover.
Vernascacadabra is a series of compositions for ocarina as a part of an artistic journey through the …
Enfer
** Bilingual edition (English / French) 35 x 27 cm (spiral bound), 29 pages (ill.) ** Edited from the Bernard Parmegiani's archives, historical documentation about the project & genesis of the work inspired by The Divine Comedy by Dante, premiered on 5 February 1973 at Théâtre Récamier, Groupe de Recherches Musicales, Paris."To cross Acheron is to feel, within one's depths and by the slow movement of existence's recoil, a sense of mounting anguish 'that draws nearer and pulls back further every…
Dedans-Dehors
** Bilingual edition (English / French) 35 x 27 cm (spiral bound), 21 pages (ill.) ** Facsimile scores and documents about the creation premiered on 28 February 1977 at the Palais des Arts, Paris, by Bernard Parmegiani. "After having used different compositional writing styles (letting the notion of sounds' 'nature' appear through sounds originating from all different types of things, especially in 'De Natura Sonorum'), there still remained the ever-abundant world of the noises that result from…
La Roue Ferris
** Bilingual edition (English / French) 35 x 27 cm (spiral bound), 18 pages (ill.) ** Restored manuscript from the composer Bernard Parmegiani, historical documentation about the 1971 acousmatic work & genesis. "'La Roue Ferris' (The Ferris Wheel) becomes part of its own resonance, its variations relentlessly kept up as it spins. It simply traces a movement which evolves regularly around a stationary axis. Each spin generates sounds of various thicknesses, their successive, interpenetrating lay…
Presque Rien n°2 – Ainsi continue la nuit dans ma tête multiple
** Bilingual edition (English / French) 24 x 32 cm (spiral bound), 40 pages (ill.) ** Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris. "Ten years ago, 'Presque Rien n°1' bore the subtitle 'Sunrise at the Seaside'. This piece of magnetic tape was in fact a sort of report on this daily event. Thinking about Presque Rien later on, I wondered what it was about. Looking for almost nothi…
Presque Rien n°1 – Le lever du jour au bord de la mer – 1967-70
** Bilingual edition (English / French) 27 x 35 cm (spiral bound), 37 pages (ill.) ** Historical pictures, texts, indications about project, list of recorded sounds, full edit plan & manuscript facsimile of the piece achieved by the composer at Deutsche Grammophon studios in 1970 in Hannover, from the recordings dated July 1967 in Vela Luka, Croatia. "Following the total disappearance of abstract sounds, this piece could be considered a sonic photographic slide, the outcome of a whole evolution…