We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Siapiau is Welsh for 'Shapes', as the four members of the band create shapes in the air out of apparently nothing. The beauty of improvisation is that, at its best, it creates something perfectly fitted to the moment it was created in. Siapiau is a new project from four improvisers who have been playing together in different formats for over twenty years. It's a band who aren't afraid of the experimental but aren't afraid of a good groove either. It's improvised music that you could, at times, d…
Murmurists is a group of artists which convenes periodically to perform large-scale multi-media events using texts and graphic-scores composed and directed by Anthony Donovan. This CD, recorded over a significant span of time, draws upon such live and studio performances, channelling these years of diverse activity into a brand new work. Call it music theatre, sound design, documentary – as you will.
I like slow work. This is the third, and I think concluding, iteration in album form of an inten…
A suite of four new compositions from Johnny Hunter, performed beautifully, stylishly, and most creatively by this trio of great players. The music treads a fine line between free jazz and free improvisation, areas where these musicians live easily and naturally. By turns exciting, textural, sensual, joyously cool. Johnny writes "The recording came off the back of the trio's tour where they were performing purely Free Improvisation. The interest is in how they would now treat some composed mater…
Paris, marked by the passage of time - Paris, alive and cosmopolitan -Paris, inspiration to poets - The City of Light!
“3D@Paris” interweaves music with the sounds of everyday life in Paris. Let yourself be swept along on a dreamy stroll through the city. The charm of murmuring voices. The fascinating musicality of crumpling paper, the rhythmical beat of the Metro. The musicians respond, enhance, offset. There is a beguiling story being told here.
As a composer, Cécile Broché proposes a complete…
Two mountains, three meditations, and three murmurations, interwoven in dynamic duo performance, presented in order of emergence at the time of the music’s making. Tromans and Sanders have worked together on a number of projects in the last decade, including Tromans’ Birmingham-Chicago Improvisers’ Ensemble (as featured on BBC Radio 3) and Sid Peacock’s acclaimed Surge Orchestra, but this is the first time they have recorded together in a duo setting. The session was suggested by Sanders in earl…
3xCD set of Anthropology Band live in 2022 at the Newcastle Festival Of Jazz And Improvised Music and at Café Oto, London. The band's current 8 piece line up was on fiery form for both gigs, playing a mixture of both old and new material to full houses. With the electric 70s music of Miles Davis as its starting point and the improvised abstraction of AACM as its end point, these recording show a band growing out of the studio and going from strength to strength as it hits the stage.
Paul Dunnall’s dynamic Birmingham quintet’s release Yes Tomorrow was a Discus highlight of 2022. We enjoyed the release so much that we took the unusual step of suggesting he add Julie Tippetts and Charlotte Keeffe to the group to make a second release. Paul embraced the idea with enthusiasm, and came up with this suite for the expanded group. The result is a freewheeling set with a great “live gig” feel, which gives plenty of space for each player to shine, and which mixes some tight compositio…
Theta Six – OUA’s sixth album – is an ever morphing tapestry of new sounds arriving via wormhole direct from the left field progressive sound universe. It evolved from a studio session of bass driven rhythms followed next day by a marathon free-improvisation session. These sessions were amalgamated through a high impact collision which made extensive use of chance procedures, and then carefully sculpted and arranged for horns and voices by Martin and Jan.
The music is heard as a single continuou…
"During 2019 Keith, Julie and myself had discussed the idea of a new Couple In Spirit album for Discus Music. Rather than choosing one of the many possible live recordings of the duo, Keith and Julie were keen to make a new multi tracked studio recording, something they had not done for 30 years since their EG release. The studio was booked for spring 2020, and the project was opened for advance subscriptions. The New Year arrived, lockdown kicked in, Keith’s already fragile health deteriorat…
*In process of stocking* "Sting And Grid is an album of great joy and great sensitivity which bears repeated listening due to its relatively calm nature. A real delight for any improv lovers." – Mr Olivetti, FREQ
Two world class players from the Manchester UK free improvisation scene deliver here a beautifully recorded set of pieces founded on pure instrumental skill. Hanslip's elegant, singing lines are delivered with calm and precision, driven by Cheetham's multi-textural percussion.
