★577 Records
Concrete Science
*2024 stock*
Daniel Carter: alto and tenor sax, flute and clarinetSteve Swell: tromboneFederico Ughi: drums
Recorded in Brooklyn, New York
South Of Brooklyn
*2024 stock*
Matt Glassmeyer: tenor saxophone, misc. soundsNathan Hanson: tenor saxophone, electronicsSean Moran: guitarDan Fabricatore: acoustic bassFederico Ughi: drumsDaniel Carter: alto saxophone on tracks 6-7-8-9
All music by Federico Ughi
Recorded at Lunchbox Studios, Brooklyn, New York, on January 4th, 2003 Mastered at Bang Zoom Mastering, NY
The Gowanus Recordings
*2024 stock* This eclectic group features the legendary multi instrumentalist Daniel Carter as well as the scientist/pianist Matthew Putman, drum wizard and 577 Records co-founder Federico Ughi, together with the brilliant up-and-coming member of the New York downtown scene, Texas-born clarinet player Patrick Holmes plus veteran bassist Hilliard Greene, a mainstay of the avant-garde for the last 20 years.
Good And Evil
*2024 stock* "The music of The Moon can surge like molten lava or flow like a quiet stream. It's a purist form of improvisation -- noise-attuned but rooted in jazz fundamentals, abstract but built on the unusually sturdy bond between guitarist Adam Caine and drummer Federico Ughi. These two play free, while operating like an old-school working band." - Hank Shteamer The Moon was conceived in an instant. Drummer Federico Ughi happened to run into the guitarist Adam Caine just before setting out …
Garden Of Gifts
*2024 stock*
Kirk Knuffke: trumpetFederico Ughi: drums, percussion, fluteChris Welcome: guitar
Recorded in Brooklyn, New York
Music Frees Our Souls, Vol. 3
Leo Genovese - Piano, saxWilliam Parker - BassFrancisco Mela - Drums
Recorded November 13, 2020 by Jeremy Loucas at Douglass Recording, Brooklyn, New YorkAssistant engineer: Juanma TrujilloMixed and mastered by Jeremy Loucas at Sear Sound, New York City
Motions, Vol. 2
Shinya Lin: Piano, prepared pianoFrancisco Mela: Drums
Recorded October 24, 2021 by Yushu Bao and Hao Jen Lam at Berklee College, Boston, MARecording assistants: Qi Wang, Yimu Feng, Ziyan WangMixed and mastered by Yushu Bao
The Art of Not Playing
Master pianist, New York-based, originally from Argentina, Leo Genovese, just won a grammy as a ‘Best Improvised Jazz Solo’ - an award considered by many as ‘mainstream’. This certainly did not stop his creative path, only to encourage him towards further researching creative music. His debut album ‘The Art of Not Playing’ with fellow musicians John Lockwood on bass and drummer Nat Mugavero proves it. The trio celebrates the practice of disappearing during the process of creating. Trusting the ‘…
Teiku
"Teiku arranges our unique family Passover melodies into vehicles for sonic exploration. This ancestral music, much like the tradition of Creative Music through which we interpret it, is liberation music. As its humble stewards we offer it as a call for justice for all oppressed peoples; as Jews, we decry the senseless violence, displacement, and killing perpetrated in our name." - Josh Harlow and Jonathan Barahal Taylor, bandleaders Teiku’s origin story feels almost pre-ordained. Co-leaders pi…
O Life, O Light Vol. 2
New York-based Zoh Amba first cultivated her musical passion in the lush forests of the Appalachian mountains, playing to the woods around her home, before she studied at classical conservatories. Her music honors her roots, full of folk melodies, mesmerizing refrains, repeated incantations and powerfully-executed Free Jazz. Her sound is courageous and bold, soaring from muted hums to squeaky trebles, producing a confident sound imbued with an innate spirituality. On this project, Zoh Amba is jo…
Shine Hear (Vol. 1)
Collaborations are unique to their combinations, producing totally original and innovative ideas with the addition of a single factor. In this case, legendary musicians and 577 mainstays join together in this unique arrangement for the first time, allowing for yet another reinvention. Saxophonist and multi-instrumentalist Daniel Carter, pianist Leo Genovese, bassist William Parker (also playing Gralla and Shakuhachi on this album), and drummer and vocalist Francisco Mela, unite for another impro…
Know: Delirium Atom Paths
