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Originally published in 1974 by the Nova Scotia College of Art and Design, Yvonne Rainer’s Work 1961-73 documents the artist’s landmark early works at the intersection of dance, performance, and art.
Why did Andy Warhol decide to enter the music business by producing the Velvet Underground, and what did the band expect to gain in return? What made Yoko Ono use the skills she developed in the artistic avant-garde in pop music, and what in turn drew John Lennon to visual art? Why, in 1980s West Germany, did Joseph Beuys record a pop single and artists such as Walter Dahn, Albert and Markus Oehlen, and Michaela Melián form bands? What role does utopia play in the pop music and art of Brian Eno,…
Saltern presents its fifth release, Performances & Recordings 1998-2018, the first comprehensive collection of recordings surveying the career of renowned, American cellist Charles Curtis. Selected by Curtis and Tashi Wada from recordings spanning the past two decades, the collection offers a broad, inclusive view of Curtis's activities across the diverse worlds of music he inhabits, containing rare, unreleased recordings, and never-before-released music by Terry Jennings, Richard Maxfield, Élia…
Visionary, challenging and beautiful, pushing the potentiality of organized sound incrementally ahead, Vanessa Rossetto's 'Self-care' is unquestionably one of the most engaging releases we've heard so far this year. A bristling expanse of environmental texture and incident, slowing building across its duration into a moody sonic space of startling psychological depth.
Visionary, challenging and beautiful, pushing the potentiality of organized sound incrementally ahead, Vanessa Rossetto's 'Self-care' is unquestionably one of the most engaging releases we've heard so far this year. A bristling expanse of environmental texture and incident, slowing building across its duration into a moody sonic space of startling psychological depth.
"Panelák. Fenced square garden at the entrance. Tree limbs, dried skin of snake, snails with cracked shells. Once upon a time there were plants. Soaked orange peel in front of the door. Buzzing of door bells. Elevator drone. You count the floors while you follow the picture instructions. Capacity and weight of three-dimensional space. You are entering the apartment. Horseshoe above the door. A wooden mask next to a whistling kettle. Seashells in plastic box. Phantom signal. Sheep fur on the couc…
Two of Henning Christiansen’s tape works from the 1980’s, Peter der Große op. 174 (1986) and Gudbrandsdal op. 178 (1987), are now released for the first time by the Institute for Danish Sound Archaeology.
**Small repress soon available** First reissue of this enigmatic and sought-after Japanese rarity from the 80's, originally released on the cultish Unbalance label (run by Naoto Hayashi and Jojo Hiroshige of Hijokaidan fame). Comprised of cut-up and collaged recordings from various unspecified French movies intertwined with the occasional spoken word segments ~ all seemingly recorded using a cheap-o cassette player making for quite the lo-fi work. A walk in Paris somewhere between the 30's and t…
**100 copies** Using a singular repetitive gesture, Liz Rácz draws on a 10 metre-long roll of paper that she gradually unfurls, revealing a mass of regular strokes. Jérôme Noetinger records this gesture on magnetic tape, capturing, repeating, and transforming it. An auscultation of detail in a magnetic tape loop continuum.Jérôme Noetinger is a composer, improviser and sound artist who works with electroacoustic devices such as the Revox B77 reel-to-reel tape recorder and magnetic tape, analogue …
**Special edition of 50 numbered copies. Includes signed photograph (13x18 cm) and reproduction of the score of "Liquid Piece“ (245g linen-stock, 29,7 x 42 cm) handcoloured with china ink by Christina Kubisch, signed & numbered.** Sound is almost always at its most thrilling, whether in practice or source, when it can not be easily defined. This is the liminal zone within which only the bravest and most ambitious among the avant-garde dare to tread, constantly pushing forward into unexplored zon…
**Edition of 300. Also available as a 50 copies special Art edition** Sound is almost always at its most thrilling, whether in practice or source, when it can not be easily defined. This is the liminal zone within which only the bravest and most ambitious among the avant-garde dare to tread, constantly pushing forward into unexplored zones which are yet to be claimed by the known. Of those artists who have taken on such a task, it is hard to call to mind any as important as the German composer, …
A collection of musical compositions derived from film interviews with conceptual artists, including Martha Rosler, Art & Language, Andrea Fraser, Ed Ruscha, Shilpa Gupta, Sol LeWitt, Lawrence Weiner and Yvonne Rainer.Deconceptual Voicings is a 12" record, which uses the extensive archive of interviews with artists of the historical post-minimal and conceptual art as a starting point. It was generated for the documentary film Conceptual Paradise (Stefan Römer, 2006).“Deconceptual Voicings consis…
Listening Patterns is dedicated to facing the great diversity of discourses on listening in today's literature and to proposing a possible key of interpretation. The book develops the analysis of listening, in its most general sense, in three parts with the aim of presenting a versatile model which can be used in a wide variety of applications. After setting the discussion on the experience of listening as an eminently epistemological problem, the first part focuses on the examination of theorie…
The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier. Sound artist, performer and composer Nicolas Bernier (born 1977 in Ottawa, Canada, lives and works in Montreal, Québec) creates audiovisual performances and installations aiming to carve a dialogue between sound and tangible matter. Shaped by his work within the fields of cinema, literature, dance and theatre companies, his own language blend together elements of music, photography, design, sci…
A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”. The publication Music as Seismographic Sound / Tracking Down the Idea of Cultural Translation is a written radio pitch by Ania Mauruschat, closely following musicians in bi- or multi-lingual cultural contexts.Ania Mauruschat is a radio journalist who has produced several features on sound art, with the German radio station Bayerischer Rundfunk, and the Swiss nation…
Ellen Fullman began developing The Long String Instrument in her St. Paul, Minnesota studio in 1980 and moved to Brooklyn the following year. Inspired by composer and instrument builder Harry Partch, Fullman’s large-scale work creates droning, organ-like overtones that are as unique in the world of sound as her vision of the instrument itself.Along with her 1985 debut album—appropriately titled The Long String Instrument—Fullman’s only output in the 1980s would be two self-released cassettes, In…
**Beautiful hard-cover edition, 300+ pages ** A rich collection of essays tracing the relationship between art and sound. In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, s…
**Massive hard-cover catalogue, nearly 800 pages, big size** This milestone volume maps fifty years of artists' engagement with sound. Since the beginning of the new millennium, numerous historical and critical works have established sound art as an artistic genre in its own right, with an accepted genealogy that begins with Futurism, Dada, and Fluxus, as well as disciplinary classifications that effectively restrict artistic practice to particular tools and venues. This book, companion volume t…
The first book to explore the extraordinary career of musician and performance artist Charlotte Moorman, whose work combined classical rigor, avant-garde experiment, and madcap daring. The Juilliard-trained cellist Charlotte Moorman sat nude behind a cello of carved ice, performed while dangling from helium-filled balloons, and deployed an array of instruments on The Mike Douglas Show that included her cello, a whistle, a cap gun, a gong, and a belch. She did a striptease while playing Bach in …