We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*2023 stock* Leadlined is a 35-minute lamentation of the perverse ideology of the English, shaped by sound collage and heavy electronics. Heaving drones of memory churn the decayed hum of modernism and the spiritual bus routes of the past. £40 million of military hardware flying low over the colonial jugular; the knifing wind off the Kentish coast, shearing through the tendons of Roman roads and Saxon shores. Through the record’s mediation of these imagined pasts and displaced futures — the sine…
Free Time/dead Time is the first full-length 12" LP from Robbie Judkins’ long-running experimental sound project Left Hand Cuts Off The Right. The album combines elements of focused minimalism, experimental electronics and twitching musique concrete to create a series of meditative compositions that reflect on the precarious boundaries between labour, leisure, and the quality of lived experience under late-capitalism. Judkins exploratory practice of sonic experimentation invokes the work of Blac…
"A couple of months before lockdown, the housing block where Tom White lived got covered in scaffolding. Residents were left in a building veiled by translucent white netting for months on end. This composition was made in this specific urban lockdown context: the fridge whirs, birds chirp on scaffold poles, electromagnetic activity & tape loops reverberate on the eardrums, within the home and out into the world. Composed of archive and site specific sounds, spring 2020. Medina Vibrations was o…
Opal X’s Environments is a deep droning meditation on the polar vortex and computer generated environments. Recorded on the Prophet 8 synthesiser in weeks where temperatures dropped to -8° in subzero South London, Opal X conjures a hallucinatory snowstorm where material and augmented realities coalesce. Environments is mastered by the ice cold Amir Shoat. Following previous releases for The Tapeworm and Industrial Coast — and building on the topographical rust of the Nonexistent project — Enviro…
Unlimited Dream Company is the latest barrage of rhythmic industrial noise from Iker Ormazabal Martinez. The release is 40 minutes of tense sleep paralysis in which piledriver basses, blown out kicks, slicing synths and growls of feedback straddle sub pressure drones. IOM’s voice is minced by this machine churn: the infernal drill master swallowed up and regurgitated by his nightmares in a fugue of recoiling anguish. Bringing to mind the great Esplendor Gemoterico, IOM channels a torrent of frus…
Noise Against Fascism flexes their tendons, clenches their fist and pulls back from the brink to deliver a blistering cacophony of harsh electronics for a new release on Brachliegen. Hand/Fist is aural struggle against a feeling of contemporary socio-political melancholia, manifest in two differing approaches to confrontational noise and bludgeoning tone. In the wake of a relentless decimation of social communality, Mathias Kristersson cites the importance of art and utopian ideals for both the …
Brachliegen are proud to present Break Down, the first release from Sakostamu, the collaborative project of Vasilis Sakkos (Casual Nun) and Tasos Stamou. The pair layer chanting vocal groans, wandering bells, weaving drones and haunting plucked strings through a four track tape recorder; this ritualised process builds a rich textual palette, burrowing deep to create a den of sonic transcendence, a place where shared cultural histories and individual wounds are broken down and confronted. A work …
Scree is two heaving slabs of feral tone from Heavy Cloud, inspired by the immense natural forces at work on the Cornish coastline. Tidal waves and searing sunlight batter and erode, crack and burn the ever shifting topography of the country’s precarious fringe over 21 minutes of processed heavy electronics. Scree is a pair of noise ‘landscrapes’ in-spirited by the Cornish coastline, formed over time from eroding loops and voices, processed field recordings and found sounds. Heavy Cloud observes…
Concrete Tombs is the second volume in Axebreaker’s Bunker Archaeology dyad of cassettes, following vol. 1: Military Landscapes released on Outsider Art. Concrete Tombs is a work of anti-fascist power-electronics drawing upon cultural theorist Paul Virillio’s “Bunker Archaeology”, in which the architect and aesthetic philosopher writes about the ominous bunkers of the Third Reich which linger on France’s coasts as ruins. Axebreaker melds field recordings of howling winds with a dirge of thick el…
Pearly is a fizzing, hallucinatory noise release from Tom Betteridge, consisting of two oleaginous sound poems, entirely improvised with minimal stitching and post-processing. Phantasmatic vocal improvisations are mulched into something oblique to speech, becoming sharded utterances part-lost in swathes of noise. Working with cassette tape recorders & close miking techniques, Betteridge upends the standard listening hierarchy of aural objects; tipping the scales, the human voice brushes against …
Welsh Noise Vol. II is a collaboration between Megzbow and Vinegar Tom, constructed primarily from field recordings taken in Pembrokeshire during the summers of 2021 and 2022. Fragments of additional audio are lifted from the film work of Margaret Tait. Sounds are processed, stretched and sequenced across nine tracks of droning collage which draw upon the internal rhythms of country life. The yearning growls of Ronnie the cat commingle with the sounds of cowmen at work, crackling log fires, DIY …