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This recording is a miraculous session produced by Makoto Kubota and is surely precious being their very first performance in Japan. “Tumai Takahashi” is often sung in a set with “Yatcya guwa” but in this recording it is performed as a stand-alone song, which makes it very rare. The coupling song “Uya nu Kukuru” is a classic piece by Teihan China, Misako Oshiro's mentor. Misako Oshiro sings with Kanako Horiuchi, her top pupil, in a relaxed and lustrous voice.
Misako Ōshiro (or sometimes Misako O…
The much-awaited vinyl version of a musical piece which has garnered much attention over the recent years in Japan. The sound is eye-opening, profound, spiritual, and will leave you in awe. Absolutely mind-bending. This is beyond categories and beyond good! The highest possible recommendation!
2018 repress. Gorgeous and essential archive material from this master of mood. The latest unearthing on Chee Shimizu's 17853 - previously only available on a very limited Japanese cassette back early 80s. The late Hiroshi Yoshimura, a pioneer of Japanese ambient music. Yoshimura was involved in a wide range of fields, such as sound design for public installations, graphic design, visual poetry, free improvised performance (using his own body) and inventing his own instruments, right up until he…
Killer LP of haunting, contemporary yet timeless synth scapes and pulsating ambient from Japan’s Synth Sisters. Chee Shimizu’s 17853 label has become the focus of much attention over the past couple of years as electronic music from the far east has gained traction, with Chee's record shop Organic Music becoming something of a centrepoint for collectors far and wide. Although this is only the second release on the label, it's the one everyone seems to be talking about, penned by Osaka's R…
2016 restock Riccardo Sinigaglia truly is a key figure in the late 70s mid 80s experimental scene from Italy, and this small selection of concrete, electronic and experimental instrumental works is just amazing. The albumis drawn from the late 70s to mid 1980s, mainly rescued from two early pieces: Scorrevole 1, mostly recorded outside with a portable tape deck and a Sennheiser stereo microphone MKE 2002 and then the sounds are elaborated with the concrete music traditional techniques. The secon…