*In process of stocking* "Wild, wooly, wet, wacky, and quite wonderful new outing from Discus’s primo sound-warping sextet, led by arch poet/spoken word maven Bo Meson. Eccentric is but one mild way to describe the spontaneous wordplay, improvisational acrobatics, and general weirdness to be found percolating across this bafflingly odd disc. Behind Meson’s stream-of-consciousness phrasing lurks guitarist Andy McAuley, synthesist Jez Creek, saxophonist Martin Archer, bassist Peter Rophone, and ce…
*In process of stocking* "Ostensibly ‘jazz’, but you’d be hard-pressed to adopt that term here, as the duo stretch the definition of such pat categorizations to the point where genre effectively becomes meaningless. Just gorgeous, pure music. Softly, as in a morning sunrise." - Darren Bergstein
Music the listener can sink into, immersing themselves in lush textures, and bathing in the richly varied harmonies and sonorities. Ripples began life with an experimental session designed to explore the …
Family Band is the eponymously titled 3rd release from this quartet of like-minded friends and collaborators. This is a band in the truest sense, with no leader contributions come equally from Kim Macari on trumpet, Riley Stone-Lonergan on tenor saxophone, Tom Rivière on double bass and Steve Hanley on drums. The group met while studying at Leeds College of Music in 2008, founding the band in 2015.
The album was recorded over two days in early February 2020 by Tim Thomas in an old farm outbuildi…
Six years in the making, Micromotives represents a dynamic and empowering vision of real-time collective composition, created by composer Moss Freed and showcased by large ensemble Union Division. With improvisation and sociality at its core, this is dazzling and surprising music that shifts nimbly between materials and structural events, encouraging synchronicity and collaboration while giving unusually high levels of creative control to individual performers.
The aim of the project was to engi…
On July 16 2021, Shiver (Guitarist Chris Sharkey, Bassist Andy Champion and Drummer Joost Hendrickx) met up with Pianist Matthew Bourne at his house in Airedale, Yorkshire. Hungry to make music following various lockdowns, cancellations and disappointments, the quartet embarked on a ferocious two-day journey of exploratory music-making. The weather was good, the connection was immediate. There was much laughing, tea-drinking and storytelling. In the evening, the stove was lit and we listened to …
*In process of stocking* ZZAJ: Jazz from the 23rd Century, is a thrilling new collection of music featuring 34 new songs – all previously unreleased – from artists from all over the world. The brainchild of producers/multi-instrumentalists Jerry King (Cloud Over Jupiter, Moon X, John Shirley & Jerry King) and Dave Newhouse (The Muffins, Manna Mirage, Moon X), ZZAJ asked musicians to interpret jazz from various conceptual viewpoints, particularly avoiding traditional jazz sounds. Says King, “It’s…
Steve Day, poet, writer, percussionist has been around Discus Records for several years contributing sleeve notes for Keith Tippett recordings as well as reviews and other wordplay. Although he and comrades Peter Evans, Julian Dale, Mark Langford, have recorded for other labels, the Day Evans Dale Ensemble is a completely new venture with regular live dates in a range of venues. This seemed like an appropriate time to bring their 'new thing' to Discus Music; a mix of spoken word and spontaneous …
About a year ago I handed Tony a CD of Saint Hildegard von Bingen's spiritual songs to listen to, and the next thing I know he has played an entire hour long drum track alongside the recording, in one sitting- and that it was so right. The sounds of his rolling-thunder-in-the-distance drumming and the ethereal monophonic vocal lines perfectly complimented, and my inspiration to try singing some, then add violin/viola layers with pedals and improvise, was ignited. In learning some of these beauti…
A new trio from three master improvisers in the great sax / bass / drums tradition. This suite of compact pieces sees the players move between pure jazz skill and areas where extended techniques on all three instruments take the music into more textural and abstract areas. Paul Hession has played percussion with a wide range of improvising musicians from around the world including Derek Bailey, Peter Brotzmann and Marshall Allen. Bassist Michael Bardon featured in the Nat Birchall Quartet and S…
'An investigation into some smaller sounds and interactions from this new trio, plus a few excursions into more expansive territory. All of the music was improvised and performed as heard, apart from the coda of the closing track Rotten Star which is a collage. Heartless, Heartless…… / Rotten State edits together, in alternation, parts of two separate longer improvisations. Pat plays grand piano interior and keyboard simultaneously for much of the album, while Johnny responds with sounds from a …