★Buh Records
Interregno + Smetak
Special bundle of the two seminal Walter Smetak albums re-issued by Buh Records, among the most sought-after releases in the canon Latin American experimentalism, channeling mystical religion, Afro-Brazilian ritualistic traditions, microtonality studies, and open, collective improvisational processes,
Música Para Cinta Magnética (+) Instrumentos
2LP version. Edition of 300 copies. Mesías Maiguashca is a relevant figure on the map of contemporary avant-garde composers. Born in Ecuador but currently based in Germany, he has been a composer who, since the 60s, would constantly expand his possibilities in fields such as electronic music (where he stands out as a pioneer), mixed works, expanded interdisciplinary pieces and the creation of unconventional instruments, where the encounter between his country of origin’s popular folkloric tradit…
Paracas Ritual
** Edition of 300 copies. Album includes booklet of 12 pages with photos and liner notes ** Manongo Mujica is a Peruvian percussionist, composer and visual artist. His constant search for sounds, from native to electronic, has even led him to compose music from silence. Norway’s Terje Evensen specialises in improvised modern jazz combined with electronic elements, creating spacious and dramatic soundscapes of profound intensity. Paracas Ritual, the new album by Manongo Mujica and Terje Evensen, …
Apophenia
** 2021 Stock ** Apophenia: the tendency to perceive connections and meaningfulness in random noise, e.g., clouds resembling animals or human faces. Ale Hop’s Apophenia suggests possible and reimagined South American geographies. Along with atomized field recordings and sound samples she recollected from video archives from her homeland, Peru, the composer interweaves unknown territories by mimicking mountains and oceans, but also grey skies and violent cities, with droning and shrieking texture…
Interregno
** Edition of 500. Includes booklet with photos and texts in Portugues and Spanish ** The second album by the legendary Swiss artist and composer, based in Brazil, Walter Smetak, opened a new field of exploration within his own musical horizon. With the publication of “Smetak” (1974), a musical universe had been defined where Afro-Brazilian ritual traditions, studies of microtonality and open processes of collective improvisation converged, always under the influence of theosophy, which allowed …
Smetak
**Edition of 500. Gatefold Edition. Includes booklet with photos and texts in Portuguese and English ** Walter Smetak was a Swiss cellist, composer, inventor of musical instruments, sculptor and writer who developed his career in Salvador, Brazil, and became an emblematic figure of the Bahian avant-garde and a key part of the cultural climate that made the rise of tropicália possible. Since 1969, he has carried out various workshops of experimental music at University of Bahia. His music was mat…
Atem: Piezas para acciones e instalaciones 1999-2019
Sergio Zevallos, a Peruvian artist based in Berlin, has been active since the 1980s, when he was a member of the Chaclacayo Group, one of the most radical artist collectives in Peru, dedicated to performance art. Since then, Zevallos has been interested in composing his own soundtracks, writing scores with invented notation, working with recitation of texts and recordings of people talking, elements that he later used as raw material for his compositions.
Zevallos' work has been developed in a m…
Recursos Inhumanos
Varsovia’s Recursos Inhumanos (Inhuman Resources), a classic album of Peruvian synth punk, is finally available in vinyl format. Since it’s appearance in 2014, Varsovia surprised many listeners with its combination of punk and synthesizer electronics, in the best tradition of groups such as Kraftwerk, Suicide, Chris & Cosey or Aviador Dro. Using sequencers and drum machines, loud guitars and a voice that oscillates between whispers and shouts, the band builds songs that offer a freewheeling and …
Cathedral
Christian Kobi is one of the leading names on the improv scene in Bern, Switzerland. His work includes collaborations with Phill Niblock, Jürg Frey, Taku Sugimoto, and Keith Rowe. His new album, “Cathedral”, closes a trilogy for saxophone solo that started with “Canto” (2010) and “r a w l i n e s” (2013), and which was recorded in the former Swisscom high-bay warehouse - probably the largest underground space in Bern.
