★577 Records
Vol. 1 Erie Live!
Daniel Carter, William Parker, and Federico Ughi have been playing together since 2005, the year in which they recorded their first album The Dream. The band has performed regularly in the US and Europe ever since, gaining considerable success, with a 2010 European tour throughout Portugal, Spain, and Italy that resulted in the live album Navajo Sunrise (2012). In 2015 the trio started to rehearse with multi-instrumentalist Watson Jennison (Toronto, CA). As a quartet, the band toured the US and …
Un Cacho de Metal, Un Resto de Vaivén
Nichunimu is a Chilean improvisational trio working at the edges of free jazz, ritualism, noise, minimalism and krautrock music. Since 2014, Benjamin Vergara (Trumpet), Nicolás Carrasco (Synthesizer) and Matías Mardones (Percussion) have been inspired by repetition, textures and friendship through the sound, focusing on circular shapes in music that bind them together. Based between the cities of Valdivia and Santiago, their members have also collaborated on projects like La Kut, Cariñito 3, Dub…
Anime Mundi
If life is about how we react to what is thrown at us, Sana Nagano chose wisely in the summer of 2020. After nearly half a year of anguished isolation, the violinist made an album of honest, graceful free improvisations with two of her mentors. Anime Mundi, out October 28th on 577 Records, pairs her with pianist/vibraphonist Karl Berger and drummer Billy Martin, veteran players at home in the unknown. And though recorded during the stressful first year of Covid, there is joy and curiosity in the…
Stepping Out
*Limited edition of 500 copies.* Playfield has never played inside. Daniel Carter, a multi-instrumentalist and the founder of 577 Records, has always pushed to make sound more real, relying on outdoor performance and New York City's auditory ambience, to orchestrate his pieces. This practice, which is fundamentally improvisational and experimental, opens any final recording to the unpredictable nature of strangers' sound and offers a rich texture of a moment in time. Importantly for the artists,…
End of Time / KM-53 Project Vol. 1
South Korean Pianist Eunhye Jeong believes that, "after you travel far away from home, you get to know yourself more fully." Her new album, End of Time, is an existential exploration of that self-discovery, imbued with the spirit of the moon bear that lives in the Taebaek Mountains, a presence she was told about growing up. Throughout the album's three extended tracks, "Embark," "The Latitudinal Bands," and "The Elemental Life," she interfaces with a celestial, linear elegance, veering from a s…
Simple Twist
"I had absolutely no ideas about how I wanted the music to sound that day in the studio. None. I only knew how I did not want it to sound, and how I did not want it to feel. I didn't want it to be pretentious or slick. I didn't want it to seem safe or to feel precious. I like music that's wild. That feels unrehearsed. Music that's full of the mysterious and the humorous and full of sex and wonder and dance and all the other things that make life interesting. I guess what I mean to say is that my…
Smashing Humans
*In process of stocking. 2022 stock* The Brooklyn-based noise-jazz violinist Sana Nagano often finds herself at the center of the storm. As other instruments crash and careen around her, her assuredly melodic violin works to ground and stabilize the overall sound. And nowhere is this better heard than on Smashing Humans, her new quintet album coming March 19th on 577 Records. Featuring Peter Apfelbaum on sax, Keisuke Matsuno on guitar, Ken Filiano on bass, and Joe Hertenstein on drums, it’s an L…
Causa y Efecto Vol. 1
The world is more elusive than simple cause and effect imply, more typically, life circumvents causation in favor of an unknowable correlation. It seems like the more we know, the less we know. On this first volume from Zoh Amba and Francisco Mela, the duo brings their regional traditions, from Tennessee and Cuba respectively, and musical inclinations to the cause and effect behind their own life stories. Causa y Efecto, Vol. 1 is an ode to the unknown, transporting audiences between the New Yor…
Spam Likely
*Limited edition of 500 copies.* The world is breaking apart, but this trio holds it together. Made up of Jessica Pavone (Viola, electronics), Lukas Koenig (Drums) and Matt Mottel (Keytar, 3-string Guitar), all three players are drawn to the improvisational, experimental nature of their self-described, “free-range sonic stew,” a constellation of instruments served up for hungry ears. Their first performance together in 2019 was marked by the tragic, unexpected death of Steve Dalachisnky, a poet …
Invisibility is an Unnatural Disaster
SSWAN presents their first outing "Invisibility is an unnatural disaster" a raucous jaunt of free jazz on the premiere fire music label 577 Records. The music is rooted in the Black American art form of jazz, stemming into the branches of free improvisation, noise and experimentalism while pushing to the edges of each idiom. The idiosyncratic playing of guitarist Jessica Ackerley starts off the album's title track and jumps headfirst into a Hendrix-tinged duo with drummer Jason Nazary. Patrick S…