One of the most exhilarating shows he’d ever done, guitarist Chris Sharkey came away from his performance at the Fusebox in Leeds feeling alive. Just a few days before the world would slow, and two weeks before life in London would stop, keyboardist and 577 mainstay Pat Thomas, drummer Luke Reddin-Williams and Sharkey would go on stage to play for the first time together, having discussed and planned nothing. The improvisation, a gamble, worked. Recorded in one 50-minute track, one album, the pr…
Volume 2
Super groups are always risky—the potential for disappointing fans or warring musical styles is high—but when longtime friends and masterful improvisers come together, they usually work. Evident in their first collaboration, simply titled Volume 1, John Dikeman (Saxophone; When The Time Is Right, 577 Records, 2021) joined musicians Pat Thomas (Piano; Shifa Live at Cafe Oto 2019, BleySchool 2019, Shifa Live in Oslo 2020, Educated Guess 2021), John Edwards (Bass; EMPoWered. 577 Records, 2021), and…
Wednesday Weld
Musician Paul Flaherty believes that the difference between pre-composed music and free-form improvisational music is a bifurcation of the mind, “The logical mind is reduced to a witness during free playing and the emotional mind is fully released.” Free from concept, outline or even leadership, the music is a free-form experience. This is realized on the newest release from Paul Flaherty (Tenor sax, alto sax) and his long-time collaborators Jim Matus (Electric guitar, Baritone guitar) and Larry…
Peach and Tomato
Leonor Falcón and Sana Nagano met in graduate school at Queens College in 2015, and have since collaborated in many projects. On this release, ‘Peach and Tomato,’ the duo offers fresh new compositions that display both their sense of imagination, and their deep appreciation for classical influences. This is particularly true with their version of two movements from the Prokofiev Sonata for Two Violins and the composition Etude 1 and 2, an homage to Bela Bartok and a fluent conversation between t…
World Without
Abstraction, with feeling. Saxophonist Paul Dunmall, a veteran experimental jazz musician, was feeling drawn to vitality. He wanted to organize a group of musicians that were driven by an underlying pulse and a central energy, beyond the abstract improvisations he had been familiar with for years. He had always appreciated jazz that had a driving, uplifting energy, and organized this quartet, inspired by these musicians’ previous improvisational performances. Alongside guitarist Steven Saunders,…
You Is You
What does it sound like to be a working artist? Here, flutist Joe Melnicove, joined by his mentor, saxophonist George Garzone, drummer Billy Hart and bassist Ben Street, tries to convey it. ‘You is You’ is inspired by a spirit of radical self-acceptance and self-knowledge, from a single melody he composed at home in Rosh Pinna, Israel. Recorded in New York, the songs have clear allusions to the experience of being musicians. Tracks like “Monday Night” and “No Applause” invoke the experience of a…
In The Wilderness
In The Wilderness opens with textured drums, a muted bass, celestial sound, like stars breaking into puddles. Confident engineering and gentle instrumentation invite the audience to wander into the unknown. The project draws from an experimental performance by drummer Gerald Cleaver and bassist Brandon Lopez, at 577 Records’ Forward Festival, which was later deconstructed and rebuilt by hip-hop producer Hprizm of the Antipop Consortium. All three musicians were involved in visioning the project’…
22 / 23
Gerald Cleaver’s newest album, 22/23, journeys through genre, exploring the future and recalling history, in his most place-based album yet. Born and raised in Detroit, Cleaver is a product of the Motor City’s rich musical history. Long the manufacturing capital of America, Detroit citizens have never been afraid of imagination: technological innovation, a strong labor movement, techno-utopianism or afrofuturism. This spirit of innovation is felt on Cleaver’s newest album, particularly on songs …
Reflections 1952
In 1952, Thelonious Monk, joined by Bassist Gary Mapp, Drummer Art Blakey and Drummer Max Roach, drove to an early iteration of pioneering Sound Engineer Rudy Van Gelder's studio in New Jersey, and entered a small and tightly-managed room that Van Gelder had strict technical rules for. In those recording sessions, and again in 1954, despite Van Gelder's tight management and an out-of-tune piano with tinny fidelity, Monk produced some of the most glorious music of his entire recording career and …