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In Spring of 2017, Experimental Sound Studio (ess.org) presented Psychotropic Electric Eel Dream IV, a four-channel sound composition for the ESS Florasonic sound installation series at Lincoln Park Conservatory, Chicago. The installation was in conjunction with Rob Mazurek's solo exhibition The Shaping Light at ESS's Audible Gallery.What you hear in the Fern Room is Psychotropic Electric Eel Dream IV by composer, musician, and visual artist, Rob Mazurek. The sounds in this composition were gene…
Love Waves Ecstatic Charge uses visual material to construct sonic architecture. The visuals are one hundred and six still images taken from an experimental video which was initially shot when Rob Mazurek was in residency at Abbaye Royal de Fontevraud, France, 2005. Upon his return from the residency he discovered the camera broken and barely operational other than the fact of being able to extract frame by frame 106 distorted still images and fragmented skipping sound that would on occasion bur…
**300 copies** "This recording, a document of a live concert, was originally supposed to have taken place on February 12, 2017. We’d been on the road for a week in Canada and had had cold but clear weather the whole time. That couldn’t last. Sure enough, by the time we got to Kingston, Ontario on February 9, it was snowing peacefully. The snow ended up sticking. I remember sitting in my hotel room when Glenn Siegel, the presenter from Northampton, called. The forecast called for more and more sn…
**300 copies** Named after a sun deity appearing in a Kurt Vonnegut novel, Borasisi is a team up between two saxophonists (Patrick Shiroishi and Vinny Golia) and two drummers (Dylan Fujioka and Alex Cline). While the cover art exhibits the signature retro feel of the Astral Spirits label, the music only nods toward the past and is, in essence, a forward-looking spontaneously creative effort. And the album is a grower. Once you get to the fifth or sixth listen, the soulful and outside power of th…
**300 copies, 2019 stock** Soon after the catchy synth-bass line that opens Electroradiance, listeners will start to suspect they’re in for something different. The synth-bass line has a herky-jerky contour that does fit a basic pattern of power-rock bands over the decades, but the bass clarinet melody that follows? Not so much. And halfway through, when the bass line becomes a vamp, and the improvisation enters a realm of altissimo squawks and thrillingly convoluted deep runs – well, we’re not …
**300 copies** Performing in concert at Iklectik in London in 2017, the UK and Norwegian free improvising trio of Pat Thomas on Moog, Theremin and IPad based electronics, John Butcher on saxophones, and Ståle Liavik Solberg on drums and percussion, impress through a mix of masterful free playing and eclectic electroacoustic conversations, an adventurous and wonderfully unpredictable set.
**500 copies** Performing live at Lily Pad in Cambridge, MA, the trio of free jazz piano legend Burton Greene with bassist Damon Smith and drummer Ra Kalam Bob Moses, in six collective improvisations, with impressive playing from all three as they segway through the three parts of Life's Intense Mystery, taking exploratory moments and even some Kid Play in between.