Bagman Live At Cafe Oto
Bagman, an imaginary character dreamt up by this experimental jazz trio, roams around in the figurative soundscape, collecting sonic debris. From a piano played on the inside and outside, electronics, saxophones, drums and junk objects shape a frenetic musical environment. Captured live at Cafe Oto in London, Pat Thomas (Piano, Electronics), Raymond Strid (Drums) and Sture Ericson (Tenor, Soprano Saxophones) assemble fragmented sounds in haphazard, creative and thrilling directions. After years …
Easter Monday Music
*In process of stocking. 200 copies limited release, CDr format* On Easter Monday of 2019, friends and colleagues reunited at London’s iconic improvisational space Café Oto. The four, Ken Ikeda (Synthesizer), Massimo Magee (Electronics, Saxophone), Joshua Weitzel (Shamisen), Eddie Prévost (Percussion) had met and played together many times in the years prior—usually in the context of Eddie Prévost’s London Improvisation Workshop—but had never performed a public concert together. The group's avan…
Motions Vol. 1
*In process of stocking* In Motions, Vol. 1, Francisco Mela and Shinya Lin create an album of improvised textures and thrilling exploratory sounds. Using drum sets and prepared piano, they create a lush soundscape of textures, imagining a scene reminiscent of a jungle, full of life, resources, and possibility. “It was a huge pleasure to have Mela’s presence and his mentorship was amazing, free of selves, the music came out just naturally from our souls,” says Shinya about their first collaborati…
Volume 1
*In process of stocking* Super groups are not a riskless endeavor—but when they’re made up of longtime friends and master improvisers, they tend to work. On their collaboration, simply titled Volume 1, up-and-coming American saxophonist John Dikeman (When The Time Is Right, 577 Records, 2021) is accompanied by a group of UK-based music masters: pianist Pat Thomas, a 577 Records mainstay (Shifa Live at Cafe Oto 2019, BleySchool 2019, Shifa Live in Oslo 2020, Educated Guess 2021), bassist John Edw…
Educated Guess Vol. 2
*In process of stocking* Following their first album, Dave Tucker (Guitar, Electronics), Pat Thomas (Piano & Keys), Thurston Moore (Guitar), and Mark Sanders (Drums & Percussion) decided to “guess again.” In March 2020, Tucker organized this group of musicians for an improvised performance at London’s Cafe Oto on a successful “educated guess.” Organized around a shared appreciation for improvisation and experimentation, that show resulted in the release of a two volume set.
The first volume is a…
Welcome Adventure! Vol. 2
*In process of stocking* How do you welcome adventure? Longtime comrades, legendary Daniel Carter, Matthew Shipp, William Parker and Gerald Cleaver investigated this in their first album, Welcome Adventure, Vol. 1, resulting in 577 Records’ best-selling release in the 20 years we’ve been operating. Now, the group is trying the question again with their second astonishing volume, taken from the same historical recording session. Daniel Carter (Saxophone, Clarinet) has been collaborating with Will…
LeAutoRoiOgraphy
'Amiri Baraka (LeRoi Jones) spoke the truth (and the truth under his tongue was sometimes a hammer, sometimes an anvil, sometimes a sickle, sometimes just a breath or a blast). Baraka had no tongue in cheek. Sometimes he drew his language (his thought) and in the barrel of his language (his thought), there was the cartridge of criticism, the cartridge of ranting, the cartridge of analysis, the cartridge of sedition, the cartridge of poetry, the cartridge of music. Heroes Are Gang Leaders have th…
Telepatica
If 577 Records had a house-band, this would be it—a group of longtime friends, collaborators and established jazz musicians who are mainstays of the 577 Records’ catalog, here playing together. The Telepathic Band named themselves after the sort of improvisational style that can only be accomplished with a decade or two of collaboration, playing a signature, boundary-pushing music between friends. Now, with their fifth album, Daniel Carter (Saxophone, Clarinet, Trumpet), Patrick Holmes (Clarinet…
Toneflower
*200 copies limited edition, CDr format* As an artist and a thinker, Massimo Magee has been consistently drawn towards patterns: traditions, lines of influence, schools and the unexpected intersections of each. This album, Toneflower, presents a solo programme, meditating on many of those concepts. As an entirely improvised set of pieces, it is also inspired by Anthony Braxton’s solo alto tradition and the larger solo saxophone canon. Similarly, it draws from Magee’s prior percussive experimenta…
The Uproar in Bursts of Sound and Silence
'The Uproar in Bursts of Sound and Silence is a sort of emergent collage that came together over four years of composition, improvisation, and production. The foundations for this album were initially recorded in 2018 by producer/engineer Jack Endino (Nirvana, Soundgarden, Mudhoney, Skinyard) at Soundhouse in Seattle, WA with myself (Evan Strauss, electric bass and upright bass), 5-Track (Guitar) and Sheridan Riley (Drums). The initial foundations of this music consisted of my long-form graphica…