★Bureau B
The Sum Of Our Wounds (Cassette Recordings 1973-85)
Red Vinyl, edition of 500. The archetypal Martin Rev sound – a perennial influence on generations of musicians – is most prominently in evidence in the works of Suicide, the duo he played in across the decades with with Alan Vega. However, the radical and distinctive nature of his music can be traced further back in time, originating in the base energy of rock’n’roll which the teenage Rev experienced as the ubiquitous soundtrack to his home city of New York.
Geltungsbereich Universum
LP version. All the herbs have been smoked. Datashock deliver a new album: Geltungsbereich Universum. Their second for Bureau B and the eighth in a career as an internationally active collective of musicians which has spanned two decades (so far). Space is the place, as the moonstruck sparrows sing from the rooftops, or is the Earth the most beautiful place in the universe? Some say yes, others no. Datashock say nothing at all."Twenty years and counting, and yet here they are, as shoulder-shrugg…
Attack Time
With Attack Time’ by sound tinkerer Zeus B. Held, Bureau B is re-releasing one of the most exciting records of the original experimental Kraut-pop period. After various stints, including prog band Birth Control and underground dance tipple Gina X Performance, he also put out a string of solo releases. ’Attack Time’, originally released on Aladin in 1981, gave Zeus B. Held the opportunity to experiment sonically outside the mainstream and subversively undermine the hegemonic MTV sound of the earl…
Sprung Aus Den Wolken
*2023 stock* The Berlin project Sprung Aus Den Wolken was part of the "Geniale Dilletanten" movement in the early 1980s, along with Einstürzende Neubauten and Mechanik Destrüktiw Komandöh. The band first released an EP on ZickZack in 1981, followed by further releases on the band's own record label Faux Pas in 1982 and 1983, then on the French outlet Les Disques Du Soleil Et De L'Acier until 1991. The track Pas Attendre was part of the soundtrack of Wim Wender’s movie Der Himmel über Berlin a…
Material
*2023 stock* "On their second album Material, originally released on Sky Records in 1981, Moebius & Plank ventured far, far away from the double coordinates of the Harmonia world and pop music cosmos. Amazingly, they did not find themselves floating in space, but made an exemplary landing, avoiding getting caught between a rock and a hard place. Material saw them generate a form of genre-busting electronic music, more radical than anything one might have expected to come out of Germany, not even…
To Live
American indie label File 13 Records released what was already Martin Rev's sixth solo album in the autumn of 2003. The previous year, Rev and his musical partner Alan Vega had struck out in a new direction on their "American Supreme" album and Rev's solo works continued in a similar vein. If "Strangeworld" from the year 2000 actually felt more like a timeless abstract of Martin Rev's entire spectrum of musical influences, "To Live", three years later, introduces more contemporary elements, incl…
Allez-Teia (Heldon II)
*2023 stock* Bureau B present a reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but their greatest impact came early. When he first saw them play, Pinhas was struck by music played during intermission. "When I saw (King Crimson guitarist) Robert Fripp and Brian Eno perform in Paris later, I realized that the interm…
Double Cut
*2023 stock* The second of two collaborations involving Moebius and Gerd Beerbohm, Double Cut sounds miles away from the relatively harmless electronic/pop experiments of solo work by Moebius or Cluster. Consisting of only four extended tracks, the album expresses the dark side of electronics courtesy of the repetitive trance-state on "Hydrogen" and "Minimotion." Double Cut is much closer to electronic inheritors in the experimental and techno fields than Moebius' usual new age pursuits.
Offene Türen
*2023 stock* "...Offene Türen shows a more avant-garde side. The pieces in their brevity are often sketchy, acting as sound miniatures. The instrumentation is minimal with origins in the Selbstportrait series, with sound effects backing the Farfisa organ. There are also songs like 'Allemande,' which sounds a bit like a burlesque folk dance, or 'Abenteuerliche Begegnung' and 'Besucher im Traum' which resemble in their romantic mood more typical Roedelius music." - Jochen Rindfrey
The Diary Of The Unforgotten - Selbstportrait VI
*2023 stock* A beautiful collection of recordings from 1972 to 1978, first released in 1990 (with different artwork). "Selbstportrait VI" contains compositions Roedelius did in addition to his work with Cluster, Harmonia and Brian Eno in the legendary Forst years. In the booklet Roedelius looks back on this personal and artistical important period of his life. He explains the magic of the idyllic place and its influence on his music.
Wie Das Wispern Des Windes ... / Like The Whispering Of The Wind...
