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Building on the back of a pretty stunning series of releases over the last year and beyond, Vinyl on Demand returns with one of their most ambitious outings yet, Los Angeles Free Music Society's "-1974~1983+", a stunning, deluxe 13LP box set - issued in a limited edition of 500 copies - of early material that has never before been issued on vinyl, from one of the most important outfits in underground, experimental music from the American west.
**Moss Green vinyl, edition of 500 copies** "FUJI||||||||||TA, real name Fujita Yosuke, is a Japanese sound artist and pipe-organ builder, he provided us with one of the prettiest, weirdest records that passed over our desk last year, essentially a custom-built organ duet with a bat colony, recorded in a cave beneath Mt. Fuji. It’s now been remastsred by Rashad Becker (with whom Fujita will be collaborating on a performance for Issue Project Room next month) and captures a sound somewhere betwee…
Tip! ** Edition of 100, bilingual (German / English). Signed and numbered. Interview with Wolfgang Müller with original recordings from Die Tödliche Doris** On August 27, 2018, Wolfgang Müller arranged to meet his longtime friend Tabea Blumenschein for an interview at her apartment in Allee der Kosmonauten. He had noted personal and artistic station of her life. At that time, he had no idea that it would be the last interview with Tabea. This interview, actually more of a personal conversation …
** Edition of 100, bilingual (German / English). Text and photo accordeon by Christian Y. Schmidt and an aerosol. Original drawing by Hartmut Andryczuk ** When Christian Y. Schmidt returned to Berlin with the last flight from Beijing on 12 February 2020 to promote his book Der kleine Herr Tod, he felt like he was on a strange planet. In January and February he had already witnessed the pandemic measures in Beijing. With this knowledge advantage, he tried to warn his numerous virtual friends and …
** 2021 Stock. Sold-out at source ** 6th CANT release - recording by Katya Shirshkova "The Pond", homage to the work of the same name by Ben Patterson.
Katya Shirshkova: When I was 8 years old, Ben Patterson came to Irkutsk. They told me to show how I play Bach, and I did. Poorly. I also decided to play improvisation, unintentionally, I just got upset and played - I always liked to hold the keys and listen more. Ben liked it. He showed me a trick with a coin, I was scared. And dad became an hono…
Tip! Voce a vento represents the result of a choral, visual and performative intervention realized by Claudia Losi in the Cilento countryside in Southern Italy in 2018. Commissioned by Jazzi association, Losi chose a collective direction in which choral and polyphonic singing played a central role and developed with a collective and inclusive direction. For a few days, some thirty women from both the Emilia and Cilento regions have used their voices to dwell on the tracks of Monte Bulgheria in t…
A look at the activist artist group Guerilla Art Action Group (Jon Hendricks, Poppy Johnson, Silvianna, Joanne Stamerra, Virginia Toche and Jean Toche), The Guerrilla Art Action Group, 1969-1976: A Selection is a compilation of manifestos, letters and press communiqués issued by the group (to Nixon, Hoover, The Secretary of Defense and Museum officials.)
Originally published in 1978, the publication documents the art actions by the Guerrilla Art Action Group between 1969 and 1976
Another release in the ongoing CCC Archives series with two readings by Judith Malina of the Living Theatre, a performance by F.A. Nettelbeck with Wayne Horvitz and Robin Holcomb and recordings from an event at the Wichita Art Museum with Charles Plymell and Bob ranaman.
Adam Bohman arrived on October 8, 2011 in The Hague, the Netherlands for a one-off improv concert with Richard Crow. For two days he recorded his adventures on his vintage taperecorder resulting in a kaleidoscopic aural collage.
** 50 copies. The cassette comes with two laserprinted and xeroxed inserts** Recorded 1995 & 1996 at home in Portland Oregon USA. Surrealistic sounds by Smegma veterans Ju Suk Reet Meate and Oblivia. Recorded in 1995 and edited by Ju Suk in 2021. A collage of otherworldly music.
'I'm not sure how we got some of the sounds going'
** Limited edition of 70 copies with small insert with a photo of Charles Plymell in close coorperation with Cherry Valley Editions * An intimate reading by one of the last original Beats. Recorded at his Cherry Hill farm.
Listening to the sound practices of bands and musicians such as the Asian Dub Foundation or M.I.A., and spanning three decades of South Asian dance music production in the UK, Transcultural Sound Practices zooms in on the concrete sonic techniques and narrative strategies in South Asian dance music and investigates sound as part of a wider assemblage of cultural technologies, politics and practices. Carla J. Maier investigates how sounds from Hindi film music tunes or bhangra tracks have been sa…
The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound.
Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s into a turbulant field of academic critique and a…
Mute Records is one of the most influential, commercially successful, and long-lasting of the British independent record labels formed in the wake of the late1970’s punk explosion. Yet, in comparison with contemporaries such as Rough Trade or Stiff, its legacy remains under-explored. This edited collection addresses Mute’s wideranging impact. Drawing from disciplines such as popular music studies, musicology, and fan studies, it takes a distinctive, artist- led approach, outlining the history …
The state of contemporary music is dizzyingly diverse in terms of style, media, traditions, and techniques. How have trends in music developed over the past decades? Music Composition in the 21st Century is a guide for composers and students that helps them navigate the often daunting complexity and abundance of resources and influences that confront them as they work to achieve a personal expression.
From pop to classical, the book speaks to the creative ways that new composers mix and synthesi…
What is sound design? What is its function in the early 21st century and into the future? Sound Works examines these questions in four parts: Part 1, "Why This Sound?", presents an overview of the modern history of sound design. Part 2 is highly visual and provides a glance onto a sound designer's workbench and the current state of "Sonic Labor." Part 3 uses cultural analysis to explore our contemporary "Living with Sounds." The final and fourth part then proposes a series of anthropological and…
Noise has become a model of cultural and theoretical thinking over the last two decades. Following Hegarty's influential 2007 book, Noise/Music, Annihilating Noise discusses in sixteen essays how noise offers a way of thinking about critical resistance, disruptive creativity and a complex yet enticing way of understanding the unexpected, the dissonant, the unfamiliar.
It presents noise as a negativity with no fixed identity that can only be defined in connection and opposition to meaning and ord…
The Bloomsbury Handbook of the Anthropology of Sound presents the key subjects and approaches of anthropological research into sound cultures. What are the common characteristics as well as the inconsistencies of living with and around sound in everyday life? This question drives research in this interdisciplinary area of sound studies: it propels each main chapter of this handbook into a thoroughly different world of listening, experiencing, receiving, sensing, dreaming, naming, desiring, and c…
A stunning marvel and the first text from the wild and wonderful mind of Henry Flynt, "Three Essays on Spirituality and Art", across 196 pages - issued in a beautifully produced edition of 500 copies - takes on a rarely explored subject in contemporary context, seeded in the anti-authoritarian positions that Flynt laid down at the dawn of Fluxus and has embraced ever since. Radical, vibrant, and fascinating, before us rests an essential illumination of the inner workings of one of the most impor…
In Sound arts now, Cathy Lane and Angus Carlyle explore contemporary artistic practices and theories, and what contributes to or hinders artistic and career development. This is conducted through a series of interviews with artists and curators, putting the often-unheard voice of the maker at the centre of the discourse. There is a conscious shift of reference away from the “white men from the global north” who have dominated the canon during the decades of the discipline’s emergence and establ…