That space serves Christian as a place of exploration of sound, silence and ac…
Alturas
When Acid Mothers Temple and Richard Pinhas visited Lima for the first time, in November 2017, to participate in the experimental music festival "Integraciones", Luis Alvarado, the director of Buh Records and curator of the festival, summoned the Japanese and the French musicians to Manongo Mujica's studio and invited Juan Luis Pereira (El Polen) to join them for a recording session. The result was this album which finally comes to light, and where a variety of instruments and sensibilities are …
Lorca: Lost Tapes (1989-1990) LP
Buh Records present a new album by Peruvian composer and musician Miguel Flores. Lorca: Lost Tapes (1989-1991) recovers unpublished recordings made for stage works inspired by the life and work of the great Spanish playwright, Federico García Lorca. It is an atmospheric and minimalist album, where you'll find flamenco airs, Andean and Afro- Peruvian sounds, vocal experimentation, and various sound effects, all stitched together in a simple but creative studio montage, which turns these pieces in…
Registros De Una Saga Post Punk En El Peru (1986-1990) LP
Salón Dadá was a Peruvian post-punk band made up of Támira Bassallo, Jaime de Lama, and Juan Huamán Hoover, active in the Lima underground movement of the '80s, known as rock subterráneo. They left no official recordings, but at the end of 1986, they did record a four-track rehearsal which began to circulate as an unofficial demo, becoming a classic of the period. Ensayo 1986 (Rehearsal 1986) is now published for the first time on vinyl. Presented as a 7" EP, this new addition to the Essential S…
Ensayo 1986
Salón Dadá was a Peruvian post-punk band made up of Támira Bassallo, Jaime de Lama, and Juan Huamán Hoover, active in the Lima underground movement of the '80s, known as rock subterráneo. They left no official recordings, but at the end of 1986, they did record a four-track rehearsal which began to circulate as an unofficial demo, becoming a classic of the period. Ensayo 1986 (Rehearsal 1986) is now published for the first time on vinyl. Presented as a 7" EP, this new addition to the Essential S…
Interactions A Guide to Swiss Underground Experimental Music
Interactions: A Guide to Swiss Underground Experimental Music, a double-LP compilation curated by Luis Alvarado and published by Buh Records, brings together 27 works by more than 30 artists from the current experimental music scene in Switzerland, in a variety of sounds, ranging from free improvisation, ambient, and industrial music, to synthesizer music, sound collage and more. It gives an account of the intense creative activity in the Swiss underground that runs through cities such as Zürich…
Maqui de Hierro
Jardín was made up of Orlando Ramírez and Raúl Gómez, and has been a true cult band of Lima's experimental underground since they made themselves known at the end of the 1990s, when they started playing at electronic music venues as well as in the context of art performances and contemporary dance events. Maqui de Hierro, their fourth published work, defined the sonic universe of the duo, in which electronic cosmic experimentation converges with hypnotic rhythmic patterns inspired by ritual perc…
Ciclos
Tajak is a Mexican trio of psychedelia, drone and shoegaze, a powerful sound that has made them one of the revelations of psychedelia emerged in Latin America, which has led them to play in various international festivals. Ciclos represents the maturity of a sound and is an effort from the band to represent a path, going through the different facets of being, in a plane that transcends time. The trio chose to experiment with new ways of composing experiences. This album is a trip through the nev…
Peru's Master Percussionist
Julio "Chocolate" Algendones is one of the essential percussionists in the great tradition of Afro-Peruvian music. Peru's Master Percussionist collects recordings made in 1990 in Las Vegas, during a trip that the artist made as a member of Peruvian jazz group Perujazz. The album was produced by the Englishman J. Blue Sheppard and released in 1991 by the New York-based label Lyrichord. It also includes a track originally recorded and published in Lima, in 1984. This reissue on Buh Records present…
Geometría del vínculo
Based in the city of Buenos Aires, Argentina, Sales de Baño is a group that brings together musicians of different nationalities. Led by Colombian composer and bassist Carlos Quebrada, their sound explorations have led them to expand the languages of jazz, and incorporate elements of experimental rock, contemporary music, and free improvisation. Geometría del vínculo (Geometry of the Bond) is Sales de Baño's third album, can be understood as an avant-garde jazz album which is also connected with…
Grabar y Coagular, A History of Audio Pieces By Peruvian Artists
Buh Records present Grabar y Coagular: A History of Audio Pieces By Peruvian Artists (1972-2018), the first collection that explores the relationship between recording art and conceptual pieces. With a range that goes from experimentation in sound poetry to radio art, eccentric compositions that evoke the Fluxus's spirit, appropriationism, and more. In Peru, the visual arts and sound creation have, in the last years, taken a common path: visual artists have begun to produce sound creations, expe…
Anexo3
Anexo3 (2017-18) was composed by Jaime Oliver La Rosa and Ensemble KLEM over residencies in Bilbao, Lima, and Santiago de Chile, through elaborated processes of sound design, experimentation, improvisation, recording, and reflection. Often processed beyond recognition, violin, flutes, and saxophones are performed along güiros, motors, and a system of aluminum plates, struck and induced into resonance through feedback processes controlled by microphones, transducers, and computer software and joi…