**300 copies** Sydney, Australia, 2010: “Are you Charles Rumback?” A chance encounter, if such a thing exists, found the drummer / composer, jet-lagged on a barstool, post-soundcheck, on a Friday in a tiny Sydney club. Calling out of context, like an incredulous kid recognizing their grade school teacher in line at the grocery store, was renowned New Orleans bassist James Singleton, having recognized Rumback from a gig just 5 days prior at the Skylark way back in Chicago. Little did Singleton kn…
Saxophone jazz deviant Sam Weinberg joins with refugees from thrash jazz agent Little Women — Andrew Smiley, guitar; Jason Nazary, drums — to form a new trio, Bloor. It’s wild, acerbic and even a bit mathematical... Similar to the electric guitar-based free jazz units like Many Arms and Matta Gawa. Their new album Drolleries comprise of ten performances that are concise and never overlong. In contrast to another Weinberg project, W-2, there’s at least a sense of premeditated composition (seven o…
**200 copies, 2019 stock** Quoniam facta sum vilis (For I have become vile in the eyes of the lord) is the newest solo album of the award winning composer and virtuoso bassist, Brandon Lopez. Created, in part, as an answer to the musical "reason" of the Bach cello suites, Lopez seeks to create the inverse of what's hailed as musical logic. To create something florid and beautiful from the violent and erratic and to deny the supremacy of the wrote in favor of the intuitive. Recorded mostly in the…
**300 copies, 2019 stock** Contrary to the fabled image, they didn’t really throw rotten tomatoes during Shakespeare’s time at The Globe Theatre. Vegetables, yes, but there are no tomatoes on record in Britain for another seven-score years after Shakespeare. No matter. The title of this album by the Rempis / Piet / Daisy trio is my own flippant gesture to the listener: "Say what you will about this music; this is what we three offer you, unapologetically. If you are revolted by the madness of ou…
**500 copies** The trio of Chicagoans Josh Berman (cornet) and Jason Roebke (double bass) and English free improvisation legend Paul Lytton came together in 2016 for a short European tour. The trio presented music from Berman’s critically acclaimed recording A Dance and a Hop on Delmark Records. On the course of the tour, the music became freer and freer, finally arriving at a unique language where trad jazz and pure sound improv come together. It’s a truly fresh sound and context for these thre…
**500 copies** The Nick Mazzarella Trio was formed in 2008 and for several years remained one of the most active working bands in Chicago’s vibrant jazz scene, performing regularly at clubs and festivals across the city, and recording three albums before drummer Frank Rosaly moved to Amsterdam in 2016. When Rosaly returned for a visit in early 2018, Mazzarella composed a suite of six new pieces for a concert commemorating the trio’s tenth anniversary. That performance, given before a full house …
**500 copies** Chicago saxophonist Dustin Laurenzi, a touring member of Justin Vernon’s Bon Iver and one-third of the inventive Chicago improvising collective Twin Talk, first encountered the music of Moondog a decade ago, while studying at Indiana University. "Initially, I liked the quirkiness of the music and the lore surrounding him," he says. Until he relocated to Germany in 1974, Kansas-born Louis Hardin Jr. was a genuine New York City fixture —a tall and gangly blind man festooned in a hom…
**300 copies, second pressing** Kuzu is a hard-charging but patient trio that came together in the fall of 2017, after saxophonist Dave Rempis, a stalwart of the Chicago improvised music scene, worked with both Tashi Dorji (guitar) and Tyler Damon (drums) individually as part of a lengthy solo tour of the U.S. that he undertook in the spring of that year. Dorji and Damon’s work as a guitar / percussion duo has become well-known, a highly refined and specific language developed through relentless…
**500 copies** A few years ago I had this crazy idea... Why not ask Obnox aka Lamont "Bim" Thomas to make a free jazz record? After seeing him on tour playing drums with Cleveland out-rock legends X_X, I just had to try and make it happen. Bim, who is no stranger to making out-there genre defying records, surprised me a bit by happily agreeing. It seems a bit of a cliche to try and get rock people to make jazz records, or jazz folks to make rock records, but what the hell? Of all people, Obnox s…
Outrageous. Rabid. Explosive. #Wtf? Whatever words you throw at Borbetomagus saxophonist Jim Sauter and Oneida / Man Forever drummer Kid Millions, they’ll chomp ‘em up and respond with a gargantuan roar to erase all notions of what a horn and skins can do. The duo’s prior albums were built of tightly, clustered bursts and barbed assaults. On Safe & Sane, Sauter and Millions eschew brevity for ultra-endurance. The opening “Chrysanthemum,” clocks in at 32 minutes and continues on Side B before a f…
We've been waiting a while to tell you about this LP, and yes we couldn't be happier to present the one and only Thurston Moore with Umut Caglar (of Konstrukt) who give us an absolutely stunning album of guitar duets entitled "Dunia." Dunia was recorded in Istanbul, Turkey during the same trip that teamed Thurston Moore with Konstrukt for a concert. The duo recording was done quietly in a studio as an aside on the very same trip. There is little here that will come as a true surprise to those fa…