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Blume

Hemispheres
Going back to his early musical inspirations in the early seventies, Werner Durand was fascinated with the multiple saxophone sounds coming from Terry Riley's Poppy Nogood and Happy Ending, Dickie Landry's Fifteen Saxophones and Ariel Kalma's Reternelle. His particpation in the Parisian saxophone ensemble Urban Sax in 1976/77 became a starting point for his own musical endeavours. The 2 saxophone pieces presented here were composed and recorded roughly 10 years apart and document his move from f…
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