★A Dear Girl Called Wendy
Kvalt
Amplified metal, electronics and tapes from Denmark. Alleypisser takes inspirations from italian industrial gods like M.B. and Mauthausen Orchestra and his phenomenal use of tapes and metal ensures that Alleypisser is one of the best industrial act in Europe.. The result for Kvalt is a 7" and a c38 for something like 50 minutes of music. All package in a reel to reel box with insert.
Self Title
There are no words to say how amazing the Heinz Hopf's debut album is. They are a harsh noise duo consisting of Matthias Andersson and Dan Johansson. The first is the mind behind the label Release the bats, and the second is the man behind the moniker Sewer Election. The result is 32 minutes of pure, brutal and uncompromising harsh noise. Comparisons with Incapacitants is too easy, their love of the Japanese noise is too evident. Comparisons that do not lead to the cloning of a sound. Thei…
True Form
Lettera22 is a new project from Riccardo Mazza and Matteo Castro (of WW and Nico Vascellari fame). Influenced by the contest of their everyday living in a place compressed between countries, mountains and factories, their sight points directly to men, machines, fields.Tape loops, field recordings and feedbacks melted in a unique form by violent, dinamic and noisy structures. Blind fury moments in contrast with cavernous concrete parts give us the sound of desolation landings. What was concrete b…
Vague Maze
Pain Jerk and John Wiese are two titans of noise. Their collaborations are not a new. This is the stunning prologue, the first one, dated 2005. 7 minutes of synthesizers, electronics, noise. This is what a 7inch must be. Fast, violent, harsh. Play it at 45rpm as loud as possible you can. You know you need it. Artwork by John Wiese. Limited edition of 200 hand-numbered copies, one time presssing
Sacred Trails
Terrific new release by the cult 'a dear girl called Wendy' italian label: this recordings are a natural progression from the recent "Förruttnelsen" LP on Release The Bats. Like before filthy and decaying reel-to-reel/cassette/tape-echo loops, electronics, junk, field recordings, feedback blasts is mixed with industrial decay and creepy dynamic noise. Minimalistic textures raped by tapeloops, field recordings and junk abuse. Just raw electronics. Organic machine music. No happiness there. 7"…
Het Potatis
This meeting of noise monsters Lasse Marhaug and Tommi Keränen is heavy, intense, truly ear-shattering noise bliss, and brutal as always. Pure harsh noise
Kvavd
Sweden's finest Sewer Election returns with two new songs with his extreme and nasty noise. Side A is a destroyed reel-to-reel loop of metal that shifts into raw object+bodysounds and mangled tape. Side B is pure lo-fi / no-fi metal abuse and feedback.Primitive caveman style.Kassettmusik's evolution. Black art.
Sissy Spacek
Just arrived, stellar release as usual! FIRST EDITION ON VINYL!!! In 1999 SISSY SPACEK made their first recordings as a more or less "conventional" blur/grindcore duo consisting of CORYDON RONNAU (vocals) and JOHN WIESE (bass and drum machine). Shortly after, the band entered a recycling period in which Wiese produced a number of albums and EPs, the first of which was this s/t CD (originally released on Helicopter), transforming their original source material into hardcore musique conc…
Nothing to Eat
Italian power-duo based in Berlin Olyvetty give us these new three tracks, a melting of minimal techno driftes and power-noise fury in side A, power-noise and heavy/ethnic drumming in side B. This is the new metropolitain sound. This is Nothing to Eat. Ultra limited, 200 numbered copy
Epistasis
After the monumental 'California Ax', the solid 'French Record' and the live capture 'Glass', Sissy Spacek return with a new offer. These 17 new tracks cover territory from grindcore, noise, noisecore, and electronics. This is an extreme noise assault based on grinding drums, harsh electronics and screamy vocals no space for acoustic improvisation or melodic sounds.
Recorded in November 2008 by Charlie Mumma–Drums, Corydon Ronnau–Vocals and John Wiese–Electronics. Artwork and layout by John Wies…
LMJW
Beautiful new collaboration between John Wiese and Lasse Marhaug. Two tracks of harsh and heavy noise for 10 minutes of music, recorded in Oslo in January 2008. Limited edition one-time pressing of 200 copies. Highly recommended.