*2023 stock* If we can agree on 1969 as the year of Cluster's inception, then Roedelius needed a good 17 years to discover the aural qualities and musical beauty of the grand piano for his own compositions. Rarely has the title of a Roedelius album so poetically and yet so accurately described its content. On "Like The Whispering Of The Wind" from 1986 Roedelius expands his Études towards amorphousness, then suddenly a disarmingly familiar melody appears, from a completely different source perha…
Rot
** 500 copies. Limited 50th Anniversary Edition: embossed, reverse board, hand numbered, limited edition red vinyl ** There was a particular type of artist who could only have emerged in the legendary early 1970s. Few musicians fit the bill better than Conrad Schnitzler. Revolution, pop art and Fluxus created a climate which engendered unbridled artistic and social development. Radical utopias, excessive experimentation with drugs, and ruthless (in a positive way) transgression of aesthetic fron…
Oceanheart
Harald Grosskopf is best known as drummer in the band Ashra and for Klaus Schulze ("Moondawn") and as an electronic musician. Following "Synthesist" (1980, see below), "Oceanheart" was his second solo album. It may sound like a child of the 1980s, but in a compositional sense it is related to the Berliner Schule / Berlin School of the 70's. The reissue comes with a new artwork and was mastered from the original tapes.
Silberland Vol 2 - The Driving Side Of Kosmische Musik 1974-1984
Welcome to Silberland – where the streets are paved with strobes. Home to neon lights, straight lines and open roads, this futurist fantasy was ï¬rst founded in the mid-seventies, when Germany's creative class chose musical therapy in order to indulge their shared hallucination of a new Europe. Fuelled by the catalytic fusion of globalisation and new technology, the world was turning ever faster and the kosmische generation were ready to keep the pace. With synthesisers, rhythm computers and hu…
Gegenwelt
Gegenwelt (Parallel World) is the second LP by CEL, a duo Kubin and Zemler formed. More melodically-evolved than their eponymous 2020 debut, it is an even more explicit example of the syncretic impulse that impelled these guys to form the band. Their basic notion was to explore the juncture between two streams of German underground sounds -- the Motorik 4/4 rhythms first posited by Can's Jaki Liebezeit and Kraftwerk's Klaus Dinger, and the sequencer-driven brain loops of early, experimental pion…
Im Tal der Stutzer
You might've caught CV Vision in Berlin, either on stage or behind the mixer at some of his favourite clubs like Arkaoda, Heiners or O Tannenbaum. He could be accompanied by synths, or drum kit, or even full band – channelling his love of Bo Hansson and Claude Larson, or Soft Machine and Picchio dal Pozzo. Always heavy on the backbeat, the songs awash with heady synths and expansive psych inversions. Taking inspiration from deep in the mediaeval mists of times long past, CV Vision comes riding o…
Cas-Con II
As part of our series "Experimental Electronic Underground GDR", we are very pleased to be able to make a very special recording available again. On the evening of 3.9.1986, the privately announced and illegal concert took place in the Erlöserkirche in East Berlin/GDR. Montgomery mixed Schnitzler's music live from the tapes. Jörg Thomasius recorded the performance and released the recording in 1987 on his own underground cassette label Krötenkassetten. The elaborately restored original recording…
Arles
Renowned acid cosmologist Johannes Auvinen, best known by his alias Tin Man, leaves the club floor behind for a full-length kosmische excursion on Bureau B. Since his first Tin Man records nearly 20 years ago, Auvinen has impelled acid—in the grand tradition of Phuture and co.—into shapes and forms heretofore uncharted. He does it again on his latest, "Arles," exploring a new realm of impressionistic beauty where pristine, heartfelt melodies dance delicately atop austere motorik rhythms. It's a …
Echo Neuklang (Neo-Kraut-Sounds 1981 – 2023)
Christoph Dallach, Andreas Dorau and Daniel Jahn present Echo Neuklang, a compilation which explores the question of how Krautrock has influenced generation after generation of musicians since its inception. A contentious genre at the best of times, the music within its spectrum is essentially intangible. The common thread running through it is a compulsion to seek out the new. Beginning in the year 1981 and extending as far as 2023, the music in this collection demonstrates how the idea of what…
Momentaufnahme II
Originally part of 2021’s Faust Box Set release commemorating the bands 50th anniversary Momentaufnahme I and II are now set for their own stand alone release by popular demand. This is for all those that missed out on the limited edition box set release. They collect together music recorded at the band's studio - a converted schoolhouse in rural Wümme between 1971 and 1974 in a similar vein to the way in which 'The Faust Tapes’ (released in 1973) was assembled. These two albums range from minim…